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Volumes I and II of the major series: China: its language, geography and history ; Chinese philosophy and scientific thought.
This fifth volume abridgement of Joseph Needham's monumental work is concerned with the staggering civil engineering feats made in early and medieval China.
A section of Volume IV, part 1 and a section of Volume IV, part 3 of the major series:
The world's preeminent authority on Chinese science explores the philosophy, social structure, arts, crafts, and even military strategies that form our understanding of Chinese science, making instructive comparisons along the way to similar elements of Indian, Hellenistic, and Arabic cultures. A major portion of the book concentrates on Taoist alchemy that led not only to the invention of gunpowder and firearms, but also, through the search for macrobiotic life-elixirs, to the rise of modern medical chemistry.
Volume 2 contains Volume III and a section of Volume IV, Part 1 of the major series: Mathematics, Astronomy, Meteorology, Geography & map-making, Geology & related sciences, Physics (excluding electricity & magnetism).
Digesting the main sections of Volume IV of Dr. Needham's magnum opus, this book is concerned with the immense advances made in early and medieval China in mechanical engineering. It discusses in simple but eminently readable terms the status of engineers, their tools and materials, then basic mechanical principles, followed by machinery powered by animals, man and even by steam, vehicles for land transport, six centuries of hidden clockwork, windmills and aeronautics. Since China was far ahead of the West in ancient and medieval times, this volume helps make clear the immense debt owed by Western civilization to the Chinese. Such debts included the important mechanical principles of transforming rotary motion to a to-and-fro motion of a crank and vice-versa. They invented the first efficient harness for horses and the first mechanical clocks.
The second volume of Dr Joseph Needham's great work Science and Civilisation in China is devoted to the history of scientific thought. Beginning with ancient times, it describes the Confucian milieu in which arose the organic naturalism of the great Taoist school, the scientific philosophy of the Mohists and Logicians, and the quantitative materialism of the Legalists. Thus we are brought on to the fundamental ideas which dominated scientific thinking in the Chinese middle ages. The author opens his discussion by considering the remote and pictographic origins of words fundamental in scientific discourse, and then sets forth the influential doctrines of the Two Forces and the Five Elements. Subsequently he writes of the important sceptical tradition, the effects of Buddhist thought, and the Neo-Confucian climax of Chinese naturalism. Last comes a discussion of the conception of Laws of Nature in China and the West.
A reissue with a foreword and supplement, of a modern classic published in 1960. The invention of the mechanical clock was one of the most important turning points in the history of science and technology. This study revealed six centuries of mechanical clockwork preceding the first mechanical escapement clocks of the West of about AD 1300. Detailed and fully illustrated accounts of elaborate Chinese clocks are accompanied by a discussion of the social context of the Chinese inventions and an assessment of their possible transmission to medieval Europe. For this revised edition, Dr Joseph Needham has contributed a new foreword on recent research and perceptions. In a supplement John H. Combridge details a modern reconstruction of Su Sung's timekeeping device, which together with textual studies modifies our understanding of this important early technology.
In sumptuous and illuminating detail, Simon Winchester, the bestselling author of The Professor and the Madman ("Elegant and scrupulous"—New York Times Book Review) and Krakatoa ("A mesmerizing page-turner"—Time) brings to life the extraordinary story of Joseph Needham, the brilliant Cambridge scientist who unlocked the most closely held secrets of China, long the world's most technologically advanced country. No cloistered don, this tall, married Englishman was a freethinking intellectual, who practiced nudism and was devoted to a quirky brand of folk dancing. In 1937, while working as a biochemist at Cambridge University, he instantly fell in love with a visiting Chinese student, with whom he began a lifelong affair. He soon became fascinated with China, and his mistress swiftly persuaded the ever-enthusiastic Needham to travel to her home country, where he embarked on a series of extraordinary expeditions to the farthest frontiers of this ancient empire. He searched everywhere for evidence to bolster his conviction that the Chinese were responsible for hundreds of mankind's most familiar innovations—including printing, the compass, explosives, suspension bridges, even toilet paper—often centuries before the rest of the world. His thrilling and dangerous journeys, vividly recreated by Winchester, took him across war-torn China to far-flung outposts, consolidating his deep admiration for the Chinese people. After the war, Needham was determined to tell the world what he had discovered, and began writing his majestic Science and Civilisation in China, describing the country's long and astonishing history of invention and technology. By the time he died, he had produced, essentially single-handedly, seventeen immense volumes, marking him as the greatest one-man encyclopedist ever. Both epic and intimate, The Man Who Loved China tells the sweeping story of China through Needham's remarkable life. Here is an unforgettable tale of what makes men, nations, and, indeed, mankind itself great—related by one of the world's inimitable storytellers.
Although the history of technological and scientific illustrations is a well-established field in the West, scholarship on the much longer Chinese experience is still undeveloped. This work by Peter Golas is a short, illustrated overview tracing the subject to pre-Han inscriptions but focusing mainly on the Song, Yuan, Ming, and Qing dynasties. His main theme is that technological drawings developed in a different way in China from in the West largely because they were made by artists rather than by specialist illustrators or practitioners of technology. He examines the techniques of these artists, their use of painting, woodblock prints and the book, and what their drawings reveal about changing technology in agriculture, industry, architecture, astronomical, military, and other spheres. The text is elegantly written, and the images, about 100 in all, are carefully chosen. This is likely to appeal to both scholars and general readers.