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Fashion is synonymous with change yet the iconic showgirl costume--feathers, sparkle and revealing clothes--has remained largely unchanged since the early 20th century. Beginning in the 1800s, a couture of the risque evolved from Paris nightclubs to Las Vegas casinos. The concept of glamour itself was based on what Parisian courtesans and burlesque performers wore. A tall pretty girl with headdress, nude core with spangles, high heels and dramatic makeup became a Gallic symbol and later the trademark of Hollywood musicals. France exported costumes and millinery--as well as whole productions from the Moulin Rouge, the Lido and Folies Bergere --to the U.S. and the world. More recently, cabaret styling has translated into today's day, sport and evening clothes.
Fashion is synonymous with change yet the iconic showgirl costume--feathers, sparkle and revealing clothes--has remained largely unchanged since the early 20th century. Beginning in the 1800s, a couture of the risque evolved from Paris nightclubs to Las Vegas casinos. The concept of glamour itself was based on what Parisian courtesans and burlesque performers wore. A tall pretty girl with headdress, nude core with spangles, high heels and dramatic makeup became a Gallic symbol and later the trademark of Hollywood musicals. France exported costumes and millinery--as well as whole productions from the Moulin Rouge, the Lido and Folies Bergere --to the U.S. and the world. More recently, cabaret styling has translated into today's day, sport and evening clothes.
Debuting at the Tropicana Hotel on Christmas Eve, 1959, at a reported cost of one quarter-million dollars (over two million in today's dollars), the Folies Bergere stage show featured a cast of "eighty stars" and promised an elegant evening of sensual entertainment complete with sensational song and dance numbers, curious novelty acts, and exquisite leggy showgirls. Imported directly from Paris, the iconic French production, famed for its elegant and chic legacy, was a mainstay on the Las Vegas Strip for nearly half a century. A 1959 Las Vegas Sun newspaper article portends the significant role that the Folies Bergere would play in the city's history: "From beginning to end this is the most dazzling entertainment which any city has been privileged to see. It's saucy, piquant and racy in the splendidly provocative French way. Las Vegas, the entertainment capital of the world, is now no idle boast."
f you love EMILY IN PARIS, you will love Shay Stafford's adventures in the City of Light. A colourful memoir about living your dream - from ballet classes in Brisbane to leading roles at Paris's famous Moulin Rouge and Lido.
A study of the iconographic significance of the Ziegfeld girl in twentieth-century American conceptions of sexuality, race, class, and consumerism.
This book highlights and showcases many of Adrian great costume and fashion designs from the 1920s through the 1950s. Not only are his timeless glamour gowns, period costumes, and amazing show-girl costumes shown from the movies, but also his impeccable suits and beautiful gowns from his private label. The ten years of Adrian Ltd. are summarized year-by-year, and his life with Janet Gaynor and his taste for decorating and art are described.
The real, untold, and unvarnished story of life inside the legendary Playboy Mansion—and the man who holds the key—from the woman who was Hef’s #1 girlfriend and star of The Girls Next Door. A spontaneous decision at age twenty-one transformed small-town Oregon girl Holly Sue Cullen into Holly Madison, Hugh Hefner’s #1 girlfriend. But like Alice in Wonderland after she plunged down the rabbit hole, what seemed like a fairytale life inside the Playboy Mansion—including A-list celebrity parties and her own #1-rated television show—quickly devolved into an oppressive routine of strict rules, manipulation, and battles with ambitious, backstabbing bunnies. Losing her identity, her sense of self-worth, and her hope for the future, Holly found herself sitting alone in a bathtub contemplating suicide. But instead of ending her life, Holly chose to take charge of it. In this shockingly candid and surprisingly moving memoir, this thoughtful and introspective woman opens up about life inside the Mansion, the drugs, the sex and the infamous parties, as well as what her relationships with her Girls Next Door co-stars, Bridget and Kendra were really like. Holly talks candidly about a subsequent abusive relationship, her own successful television series, and the hard work of healing, including her turn on Dancing with the Stars. A cautionary tale and a celebration of personal empowerment, Down the Rabbit Hole reminds us of the importance of fighting for our dreams—and finding the life we deserve.
Little girls all over the world may hope to grow up to become a princess, but few ever realize the dream. For those who grow up to become showgirls, they go far beyond, becoming goddess-like objects of men's desire and the epitome of feminine beauty, elegance, and class. As soon as resort casinos began to dot the dusty Las Vegas landscape, major stars, extravagant show productions, and beautiful women helped promote the city to become the ultimate adult playground. In the early 1950s, when women began to dance and parade on the stages of Las Vegas, the showgirl persona evolved from the seductive burlesque-style performance art to the elegant productions modeled after those staged in France, with women dripping in furs and feathers, or in nothing more than a G-string and rhinestones. The over-the-top Las Vegas productions may have faded into obscurity, leaving but one show, Bally's Jubilee, as the longest running showgirl show on the Las Vegas Strip, but the iconic showgirl will forever represent Las Vegas in all of its glitz and glory.
This sparkling collection spotlights nine of the shows' fabulous stars plus Flo Ziegfeld himself in 29 costumes. Includes Anna Held, Billie Burke, Fanny Brice with costumes by Erte, John Harkrider, more."
A unique photo book which documents the hey-day of the Girls Shows to be found at carnivals and circuses alike. Compiled from the author's collection of photographs, postcards and illustrations featuring circus and carnival from 1900 onward and with text describing the origins of girls shows, their European and American developments, the high point after WWII and their ultimate demise in the face of men's magazines, strip clubs and x-rated videos, this is a valuable insight into a cultural phenomenon which ended in the 1970's.