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The Bronze Age in China spans a period of nearly 2,000 years from the 21st to the 3rd century BC. Its
"Pang Yuanji (1864-1949) was the collector from China with not only the largest number of high-quality antique paintings but also the most comprehensive and scholarly record of his collection. This is the first study that takes the innovative and unique approach to collection analysis by quantifying Pang's collection and comparing it to a selection of contemporaneous private collectors. In doing so, it shows how their tastes and interests were all shaped by the same Qing canon. More broadly, it explains that Pang did not merely absorb this canon, but then also purposefully and systematically used it and his collection to protect China's traditions into an uncertain future"--
The Lloyd Cotsen Study Collection of Chinese Bronze Mirrors is a 2009 co-publication of the Cotsen Occasional Press and the UCLA Cotsen Institute of Archaeology Press. Volume I, The Lloyd Cotsen Study Collection of Chinese Bronze Mirrors: Catalogue, includes an engaging foreword by Lloyd Cotsen, an overview of major Chinese dynasties and periods, and a brief history of Chinese bronze mirrors by Suzanne E. Cahill. This volume presents a detailed catalogue of the extensive Cotsen Collection through high-quality images and illustrations of the mirrors in their approximate chronological sequence. Volume II, a set of eleven scholarly essays, goes further to investigate these mirrors as a study collection. Guided by the conviction that this particular constellation of mirrors may lead to substantive insights that cannot easily be obtained otherwise, the leading scholars who contributed to this volume used the materials in Volume I as a point of departure for explorations of topics of their own choice. The publication of this two-volume set preceded an exhibition of the mirrors at the Huntington Library, Art Museum and Botanical Gardens and the return of the collection to China in recognition of that countrys rightful cultural patrimony.
The Chinese art collection in the Museum of Fine Arts, Boston, is one of the finest outside East Asia, with particularly superb holdings of paintings and ceramics, along with important sculptures, bronzes and examples of the decorative arts. Some 100 objects have been selected here to represent its riches, arranged to explore themes such as religion or the scholar tradition throughout China's long history. The works featured in Arts of China range from Neolithic tomb artifacts to contemporary painting and include exquisite porcelains, paintings, sculptures, lacquerware and metalwork created for worship, court life, foreign trade or everyday use. Many reflect engagement with earlier traditions or with cultures outside China, including those of Central Asia and India as well as Europe and America. Enhanced with illuminating essays, this book offers an ideal introduction to the breathtaking beauty and variety of Chinese art.
Here is a collection of the most exciting museums to be seen throughout China. Armed with this unique guide, the visitor will experience a journey of discovery which will greatly enhance their understanding of Chinese culture, history and art. Focusing on the lesser-known museums, but including the well-trodden - such as the Forbidden City, Terracotta Warriors and the Shanghai Museum - China: museums unlocks the doors to over 200 must-see museums, ranging from art and archaeology, science and technology to history and politics. Pertinent information supplements entries and highlights of key objects are illustrated with over 500 colour images. Burgeoning contemporary art galleries, museums and artists' villages are included. AUTHOR: Miriam Clifford has lived in Hong Kong and Beijing working as a freelance photographer and photojournalist. Cathy Giangrande is an art historian and author of books on museums and collecting. Antony White has been working on illustrated books on the land and art of China for the past twenty-five years. 684 colour illustrations
An examination of museums in China, surveying their development from the nineteenth century, and looking in particular at their incredible recent proliferation. Museums in China have undergone tremendous transformations since they first appeared in the country in the late nineteenth century. Futuristic, state-of-the-art museums have today become symbols of China's global cultural, economic and technological prominence, and over the last two decades, the number of Chinese museums has increased at an unprecedented rate, with China set to become the country with the highest number of museums in the world. But why have museums become so important? This book, based on extensive research in a number of the museums themselves, examines recent changes in their display methods, narratives, actors and architectural style. It also considers their representations of Chinese national identity, millenarian history and extraordinary cultural diversity. Through an analysis of the changes affecting not only what we observe through museums, but also the very medium of observation (i.e. museums themselves), this book provides a unique, original and timely exploration of the ongoing changes affecting Chinese society, and an evaluation of their consequences. Dr Marzia Varutti is apost-doctoral fellow at the Centre for Museum Studies, Department of Culture Studies and Oriental Languages, University of Oslo.