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In The Shape of Hebrew Poetry, Matthew Ayars explores foregrounding and structural cohesion as the dual discourse function of linguistic parallelism in biblical Hebrew poetry through a robust application of Russian Formalist Roman Jakobson's conceptulisation of linguistic parallelism to the Egpytian Hallel (Psalm 113–118). Other hebraists and biblical Hebrew poetry specialists have long noted the importance of Jakobson's theory of parallelism for poetic texts of the Hebrew Bible, however, Ayars is the first to offer an application of Jakobsonian-based analysis to a poetic corpus of the Hebrew Bible.
In this extensive and eclectic reconsideration of classical Hebrew poetics, O'Connor evaluates the assumptions that have guided scholars for more than two hundred years. The result is "a great leap forward in the analysis and interpretation of early Hebrew poetry." (David Noel Freedman)
Subjectivity in Language and in Discourse deals with the linguistic encoding and discursive construction of subjectivity across languages and registers. The aim of this book is to complement the highly specialized, parallel and often separate research strands on the phenomenon of subjectivity with a volume that gives a forum to diverse theoretical vantage points and methodological approaches, presenting research results in one place which otherwise would most likely be found in substantially different publications and would have to be collected from many different sources. Taken together, the chapters in this volume reflect the rich diversity in contemporary research on the phenomenon of subjectivity. They cover numerous languages, colloquial, academic and professional registers, spoken and written discourse, diverse communities of practice, speaker and interaction types, native and non-native language use, and Lingua Franca communication. The studies investigate both already well explored languages and registers (e.g. American English, academic writing, conversation) and with respect to subjectivity, less studied languages (Greek, Italian, Persian, French, Russian, Swedish, Danish, German, Australian English) as well as many different communicative settings and contexts, ranging from conference talk, promotional business writing, academic advising, disease counselling to internet posting, translation, and university classroom and research interview talk. Some contributions focus on individual linguistic devices, such as pronouns, intensifiers, comment clauses, modal verbs, adjectives and adverbs, and their capacity of introducing the speaker's subjective perspective in discourse and interactional sequence; others examine the role of larger functional categories, such as hedging and metadiscourse, or interactional sequencing.
Almost 75 percent of the Old Testament is made up of poetic passages, yet for many readers (lay Christians, even seminary students and pastors), biblical poetic passages remain the greatest challenge. Being unfamiliar with poetry in general and biblical poetry in particular, their reading and preaching are limited to selected poetic passages. This in turn limits their understanding of God's word. To help readers overcome these problems, the first four chapters of this book aim to get them familiarized with the literary techniques of biblical poets. To demonstrate how the techniques work to bring across the biblical theological message, the last three chapters offer poetic analyses of three passages of different kinds. In the process, we hope to draw attention to the beauty of the Hebrew poetic art and to the creative skill of biblical poets' versification. The ultimate aim, however, is to help readers discover the rich message of the Bible.
A formidable and invaluable working tool for those working with the text of Psalms or with Hebrew poetry. The Hebrew text of the Psalms is here set out in a unique way - generally one psalm to each large-format (A4) page - to show their poetic shape and structure, in couplets, triptychs and strophes. The visual impact of the layout tells its own striking story, demonstrating at a glance the skill and artistry with which the Psalms have been composed. With its introduction and notes in English, this book will be a standard tool for students, and it will have significant consequences for the scholarly interpretation of the Psalms.
Here is a convenient introduction to the unique aspects of interpreting the one-third of the Hebrew Bible that is in poetic form. Numerous are the occasions when a failure to distinguish poetry from prose in the Old Testament has resulted in flawed interpretation. Robert Lowth's Lectures on the Sacred Poetry of the Hebrews (1753, 1787), marked a turning point of major proportions by focusing on the importance of parallelism of lines. But new studies of the past decade now require significant adjustments to Lowth's analyses. Interpreting Hebrew Poetry offers an authoritative introduction to this discussion of parallelism, meter and rhythm, and poetic style. It also provides by way of example a poetic analysis of Deuteronomy 32, Isaiah 5:1-7, and Psalm 1.
In spite of debatable issues, such as metre, we now know enough about classical Hebrew poetry to be able to understand how it was composed. This large-scale manual, rich in detail, exegesis and bibliography, provides guidelines for the analysis and appreciation of Hebrew verse. Topics include oral poetry, metre, parallelism and forms of the strophe and stanza. Sound patterns and imagery are also discussed. A lengthy chapter sets out a whole range of other poetic devices and the book closes with a set of worked examples of Hebrew poetry. Throughout, other ancient Semitic verse has been used for comparison and the principles of modern literary criticism have been applied.
This stunning anthology gathers together the riches of poetry in Hebrew from 'The Song of Deborah' to contemporary Israeli writings. Verse written up to the tenth century show the development of piyut, or liturgical poetry, and retell episodes from the Bible and exalt the glory of God. Medieval works introduce secular ideas in love poems, wine songs and rhymed narratives, as well as devotional verse for specific religious rituals. Themes such as the longing for the homeland run through the ages, especially in verse written after the rise of the Zionist movement, while poems of the last century marry Biblical references with the horrors of the Holocaust. Together these works create a moving portrait of a rich and varied culture through the last 3,000 years.