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Wallace Stegner, recipient of the Pulitzer Prize in 1972, was a great writer. As an author, historian, teacher, and environmentalist, he influenced countless prominent individuals during his long life. Showcasing some of those relationships, these letters (written between 1933 and 1993) cover a broad range of topics, including literature, history, conservation, and Stanford. Here are letters to colleagues, like Ansel Adams, friends and family, as well as many students who went on to become well–respected authors, among them Wendell Berry, John Daniel, Barry Lopez, William Kittredge, and Robert Stone. In 1946 he founded the prestigious Stegner Fellowship Program. In 1961, his memos to then Secretary of the Interior Steward Udall set the tone and agenda for what would become the modern environmental movement. Here, in their entirety, are the letters that track it all. For a man who had no interest in writing an autobiography, they offer an inside look at his "unedited thoughts and opinions, and to a factual narrative untransformed by the literary imagination, to life lived before being lived," writes his son Page Stegner in his introduction. Here is history as told through correspondence with people who helped shape literature, politics, and environmentalism in the twentieth century.
Stegner’s Pulitzer Prize-winning novel of personal, historical, and geographic discovery Confined to a wheelchair, retired historian Lyman Ward sets out to write his grandparents' remarkable story, chronicling their days spent carving civilization into the surface of America's western frontier. But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family. "Cause for celebration . . . A superb novel with an amplitude of scale and richness of detail altogether uncommon in contemporary fiction." —The Atlantic Monthly "Brilliant . . . Two stories, past and present, merge to produce what important fiction must: a sense of the enchantment of life." —Los Angeles Times This Penguin Classics edition features an introduction by Jackson J. Benson. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
These 31 stories span a literary career of more than 50 years and serve as a true testament to "one of America's most distinguished men of letters".--The Boston Globe. Here are tales of young love and older wisdom; of the order and consistency of the natural world; and of the chaos, contradictions and continuities of the human being.
In 1950, at the age of twenty-four, William Clark Styron, Jr., wrote to his mentor, Professor William Blackburn of Duke University. The young writer was struggling with his first novel, Lie Down in Darkness, and he was nervous about whether his “strain and toil” would amount to anything. “When I mature and broaden,” Styron told Blackburn, “I expect to use the language on as exalted and elevated a level as I can sustain. I believe that a writer should accommodate language to his own peculiar personality, and mine wants to use great words, evocative words, when the situation demands them.” In February 1952, Styron was awarded the Prix de Rome of the American Academy of Arts and Letters, which crowned him a literary star. In Europe, Styron met and married Rose Burgunder, and found himself immersed in a new generation of expatriate writers. His relationships with George Plimpton and Peter Matthiessen culminated in Styron introducing the debut issue of The Paris Review. Literary critic Alfred Kazin described him as one of the postwar “super-egotists” who helped transform American letters. His controversial The Confessions of Nat Turner won the 1968 Pulitzer Prize, while Sophie’s Choice was awarded the 1980 National Book Award, and Darkness Visible, Styron’s groundbreaking recounting of his ordeal with depression, was not only a literary triumph, but became a landmark in the field. Part and parcel of Styron’s literary ascendance were his friendships with Norman Mailer, James Baldwin, John and Jackie Kennedy, Arthur Miller, James Jones, Carlos Fuentes, Wallace Stegner, Robert Penn Warren, Philip Roth, C. Vann Woodward, and many of the other leading writers and intellectuals of the second half of the twentieth century. This incredible volume takes readers on an American journey from FDR to George W. Bush through the trenchant observations of one of the country’s greatest writers. Not only will readers take pleasure in William Styron’s correspondence with and commentary about the people and events that made the past century such a momentous and transformative time, they will also share the writer’s private meditations on the very art of writing. Advance praise for Selected Letters of William Styron “I first encountered Bill Styron when, at twenty, I read The Confessions of Nat Turner. Hillary and I became friends with Bill and Rose early in my presidency, but I continued to read him, fascinated by the man and his work, his triumphs and troubles, the brilliant lights and dark corners of his amazing mind. These letters, carefully and lovingly selected by Rose, offer real insight into both the great writer and the good man.”—President Bill Clinton “The Bill Styron revealed in these letters is altogether the Bill Styron who was a dear friend and esteemed colleague to me for close to fifty years. The humor, the generosity, the loyalty, the self-awareness, the commitment to literature, the openness, the candor about matters closest to him—all are on display in this superb selection of his correspondence. The directness in the artful sentences is such that I felt his beguiling presence all the while that I was enjoying one letter after another.”—Philip Roth “Bill Styron’s letters were never envisioned, far less composed, as part of the Styron oeuvre, yet that is what they turn out to be. Brilliant, passionate, eloquent, insightful, moving, dirty-minded, indignant, and hilarious, they accumulate power in the reading, becoming in themselves a work of literature.”—Peter Matthiessen
A book of timeless importance about the American West by a National Book Award– and Pulitzer Prize–winning author. The essays collected in this volume encompass memoir, nature conservation, history, geography, and literature. Delving into the post-World War II boom that brought the Rocky Mountain West—from Montana and Idaho to Utah and Nevada—into the modern age, Stegner's essays explore the essence of the American soul. Writtten over a period of thirty-five years by a writer and thinker who will always hold a unique position in modern American letters, The Sound of Mountain Water is a modern American classic.
