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2014 Reprint of 1894 Edition. Full facsimile of the original edition. The "Frontier Thesis" or "Turner Thesis," is the argument advanced by historian Frederick Jackson Turner in 1894 that American democracy was formed by the American Frontier. He stressed the process-the moving frontier line-and the impact it had on pioneers going through the process. He also stressed consequences of a ostensibly limitless frontier and that American democracy and egalitarianism were the principle results. In Turner's thesis the American frontier established liberty by releasing Americans from European mindsets and eroding old, dysfunctional customs. The frontier had no need for standing armies, established churches, aristocrats or nobles, nor for landed gentry who controlled most of the land and charged heavy rents. Frontier land was free for the taking. Turner first announced his thesis in a paper entitled "The Significance of the Frontier in American History," delivered to the American Historical Association in 1893 in Chicago. He won very wide acclaim among historians and intellectuals. Turner's emphasis on the importance of the frontier in shaping American character influenced the interpretation found in thousands of scholarly histories. By the time Turner died in 1932, 60% of the leading history departments in the U.S. were teaching courses in frontier history along Turnerian lines.
American historians such as Frederick Jackson Turner have argued that the West has been the region that most clearly defines American democracy and the national ethos. Throughout the twentieth century, the "frontier thesis" influenced film and television producers who used the West as a backdrop for an array of dramatic explorations of America's history and the evolution of its culture and values. The common themes found in Westerns distinguish the genre as a quintessentially American form of dramatic art. In Hollywood's West, Peter C. Rollins, John E. O'Connor, and the nation's leading film scholars analyze popular conceptions of the frontier as a fundamental element of American history and culture. This volume examines classic Western films and programs that span nearly a century, from Cimarron (1931) to Turner Network Television's recent made-for-TV movies. Many of the films discussed here are considered among the greatest cinematic landmarks of all time. The essays highlight the ways in which Westerns have both shaped and reflected the dominant social and political concerns of their respective eras. While Cimarron challenged audiences with an innovative, complex narrative, other Westerns of the early sound era such as The Great Meadow (1931) frequently presented nostalgic visions of a simpler frontier era as a temporary diversion from the hardships of the Great Depression. Westerns of the 1950s reveal the profound uncertainty cast by the cold war, whereas later Westerns display heightened violence and cynicism, products of a society marred by wars, assassinations, riots, and political scandals. The volume concludes with a comprehensive filmography and an informative bibliography of scholarly writings on the Western genre. This collection will prove useful to film scholars, historians, and both devoted and casual fans of the Western genre. Hollywood's West makes a significant contribution to the understanding of both the historic American frontier and its innumerable popular representations.
This book contains four essays by and about Frederick Jackson Turner (1861-1932), the Wisconsin-born historian whose ideas and writings have had such a profound impact upon the way Americans view their past, and their place in the world. It is a book not only for the scholar and teacher (who will find it both useful and incisive), but also for the mythic "general reader" who wants to broaden and enrich his aquaintanceship with Turner and the celebrated Frontier Thesis. In addition to essays by Turner and by Martin Ridge of The Huntington Library and the late Ray Allen Billington, the book is illustrated with photos from the State Historical Society of Wisconsin.
Excerpt from The Significance of the Frontier in American History In the settlement of America we have. To observe how Euro pean life entered the continent, and how America. Modilled and developed that life and reacted on Europe. Our early history is the study of European germs developing in an Amcricau environment. Too exclusive attention has heen paid by institutional students to the Germanic origins, too little to the American factors. The frontier is the line. Of most rapid and ell'ective Americanization. 'l'hc wilderness masters the colonist. It tlnds him a. Liurolican in dress, indus tries, tools, modes of travel, and thought. It takes him from the railroad car and puts him in the birch canoe. It strips 011' the garments of civilization and arrays him in the hunting shirt and the moccasin. It. Puts him in the log cabin oi' the Cherokee and Iroquois and runs an Indian palisade around him. Before long he has gone to plantinpr Indian corn and plowing with a sharp stick: he shouts the war cry and takes the scalp in orthodox Indian fashion. In short, at the fron I tier the environment is at first too strong for the man. He must accept tho conditions which it furnishes, or perish, and so he tits himself into the Indian clearings and follows the Indian trails. Little by little he transforms the wilderness, but the Outcome is not the old Europe, not simply the devel opment of Germanic germs, any more than the first phenom enon was a case of reversion to the Germanic mark. The fact is, that here is a, new product that is American. At first, the frontier was the Atlantic coast. It was the frontier of Europe in a very real sense. Moving westward, the frontier became more and more American. As successive terminal moraines result from successive glaciations, so each frontier leaves its traces behind it, and when it becomes a settled area the region still part-altos of the frontier characteristics. Thus the advance of the frontier has meant a steady movement away from the in uence of Europe, a steady growth of imlepcndence on American lines. And to study this advance, the men who grew up under these conditions, and the political, economic. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Most history concentrates on the broad sweep of events, battles and political decisions, economic advance or decline, landmark issues and events, and the people who lived and made these events tend to be lost in the big picture. Cayton's lively new history of the frontier period in Indiana puts the focus on people, on how they lived, how they viewed their world, and what motivated them. Here are the stories of Jean-Baptiste Bissot, Sieur de Vincennes; George Croghan, the ultimate frontier entrepreneur; the world as seen by George Rogers Clark; Josiah Hamar and John Francis Hamtramck; Little Turtle; Anna Tuthill Symmes Harrison and William Henry Harrison; Tenskwatawa; Jonathan Jennings; Calvin Fletcher; and many others. Focusing his account on these and other representative individuals, Cayton retells the story of Indiana's settlement in a human and compelling narrative which makes the experience of exploration and settlement real and exciting. Here is a book that will appeal to the general reader and scholar alike while going a long way to reinfusing our understanding of history and the historical process with the breath of life itself.
Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians—and bloody battles—at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity. Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices—those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American. Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.
Excerpt from The Frontier in American History In republishing these essays in collected form, it has seemed best to issue them as they were originally printed, with the exception of few slight corrections of slips in the text and with the omission of occasional duplication of language in the different essays. A considerable part of whatever value they may posses arises from the fact that they are commentaries in different periods on the central theme of the influence of the frontier in American history. Consequently they may have some historical significance as contemporaneous attempts of a student of American history, at successive transitions in our development during the past quarter century to interpret the relations of the present to the past. Grateful acknowledgement is made to the various societies and periodicals which have given permission to reprint the essays. Various essays dealing with the connection of diplomatic history and the frontier and others stressing the significance of the section, or geographic province, in American history, are not included in the present collection. Neither the French nor the Spanish frontier is within the scope of the volume. The future alone can disclose how far these interpretations are correct for the age of colonization of the frontier and free land. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Americans have long cherished romantic images of the frontier and its colorful cast of characters, where the cowboys are always rugged and the ladies always fragile. But in this book, Peter Boag opens an extraordinary window onto the real Old West. Delving into countless primary sources and surveying sexological and literary sources, Boag paints a vivid picture of a West where cross-dressing—for both men and women—was pervasive, and where easterners as well as Mexicans and even Indians could redefine their gender and sexual identities. Boag asks, why has this history been forgotten and erased? Citing a cultural moment at the turn of the twentieth century—when the frontier ended, the United States entered the modern era, and homosexuality was created as a category—Boag shows how the American people, and thus the American nation, were bequeathed an unambiguous heterosexual identity.