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In Northern Ireland, it takes an assassin to catch one, in this thriller by “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times). As the Troubles rage in Northern Ireland, a mysterious killer has been putting bullets in victims’ heads one by one—with no apparent pattern or logic. Now Joe Gall has been tasked with quietly looking into the matter by a high-ranking American cabinet official who fears his son may be involved. Gall sets out to find the boy and bring him home alive—if possible. But the story behind the murders may be more complicated than it seems . . . “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.
They trained him to kill—but now he’s gone rogue—in this action-adventure thriller by “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times). The CIA didn’t mind when the army officer deserted his post in Vietnam and wound up killing a high-level Yemeni official. After all, that’s what they’d paid him for. But now it looks like he and his fellow assassins are going after targets of their own choosing—and it’s time for freelance operative Joe Gall to step in . . . “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.
An agent poses as a rich playboy—and winds up with a target on his back—in this thriller by the Edgar Award–nominated author. Oil baron Mike Donoghue is on a top-secret assignment for the US government. To protect the mission, someone needs to pose as a decoy—and that’s where freelance agent Joe Gall comes in. Now, Gall must trade places with a man known for his wealthy, high-flying lifestyle and his love of drink and beautiful women. It’s a role the operative doesn’t mind stepping into—the only problem is someone wants the real Donoghue dead . . . “[Philip Atlee is] the John D. MacDonald of espionage fiction.” —Larry McMurtry, The New York Times “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
A wild plot leads a covert operative around the globe—and into deadly trouble: “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler Joe Gall’s current assignment involves escorting a sexy folk singer on an international journey—but as always for the ex–CIA operative, there’s more going on behind the scenes. Before this job is through, Gall will find himself untangling a mystery involving a toy manufacturer, an assassination plot, and a dictator’s goons—and trying desperately to make it out alive . . . This classic series of action novels featuring the fearless freelancer comes from the Edgar Award–nominated author praised as “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times).
Operative Joe Gall heads to Hong Kong to identify a bizarre new weapon and the mysterious forces behind it in this thriller from the Edgar Award nominee. What could’ve caused the sudden, multiple miscarriages among the ordinary, healthy women working at an innocuous Asian company? To solve the mystery, Joe Gall must head to Hong Kong—where he will tangle with a Taiwanese businessman and Soviet agents to uncover a complicated conspiracy . . . “[Philip Atlee is] the John D. MacDonald of espionage fiction.” —Larry McMurtry, The New York Times “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler
A mining operation could lead to an international incident: “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler Off the coast of Indonesia, the Japanese are harvesting an incredible amount of manganese, a mineral highly prized in the manufacturing community, from the ocean floor. The question is: how are they getting it—and how can the United States get a piece of it? The only man for the job is Joe Gall, but this seemingly simple assignment is about to go sideways . . . This twist-filled adventure comes from the Edgar Award–nominated author who’s been called “the John D. MacDonald of espionage fiction” (Larry McMurtry, The New York Times).
From the Edgar Award–nominated author:An agent for hire plays bodyguard to a titled beauty in Tenerife—and mixes partying with peril . . . Joe Gall, freelance operative, is assigned to protect a beautiful baroness under threat—and solve the mystery of who is after her. That means heading to the Canary Islands—and playing the part of a rich, hard-drinking American in Santa Cruz de Tenerife. It’s a tough job, but somebody has to do it . . . “[Philip Atlee is] the John D. MacDonald of espionage fiction.” —Larry McMurtry, The New York Times “I admire Philip Atlee’s writing tremendously.” —Raymond Chandler