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"There are certain shibboleths to our condition.
"There are certain shibboleths to our condition." At the end of the first book of The Twelve-Fingered Boy Trilogy, Jack and Shreve are incarcerado―physically locked up. Shreve's back in the custody of the state of Arkansas, and Jack's somewhere in the clutches of Mr. Quincrux―both problems Shreve aims to rectify. Cages might hold Shreve's body, but the power that's been growing since his encounter with Quincrux has reached a pinnacle. Nothing can prevent his mind from scaling the etheric heights. Freed from his body, Shreve discovers the magnitude of the evil that's stirring in the east. The wave of insomnia that's paralyzed the nation is only the beginning.
Working from the Bible to contemporary art, Shibboleth surveys the linguistic performances behind the politics of border crossings and the policing of identities. In the Book of Judges, the Gileadites use the word shibboleth to target and kill members of a closely related tribe, the Ephraimites, who cannot pronounce the initial shin phoneme. In modern European languages, shibboleth has come to mean a hard-to-falsify sign that winnows identities and establishes and confirms borders. It has also acquired the ancillary meanings of slogan or cliché. The semantic field of shibboleth thus seems keyed to the waning of the logos in an era of technical reproducibility—to the proliferation of technologies and practices of encryption, decryption, exclusion and inclusion that saturate modern life. The various phenomena we sum up as neoliberalism and globalization are unimaginable in the absence of shibboleth-technologies. In the context of an unending refugee crisis and a general displacement, monitoring and quarantining of populations within a global regime of technics, Paul Celan’s subtle yet fierce reorientation of shibboleth merits scrupulous reading. This book interprets the episode in Judges together with Celan’s poems and Jacques Derrida’s reading of them, as well as passages from William Faulkner’s Absalom, Absalom! and Doris Salcedo’s 2007 installation Shibboleth at the Tate Modern. Redfield pursues the track of shibboleth: a word to which no language can properly lay claim—a word that is both less and more than a word, that signifies both the epitome and the ruin of border control technology, and that thus, despite its violent role in the Biblical story, offers a locus of poetico-political affirmation.
Fifteen-year-old Shreve Cannon doesn't mind juvie. He's got a good business dealing contraband candy, and three meals a day are more than his drunk mother managed to provide. In juvie, the rules never change and everyone is the same. In juvie, Shreve has life figured out. Then the new fish shows up. Jack's a quiet kid. Small. Cries himself to sleep too. He's no standard-issue titty-baby, though. There's his hands—more specifically his fingers, all twelve of 'em. And when he gets angry, something weird happens. The air wavers. You feel a slight pressure in your chest. And then...well, best take cover. Jack isn't the only new face in juvie. There's Mr. Quincrux. Quincrux has an unusual interest in Jack and Shreve, and it quickly becomes clear that innocent bystanders aren't going to get in his way. So Jack and Shreve bust out. On the lam, they quickly discover that Jack has abilities—hell, superpowers—that might just give them a fighting chance against Quincrux, if they can stay alive long enough to figure them out.
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This work titled ‘Investigation and implementation of Shibboleth SSO mechanism through a case scenario’ presents, discusses, describes and explains the major aspects and concepts of Shibboleth protocol and provides two related prototypes implementations of the protocol within a set of chosen tools and environments. The implementation relies on the project client specifications and recommendations and therefore follows some imposed deployment infrastructures. The work report first focuses on the research investigation in Shibboleth concepts, its relationship with similar mechanisms and its particularities in the Single Sign On mechanism alongside with its federation principles. It also emphasizes on the SAML (Security Assertion Mark-up Language), the protocol that Shibboleth implements and on which it relies. The second major part of this report describes step by step the installation, deployment and configurations of Shibboleth in working prototypes within Windows based Operating Systems. The primary prototype implementation is a sort of initial deployment carried out within a self-defined ad-hoc environment helping to implement the second prototype. Considered in this project as the real time prototype as it has been conducted within the client premises, the second prototype has some similar steps of the primary implementation and is much more complete in terms of applications integrations and the Shibboleth log out mechanism. It also focuses more on the client specifications. The end of this real time prototype provides the integration strategy of 247lib.com/247libDE application. A testing approach is then provided to demonstrate how successful sample of simple applications have been integrated into the implementation. The test illustrates with details description the main use case scenario of authentication through the Shibboleth based single sign on mechanism. The appendix part of this report and the CD bound to the report include the configuration files of the project implementation, the testing data and other project details. The project report finally discusses the encountered risks and issues faced throughout the project progress alongside with a critical appraisal and recommendations for future works.
Development. Hotels, spas, Nando's, boutiques. Belfast is changing, but for some people, progress means new barriers. A group of construction workers is building an extension to the Peace Wall that separates Them-ens from Us-ens. When Polish worker Yuri's daughter starts having serious problems with her boyfriend, they rally round in support. But good intentions can easily go too far...
In Tears, the author explores theoretical issues raised by the intersection of philosophy, literature, art, architecture, and theology. The critical accounts of thinkers like Derrida, Blanchot, Jabès, Kierkegaard, Hegel, Heidegger, Ricoeur, Gadamer, Austin, Ayre, Rorty, Tillich, Barth, and Altizer developed in this book effectively reshape and refocus the terms of current debate.
Finally available after thirty years, MARCHING TO SHIBBOLETH collects all the words (and sound effects) to Firesign's favorite audio comedies of the Seventies, including Waiting For the Electrician; How Can You Be In Two Places At Once; Nick Danger; Don't Crush That Dwarf, Hand Me The Pliers; I Think We're All Bozos On This Bus, and The Giant Rat of Sumatra. MARCHING TO SHIBBOLETH, now under the imprint of Bear Manor Books, reproduces both of Firesign's "Big Books," originally published in 1972 and 1974 by Straight Arrow. Designed by Jon Goodchild and Richard Silverstein, the texts are full of photographs, collages and weirdly cool typography typical of High Seventies Style. Phil Proctor edited the visuals and David Ossman the album transcripts for Firesign. Alan Rinzler was editor for Straight Arrow. Both books have been collector's items for a couple of decades. Collecting both under one cover puts the best known Firesign works together for the first time and provides readers with the unique word-for-word wordplay which was often confusing - er, confused with that of James Joyce during Firesign's heyday. The four major titles - Electrician, How Can You Be, Dwarf and Bozos collectively present Firesign's prescient look at technology, the media, American history and paranoia (especially in the classic "Beat The Reaper " gameshow.) The Giant Rat is their tribute to British "Goon Show" humor and Nick Danger, Third Eye has become the classic send-up of both the "noir" detective story and Golden Age radio.