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The book is a collection of poems written by the author based on his experiences of life. The world is a kaleidoscope of myriad shades, subtly interwoven into one another and can only be dissected by a philosophical perspective. The poems touch upon this perspective, in a subtle way.
Tracey Livesay makes her Avon Impulse debut with a sparkling and sexy novel about a woman who will do anything to fulfill her dreams… but discovers that even the best laid plans can fail when love gets in the way. Successful PR executive Chelsea Grant is one assignment away from making partner at her firm and nothing will stand in her way. Her big break? Turn a reclusive computer genius into a media darling in time for his new product launch. He may have been dubbed the "sexiest geek alive" but he has no patience for the press—and it shows. Piece of cake, right? Only problem is… his company doesn’t want him to know they hired her. After a disastrous product launch two years ago, tech CEO Adam Bennett knows the success of his new device depends on the media’s support. When a twist of fate brings the beautiful PR specialist to his door, Adam hires Chelsea to help turn his image around. Their attraction is undeniable and the more time they spend together, the harder it becomes to keep things professional. But when Adam discovers Chelsea’s deception, will she risk everything for her career or is love the real thing on her mind?
Presents the author's thesis that consciousness, in its manifestation in the human quality of understanding, is doing something that mere computation cannot; and attempts to understand how such non-computational action might arise within scientifically comprehensive physical laws.
In this dangerously sexy rom-com that evokes the real-life romance between Prince Harry and Duchess Meghan Markle, a prince who wants to live out of the spotlight falls for a daring American rapper who turns his life, and the palace, upside down. Sexy, driven rapper Danielle “Duchess” Nelson is on the verge of signing a deal that’ll make her one of the richest women in hip hop. More importantly, it’ll grant her control over her life, something she’s craved for years. But an incident with a rising pop star has gone viral, unfairly putting her deal in jeopardy. Concerned about her image, she’s instructed to work on generating some positive publicity… or else. A brilliant professor and reclusive royal, Prince Jameson prefers life out of the spotlight, only leaving his ivory tower to attend weddings or funerals. But with the Queen’s children involved in one scandal after another, and Parliament questioning the viability of the monarchy, the Queen is desperate. In a quest for good press, she puts Jameson in charge of a tribute concert in her late husband’s honor. Out of his depth, and resentful of being called to service, he takes the advice of a student. After all, what’s more appropriate for a royal concert than a performer named “Duchess”? Too late, Jameson discovers the American rapper is popular, sexy, raunchy and not what the Queen wanted, although he’s having an entirely different reaction. Dani knows this is the good exposure she needs to cement her deal and it doesn't hurt that the royal running things is fine as hell. Thrown together, they give in to the explosive attraction flaring between them. But as the glare of the limelight intensifies and outside forces try to interfere, will the Prince and Duchess be a fairy tale romance for the ages or a disaster of palatial proportions?
Shadow of the Succubus / The Eternal Thirst: Two Novels of Horror both are tales of dark seduction, which at times deal with the dual nature of man, who can be so at odds with his own darkness and yet so easily led into the dark. Both are in the Gothic vein, but are set in a modern atmosphere.
What is the relationship between poetry and power? Should poetry be considered a mode of authority or an impotent medium? And why is it that the modern poets most commonly regarded as authoritative are precisely those whose works wrestle with a sense of artistic inadequacy? Such questions lie at the heart of this study, prompting fresh insights into three of the most important poets of recent decades: Robert Lowell, Geoffrey Hill and Seamus Heaney. Through attentive close reading and the tracing of dominant motifs in each writer’s works, James shows how their responsiveness to matters of political and cultural import lends weight to the idea of poetry as authoritative utterance, as a medium for speaking of and to the world in a persuasive, memorable manner. And yet, as James demonstrates, each poet is exercised by an awareness of his own cultural marginality, even by a sense of the limitations and liabilities of language itself.