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A family of his own covers Edwin O'Connor's comfortable upbringing in Rhode Island, his formation at Notre Dame, his obscure years in radio and the Coast Guard during World War II, his adoption of Boston, his long association with his publishers at "Atlantic Monthly" and Little, Brown and Company, his toil in journalism and television reviewing, his several sojourns in Ireland, and his extraordinary dedication to his craft while living close to poverty. For the years after "The Last Hurrah," Duffy examines O'Connor's handling of newfound wealth and celebrity, his growing loneliness, the surprise and fulfillment of a late marriage, his failure on Broadway, and his return to fiction. Throughout his writing O'Connor's major subject was the family, especially the gains, losses, and conflicts within assimilated Irish America. Duffy examines the complex ways by which O'Connor's own experience of family and friendship formed essential patterns in his works.
In rural Tennessee, two young people struggle to make a life in a town rife with poverty, guns, and alcohol. "Holding On To Nothing is a resonant song of the South, all whiskey, bluegrass, Dolly Parton, tobacco fields, and women who know better but still fall for the lowdown men whom they know will disappoint them."--Lauren Groff, National Book Award finalist author of Fates and Furies and Florida Lucy Kilgore has her bags packed for her escape from her rural Tennessee upbringing, but a drunken mistake forever tethers her to the town and one of its least-admired residents, Jeptha Taylor, who becomes the father of her child. Together, these two young people work to form a family, though neither has any idea how to accomplish that, and the odds are against them in a place with little to offer other than bluegrass music, tobacco fields, and a Walmart full of beer and firearms for the hunting season. Their path is harrowing, but Lucy and Jeptha are characters to love, and readers will root for their success in a novel so riveting that no one will want to turn out the light until they know whether this family will survive.
Ireland in its own words: a dazzling compendium Over the past hundred years, Ireland has undergone profound political, social and cultural changes. But one thing that has not changed is the Irish genius for observation and storytelling, invective and self-scrutiny. Ireland: The Autobiography draws upon this genius to create a portrait of a century of Irish life through the words of the people who lived it. Broadcaster and historian John Bowman has mined archives, diaries and memoirs to create a remarkably varied and delightfully readable mosaic of voices and perspectives. Ireland: The Autobiography is a brilliantly selected, wide-ranging and engrossing take on the last century of Irish life. It gives us a portrait of Ireland unlike anything we've read before. 'Absorbing and illuminating . . . John Bowman has selected a range of accounts of Irish life that do justice to what happened, what it felt like, and the personal and societal experiences alongside the "official" version' Diarmaid Ferriter, Irish Times 'A treasure' Irish Examiner 'A whistle-stop tour of the seismic, seminal and explosive events which shaped the nation as we know it' Irish Independent 'Entertaining and informative' Sunday Business Post 'A remarkably varied and delightfully readable mosaic of voices and perspectives' Women's Way 'A thoughtful and eclectic collection' Irish Mail on Sunday
An account of WWII rescues that “pays tribute to the audacity and heroism of the men and women of the French Resistance and Allied military personnel” (Warship World). The Shelburne was one of the later escape lines that operated within Nazi-occupied Europe. It was established at the end of 1943 by two agents who worked for MI-9, the London-based military intelligence agency responsible for providing assistance to Allied servicemen stranded behind enemy lines. Working with the French Resistance, these agents arranged for groups of Allied airmen to be taken from “safe houses” in Paris to Brittany, where a Royal Navy motor gunboat picked them up from a secluded beach and delivered them back to England. Eight audacious evacuation operations were conducted between January and August, 1944, without the Shelburne Line ever being infiltrated by the Gestapo. Aspects of the Shelburne story have been told previously in memoirs by several of the participants, including the late MP Airey Neave, who was an MI-9 operative. However, Hemingway-Douglass expands the story to include recollections of some of the local Breton people who were involved with the Line. The second half of the book comprises personal stories of airmen and other individuals who were affiliated with the Shelburne Line or were otherwise caught up in the war in France. A lifelong Francophile, Hemingway-Douglass took eight years to research and write the book. She describes it as a labor of love that pays tribute to the heroism and courage of “ordinary” people, while reinforcing the fact that war touches everybody. “Fascinating . . . A must read for military and espionage enthusiasts.” —The Bulletin (Military Historical Society)
Doctor O'Reilly experiences both love and loss during World War II in this new novel in Patrick Taylor's beloved Irish Country series Long before Dr. Fingal Flahertie O'Reilly came to the colourful Irish village of Ballybucklebo, young Surgeon-lieutenant O'Reilly answered the call of duty to serve in World War II. Fingal just wants to marry his beloved Deirdre and live happily ever after. First he must hone his skills at a British naval hospital before reporting back to the HMS Warspite, where, as a ship's doctor, he faces danger upon the high seas. With German bombers a constant threat, the future has never been more uncertain, but Fingal and Deirdre are determined to make a life together . . . no matter what may lie ahead. Decades later, the war is long over, and O'Reilly is content to mend the bodies and souls of his patients in Ballybucklebo, but there are still changes and challenges aplenty. A difficult pregnancy, as well as an old colleague badly in denial concerning his own serious medical condition, tests O'Reilly and his young partner, Barry Laverty. But even with all that occupies him in the present, can O'Reilly ever truly let go of the ghosts from his past? Shifting effortlessly between two singular eras, bestselling author Patrick Taylor continues the story of O'Reilly's wartime experiences, while vividly bringing the daily joys and struggles of Ballybucklebo to life once more.
