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To Christians worldwide, the man Jesus of Nazareth is the centerpiece of history, the object of faith, hope, and worship. Even those who do not follow him admit the vast influence of his life. For anyone interested in knowing more about Jesus, study of the four biblical Gospels is essential. The second edition of Four Portraits, One Jesus has been updated throughout to meet the needs to today's students. It is a thorough yet accessible introduction to the four biblical Gospels and their subject, the life and person of Jesus. Like different artists rendering the same subject using different styles and points of view, the Gospels paint four highly distinctive portraits of the same remarkable Jesus. With clarity and insight, Mark Strauss illuminates these four books addressing the following important areas: First he addresses the nature, origin, methods for study, and historical, religious, and cultural backgrounds of the Gospels. He then moves on to closer study of each narrative and its contribution to our understanding of Jesus, investigating things such as plot, characters, and theme. Finally, he pulls it all together with a detailed examination of what the Gospels teach about Jesus' ministry, message, death, and resurrection, with excursions into the quest for the historical Jesus and the historical reliability of the Gospels. This textbook together with its workbook, video lectures, and laminated sheet gives students everything they need for a thorough and enriching study of Jesus and the Gospels.
What is God like? Come join Philip McCarty, as he enters an art gallery containing only one picture. God, through His word, has painted an unbelievable portrait of Himself. Like any masterpiece, there are different textures, layers, and angles that need to be explored and scrutinized. Beginning with the physical characteristics of God: Spirit Trinity Self-Existence Everywhere Present All Knowing Almighty The author then moves to the moral attributes: Holy Just Love Mercy True He finishes with some of the characteristics that blend both the physical and moral: Wise Sovereign Unchangeable Along the way you will find out how God has drawn you. Whether you have attended church all your life or just wanting to take a peek at this God thing, you will find something of interest in each chapter. This book purposefully stays away from the Christian jargon and church speak, and defines every important term used. If you have never read a book about God, then let this be your first.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
There are countless paths to follow when seeking spiritual guidance, and thousands of years of religion and theology have offered such paths and sets of beliefs to enlightenment and offer spiritual happiness. In A portrait of Jesus, bestselling author Joseph Girzone paints a picture of Jesus without stringent religous lines, and looks into the spiritual, humanistic and beautiful ideals set forth by Jesus. Girzone's empowering and loving look at Jesus creates a human, non-denominational, spiritually guiding portrait of Jesus.
So foundational is this invention to modern aesthetics, Koerner argues, that interpreting it takes us to the limits of traditional art-historical method. Self-portraiture becomes legible less through a history leading up to it, or through a sum of contexts that occasion it, than through its historical sight-line to the present. After a thorough examination of Durer's startlingly new self-portraits, the author turns to the work of Baldung, Durer's most gifted pupil, and demonstrates how the apprentice willfully disfigured Durer's vision. Baldung replaced the master's self-portraits with some of the most obscene and bizarre pictures in the history of art. In images of nude witches, animated cadavers, and copulating horses, Baldung portrays the debased self of the viewer as the true subject of art. The Moment of Self-Portraiture thus unfolds as passages from teacher to student, artist to viewer, reception, all within a culture that at once deified and abhorred originality.
Terry Heaton, who worked alongside Robertson at The 700 Club and became its executive producer, provides the inside story of how evangelical Christianity forced itself on a needy Republican Party in order to gain political influence on a global level. Using deliberate and strategic social engineering, The 700 Club moved Christians steadily into the Republican Party–and moved the party itself to the right.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
The poetic and symbolic nature of John's gospel betrays the weakness of historical-critical and other scientific" methods of scriptural exegesis: Although valuable for the insights they do provide, scientific methods are not sensitive to the spiritual dimensions of biblical revelation. Father Dumm therefore offers something more than the traditional chapter-and-verse commentary. Understanding that all of the gospels were written after the resurrection and, consequently, that the passion narrative greatly influenced how the earlier chapters were composed, Father Dumm gives more prominence to the climax of the career of Jesus: his passion, death, and resurrection. By beginning "at the end," Father Dumm uncovers the guiding principle of this gospel. In the process he makes some surprising discoveries about the dangers of religious ritual but finds remedy for these dangers in the importance of personal mystical experience within the context of a believing community. Chapters are "The Hour has Come," *Testifying to the Truth, - *Love Gives all, - *Love Conquers all, - *Love One Another, - *Abide in Me as I Abide in You, - *That They May be One, - *Conversion, - *Baptism, - *Eucharist, - *Enlightenment, - and *Eternal Life. - Demetrius Dumm, OSB, is a monk of St. Vincent's Archabbey, Latrobe, Pennsylvania. A professor of New Testament for almost fifty years, he is the author of several books and has given numerous retreats and workshops designed to allow scholarship to bear fruit in the spiritual life of the nonscholar. "