Wallace Stegner, recipient of the Pulitzer Prize in 1972, was a great writer. As an author, historian, teacher, and environmentalist, he influenced countless prominent individuals during his long life. Showcasing some of those relationships, these letters (written between 1933 and 1993) cover a broad range of topics, including literature, history, conservation, and Stanford. Here are letters to colleagues, like Ansel Adams, friends and family, as well as many students who went on to become well–respected authors, among them Wendell Berry, John Daniel, Barry Lopez, William Kittredge, and Robert Stone. In 1946 he founded the prestigious Stegner Fellowship Program. In 1961, his memos to then Secretary of the Interior Steward Udall set the tone and agenda for what would become the modern environmental movement. Here, in their entirety, are the letters that track it all. For a man who had no interest in writing an autobiography, they offer an inside look at his "unedited thoughts and opinions, and to a factual narrative untransformed by the literary imagination, to life lived before being lived," writes his son Page Stegner in his introduction. Here is history as told through correspondence with people who helped shape literature, politics, and environmentalism in the twentieth century.
This provocative collection of essays reveals the passionate voice of a Native American feminist intellectual. Elizabeth Cook-Lynn, a poet and literary scholar, grapples with issues she encountered as a Native American in academia. She asks questions of critical importance to tribal people: who is telling their stories, where does cultural authority lie, and most important, how is it possible to develop an authentic tribal literary voice within the academic community? In the title essay, “Why I Can’t Read Wallace Stegner,” Cook-Lynn objects to Stegner’s portrayal of the American West in his fiction, contending that no other author has been more successful in serving the interests of the nation’s fantasy about itself. When Stegner writes that “Western history sort of stopped at 1890,” and when he claims the American West as his native land, Cook-Lynn argues, he negates the whole past, present, and future of the native peoples of the continent. Her other essays include discussion of such Native American writers as Michael Dorris, Ray Young Bear, and N. Scott Momaday; the importance of a tribal voice in academia, the risks to American Indian women in current law practices, the future of Indian Nationalism, and the defense of the land. Cook-Lynn emphasizes that her essays move beyond the narrowly autobiographical, not just about gender and power, not just focused on multiculturalism and diversity, but are about intellectual and political issues that engage readers and writers in Native American studies. Studying the “Indian,” Cook-Lynn reminds us, is not just an academic exercise but a matter of survival for the lifeways of tribal peoples. Her goal in these essays is to open conversations that can make tribal life and academic life more responsive to one another.
Time Magazine's 10 Top Nonfiction Books of the Year • Willa Cather’s letters—withheld from publication for more than six decades—are finally available to the public in this fascinating selection. The hundreds collected here range from witty reports of life as a teenager in Red Cloud in the 1880s through her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and her growing eminence as a novelist. They describe her many travels and record her last years, when the loss of loved ones and the disasters of World War II brought her near to despair. Above all, they reveal her passionate interest in people, literature, and the arts. The voice is one we recognize from her fiction: confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times sentimental, sarcastic, and funny. A deep pleasure to read, this volume reveals the intimate joys and sorrows of one of America’s most admired writers.
Winner of three O. Henry Awards, the Commonwealth Gold Medal, the Pulitzer Prize, the National Book Award, and the Kirsch Award for Lifetime Literary Achievement, Wallace Stegner was a literary giant. In Marking the Sparrow's Fall, the first collection of Stegner's work published since his death, Stegner's son Page has collected, annotated, and edited fifteen essays that have never before been published in any edition, as well as a little-known novella and several of Stegner's best-known essays on the American West. Seventy-five percent of the contents of this body of work is published here for the first time.
Joe Allston, the retired literary agent of Stegner's National Book Award-winning novel, The Spectator Bird, returns in this disquieting and keenly observed novel. Scarred by the senseless death of their son and baffled by the engulfing chaos of the 1960s, Allston and his wife, Ruth, have left the coast for a California retreat. And although their new home looks like Eden, it also has serpents: Jim Peck, a messianic exponent of drugs, yoga, and sex; and Marian Catlin, an attractive young woman whose otherworldly innocence is far more appealing—and far more dangerous.