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As the definitive study of the complex inspirations and cultural influences that were fused in the Shingle Style of wooden suburban and resort buildings of the period 1872 to 1889, Mr. Scully's book has received much critical acclaim. He presents the published designs and the written statements of the architects, as well as contemporary criticisms of the buildings to analyze the development of the Shingle Style from Richardson's early work to Wright's first house in Oak Park. An analysis of the Colonial Revival is central to the work, which is now enhanced by the addition of an extensive related chapter on the "Stick Style" of the mid-century. A new preface has been added and the bibliography and footnotes are brought up to date. "The last section of the book, on the origins and early development of Frank Lloyd Wright, is one of Scully's best. This chapter...shows a mature understanding and a just handling of the academic tradition and of the early work of one of America's greatest architects."--The Art Bulletin "Scully's research is exhaustive, his scholarship impeccable. His illustrations alone form a gold mine of information on the period."--Journal of the Society of Architectural Historians
An exploration of the most important shingle style houses built in San Francisco, Berkeley, and Marin County in the late 19th and early 20th centuries.
A charming book. Little text; hundreds of renderings and photos. Cloth edition ($25) not seen. Annotation copyrighted by Book News, Inc., Portland, OR
Architectural style is defined as a definite type of architecture, distinguished by special characteristics of structure and ornament. This revised edition of What Style Is It? includes new sections on Neoclassical, Romanesque and Rustic Styles. It also provides more examples of how pure styles vary by geographic region across the US. * Includes sections on 25 of the most significant architectural styles including Early Colonial, Federal and Second Empire * More than 200 photos and line drawings make this a visually rich resource. 30% of photos and drawings are new to this edition * A glossary offers quick access to architectural terms * Includes an added guide to using the Historical American Buildings Society online catalogue of more than 30,000 historic structures, giving access to more than 51,000 measured drawings, 156,000 photographs and more than 30,000 original historical reports
Scully is a pioneer of 20th century architecture. This volume is the grand sum of his career. It is not only the history of great edifices, but also a book that explores the unique dialogue between human beings and their buildings and the natural world. 500 color/bandw photos.
The architectural style of the classic American summer, the shingled house can suggest the beach, the countryside, the mountains, and even the city. AD100 architects Ike Kligerman Barkley, one of the most successful firms practicing in a traditional style today, presents 14 houses that celebrate the simple wood shingle’s infinite flexibility—ranging from richly historic to sculptural and experimental. The New Shingled House includes examples throughout the fabled seaside resorts of New England—Martha’s Vineyard, Block Island, and the Hamptons—as well as houses in California’s Bay Area and Point Loma, on a pristine mountain lake in South Carolina, and a Scandinavian influenced family residence in Connecticut. All are characterized by a sense of graciousness and generosity that makes them unique spaces for the owners and enviable spaces for readers. The versatility of the shingle style allows the designers to explore formal ideas and to respond to client preferences and taste. The houses thus achieve the architects’ fundamental goal: when their clients enter their new house for the first time, they should feel as though they have always lived there. This stunning visual presentation features new photography by noted interiors photographer William Waldron, who has captured the graciousness and generosity of the elegant interiors and welcoming porches and terraces that make these houses so inviting and timeless.
Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this groundbreaking new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-gardes, and its eventual appropriation in the postmodern period. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe's spatial experiments, and Rem Koolhaas's use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city. Beautifully illustrated, this interdisciplinary book looks at architecture, photography, film, literature, and visual culture, featuring works by artists and architects including Mies, Koolhaas, Paul Citroen, George Grosz, Hannah Höch, El Lissitzky, and Le Corbusier.