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What is now currently the 'holy seat of the Vatican' in Italy, was originally the sacerdotal seat of these ancient black Sibyl Queen Mothers. Centuries before for Christ, they were known to heal the sick, restore dignity and strength to the weak, and restore sight to the blind. They were famous for curing lameness, epileptics, deaf mutes and lepers. They were said to 'cast out demons' and even to 'raise-up the dead' Their prophecies are the oldest and most authentic in the world. They were the basis for Greek and Roman tragedies and plays. More astonishing, their prophetic books were later collected by the Roman authorities, who needed a 'western theological' foundation in order to compete with the powerful levitical Jews. These Sibyl prophecies soon became the sole and undisputed precursor to the western, Christian Bible. .
From myth to myth, and over thousands of years, few archetypes have so captured the imaginations of readers as that of the Sibyl.
A parable on divine love, the stories of the wandering Jew and an outcast priestess of Delphi.
Robin Raybould's The Sibyl Series of the Fifteenth Century examines the startling and sudden change that occurred in the representation of the sibyls throughout Europe during the early Renaissance. Raybould describes how and why during this period the number, names, attributes and prophecies of these archaic prophetesses were selected and stabilized thus providing new witness to the Christian message in sharp contrast to earlier representations where the sibyls had played a minor role in the history of classical and Christian divination and prophecy. The book examines all the fifteenth-century instances of these series, as well as the manuscripts which describe them, identifies the origin of the sibylline prophecies and suggests reasons for the widespread popularity of this new artistic phenomenon.
This is the extended and annotated edition including * an extensive annotation of almost 10.000 words about the oracles in religion * an interactive table-of-contents * perfect formatting for electronic reading devices THE Sibyls occupy a conspicuous place in the traditions and history of ancient Greece and Rome. Their fame was spread abroad long before the beginning of the Christian era. Heraclitus of Ephesus, five centuries before Christ, compared himself to the Sibyl "who, speaking with inspired mouth, without a smile, without ornament, and without perfume, penetrates through centuries by the power of the gods." The ancient traditions vary in reporting the number and the names of these weird prophetesses, and much of what has been handed down to us is legendary. But whatever opinion one may hold respecting the various legends, there can be little doubt that a collection of Sibylline Oracles was at one time preserved at Rome. There are, moreover, various oracles, purporting to have been written by ancient Sibyls, found in the writings of Pausanias, Plutarch, Livy, and in other Greek and Latin authors. Whether any of these citations formed a portion of the Sibylline books once kept in Rome we cannot now determine; but the Roman capitol was destroyed by fire in the time of Sulla (B. C. 84), and again in the time of Vespasian (A. D. 69), and whatever books were at those dates kept therein doubtless perished in the flames. It is said by some of the ancients that a subsequent collection of oracles was made, but, if so, there is now no certainty that any fragments of them remain.
The first book in an exciting space opera trilogy from New York Times bestselling author Timothy Zahn, Pawn “Tim Zahn is a master of tactics and puts his own edge on complex hard-SF thrillers.” —Kevin J. Anderson, New York Times bestselling author Nicole Lee’s life is going nowhere. No family, no money, and stuck in a relationship with a thug named Bungie. But, after one of Bungie’s “deals” goes south, he and Nicole are whisked away by a mysterious moth-like humanoid to a strange ship called the Fyrantha. Once aboard, life on the ship seems too good to be true. All she has to do is work on one of the ship’s many maintenance crews. However, she learned long ago that nothing comes without a catch. When she’s told to keep quiet and stop asking questions, she knows she is on to something. Nicole soon discovers that many different factions are vying for control of the Fyrantha, and she and her friends are merely pawns in a game beyond their control. But, she is tired of being used, and now Nicole is going to fight. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"If the implication of knowing the truth means that we have to be someone other than who we are comfortable with, then so be it."Eli Tesani doesn't believe in faerie tales.A young realist living in the fantasyland of Los Angeles, she lives a predictable life, carefully maintaining the balance between family, friends, and her demanding dream job. When a mystery illness starts affecting her well-being, and her grandmother's declining health sends her on an urgent trip back to her native Italy, Eli is faced with a family secret that may be the missing link she desperately needs. But with a family who's unwilling to provide any logical answers, Eli is forced to pursue the truth on her own, and is met with much more than she bargains for.With an influx of religious mysteries, historical bombshells, a world of supernatural characters, and even a love interest that is more cryptic than the secrets she's fighting to uncover, Eli is forced to make a difficult decision: whether to go back to LA and live in ignorant bliss, or to possibly risk everything in order to pursue the truth that will change her and her family's lives, forever.
The Sibylla Tiburtina is a Latin prophecy attributed to a prophetess from classical antiquity. It concludes with an account of the End of History, involving the coming of the Antichrist and his battle with a Last World Emperor. Approximately 100 manuscripts, written between the mid-11th and the 16th centuries, survive which testify to the Tiburtina's immense popularity in the medieval West; as such the Tiburtina is a key text for understanding medieval apocalypticism and occupies an important place in the intellectual history of the Middle Ages. However, studies of the manuscripts and the history of the text have been largely neglected, in comparison with other similar works, so little is currently known about who copied and read the prophecy. Dr Holdenried's research fills this gap. This study is based on an examination of all surviving manuscripts and includes an analysis of the textual material which accompanies the Tiburtina, a survey of titles and annotations, as well as research on variant texts (including several hitherto unknown). Modern historiography regards the Tiburtina solely as a vehicle for expressing contemporary political concerns triggered by crises thought to herald the End of the World. This book provides a much more varied picture and offers a new approach to the Tiburtina by placing it, for the first time, in the context of medieval traditions which saw Sibylline prophecy as independent, non-Christian evidence of Christ's life and as confirmation of His divinity. As is shown, these traditions had a major impact on the reception of the Tiburtina. The book concludes with a repertory of the manuscripts, together with brief outlines of individual textual traditions as represented in groups of manuscripts, which will constitute a valuable reference source for other scholars.
A fascinating exploration of women’s role in Roman religion that facilitates a better understanding of their importance in Rome’s cultural formation. Roman women were the procreators and nurturers of life, both in the domestic world of the family and in the larger sphere of the state. Although deterred from participating in most aspects of public life, women played an essential role in public religious ceremonies, taking part in rituals designed to ensure the fecundity and success of the agricultural cycle on which Roman society depended. Thus religion is a key area for understanding the contributions of women to Roman society and their importance beyond their homes and families. In this book, Sarolta A. Takács offers a sweeping overview of Roman women’s roles and functions in religion and, by extension, in Rome’s history and culture from the republic through the empire. She begins with the religious calendar and the various festivals in which women played a significant role. She then examines major female deities and cults, including the Sibyl, Mater Magna, Isis, and the Vestal Virgins, to show how conservative Roman society adopted and integrated Greek culture into its mythic history, artistic expressions, and religion. Takács’s discussion of the Bona Dea Festival of 62 BCE and of the Bacchantes, female worshippers of the god Bacchus or Dionysus, reveals how women could also jeopardize Rome’s existence by stepping out of their assigned roles. Takács’s examination of the provincial female flaminate and the Matres/Matronae demonstrates how women served to bind imperial Rome and its provinces into a cohesive society.