This alternative guidebook for one of the world’s most popular tourist destinations explores all five boroughs to reveal a people’s New York City. The sites and stories of A People’s Guide to New York City shift our perception of what defines New York, placing the passion, determination, defeats, and victories of its people at the core. Delving into the histories of New York's five boroughs, you will encounter enslaved Africans in revolt, women marching for equality, workers on strike, musicians and performers claiming streets for their art, and neighbors organizing against landfills and industrial toxins and in support of affordable housing and public schools. The streetscapes that emerge from these groups' struggles bear the traces, and this book shows you where to look to find them. New York City is a preeminent global city, serving as the headquarters for hundreds of multinational firms and a world-renowned cultural hub for fashion, art, and music. It is among the most multicultural cities in the world and also one of the most segregated cities in the United States. The people that make this global city function—immigrants, people of color, and the working classes—reside largely in the so-called outer boroughs, outside the corporations, neon, and skyscrapers of Manhattan. A People’s Guide to New York City expands the scope and scale of traditional guidebooks, providing an equitable exploration of the diverse communities throughout the city. Through the stories of over 150 sites across the Bronx, Manhattan, Queens, Brooklyn and Staten Island as well as thematic tours and contemporary and archival photographs, a people’s New York emerges, one in which collective struggles for justice and freedom have shaped the very landscape of the city.
A Preacher is run down on the by-pass, a Right Reverend falls under the London Express; a fisherman drowns in the canal. Accident suicide, or murder? Inspector Walter Darriteau of Chester police doesn't believe in coincidences. His doubts are confirmed with another killing. Maggie O'Brien on a bench in the forest, dew dripping from her nose, a cobweb from her hat to the bench, death by carbon monoxide poisoning, yet no car in the damp car park. There's a killer at large, a random killer, a serial killer, a ruthless killer who'll stop at nothing. Why? What's the purpose behind these unrelated deaths? It's a race against time; he or she must be stopped before they kill again. The Murder Diaries is set in the City of Chester. Darriteau is an adopted Cestrian, he's nearing retirement, and his oppo Sergeant Karen Greenwood covets his job. Walter isn't ready to end things on a sour note. He knows this case will define his career. He determines to trap the killer, putting his own life on the line.
Corpus Christi When the mortal remains of Christ are found in a disused Irish monastery, the Universal Catholic Church will stop at nothing to prevent their discovery from the public eye while an equally determined former Irish Republican Volunteer and his first love will allow no barrier to stand in the way of the truth even while being pursued by the deadly ruthless Miles Dei. Weaving through the beautiful Irish countryside, the great European cities of London, Belfast, Dublin, Rome, and Geneva as well as some of the most breathtaking scenery in Europe, Corpus Christi is a buckle-up ride from start to finish, moving seamlessly from the time of Christ through the formative years of Northern Ireland's Troubles to contemporary times. Beginning with a shocking discovery, it continues with a pulsating middle and finishes with an end that satisfies.
In his introduction to a collection of criticism on the Anglo-Irish author Elizabeth Bowen, Harold Bloom wrote, “What then has Bowen given us except nuance, bittersweet and intelligent? Much, much more.” Born in 1899, Bowen became part of the famous Bloomsbury scene, and her novels have a much-deserved place in the modernist canon. In recent years, however, her work has not been as widely read or written about, and as Bloom points out, her evocative and sometimes enigmatic prose requires careful parsing. Yet in addition to providing a fertile ground for criticism, Bowen’s novels are both wonderfully entertaining, with rich humor, deep insight, and a tragic sense of human relationships. Bowen’s first novel, The Hotel, is a wonderful introduction to her disarming, perceptive style. Following a group of British tourists vacationing on the Italian Riviera during the 1920s, The Hotel explores the social and emotional relationships that develop among the well-heeled residents of the eponymous establishment. When the young Miss Sydney falls under the sway of an older woman, Mrs. Kerr, a sapphic affair simmers right below the surface of Bowen’s writing, creating a rich story that often relies as much on what is left unsaid as what is written on the page. Bowen depicts an intense interpersonal drama with wit and suspense, while playing with and pushing the English language to its boundaries.