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The letters of Mary Wollstonecraft Shelley reveal a remarkable woman living in a remarkable age. They date from October 1814 - shortly after her elopement with Percy Bysshe Shelley - through September 1850, five months before her death. Her correspondents' names are familiar - Shelley himself, Byron, Bulwer-Lytton, Disraeli, General Lafayette, Sir Walter Scott - and the letters abound with anecdotes about such eminent figures as her parents (William Godwin and Mary Wollstonecraft), Keats, Washington Irving, and Charles and Mary Lamb. Publication of the widely acclaimed three-volume edition of Mary Shelley's letters was completed in 1988, containing all 1,276 of her known extant letters. Now Betty T. Bennett has selected 230 of those letters to give an overview of Mary Shelley's life as she was seeing it, living it, and recording it. Bennett also includes an introductory essay that sketches a portrait of Mary Shelley, her world, and her place in the history of literature and letters.
The letters of Mary Wollstonecraft Shelley reveal a remarkable woman living in a remarkable age. They date from October 1814 - shortly after her elopement with Percy Bysshe Shelley - through September 1850, five months before her death. Her correspondents' names are familiar - Shelley himself, Byron, Bulwer-Lytton, Disraeli, General Lafayette, Sir Walter Scott - and the letters abound with anecdotes about such eminent figures as her parents (William Godwin and Mary Wollstonecraft), Keats, Washington Irving, and Charles and Mary Lamb. Publication of the widely acclaimed three-volume edition of Mary Shelley's letters was completed in 1988, containing all 1,276 of her known extant letters. Now Betty T. Bennett has selected 230 of those letters to give an overview of Mary Shelley's life as she was seeing it, living it, and recording it. Bennett also includes an introductory essay that sketches a portrait of Mary Shelley, her world, and her place in the history of literature and letters.
This is the only single-volume edition containing all Wollstonecraft's known correspondence.
History of a Six Weeks' Tour is a travel narrative by Percy Bysshe Shelley. It takes us on a journey through France, Switzerland, Germany and Holland, while adding an element of romantic philosophy into the mix.
Known from her day to ours as 'the Author of Frankenstein', Mary Shelley indeed created one of the central myths of modernity. But she went on to survive all manner of upheaval - personal, political, and professional - and to produce an oeuvre of bracing intelligence and wide cultural sweep. The Cambridge Companion to Mary Shelley helps readers to assess for themselves her remarkable body of work. In clear, accessible essays, a distinguished group of scholars place Shelley's works in several historical and aesthetic contexts: literary history, the legacies of her parents William Godwin and Mary Wollstonecraft, and of course the life and afterlife, in cinema, robotics and hypertext, of Frankenstein. Other topics covered include Mary Shelley as a biographer and cultural critic, as the first editor of Percy Shelley's works, and as travel writer. This invaluable volume is complemented by a chronology, a guide to further reading and a select filmography.
"Recognition of Mary Shelley's systemic dual focus on public and domestic power as the means to interrogate traditional norms and propose alternatives materially alters parochial perceptions of her objectives and her achievements. Her novels, outside of Frankenstein, and recently, The Last Man, have been dismissed as simple, mutual dissociated "romances" or experiments in genre solely to intersect with a market niche; they are neither. Rather, they and all of Mary Shelley's major works voice a cosmopolitan, socio-political reformist ideology that evolved as their author's acute awareness of world events enabled her to calibrate her literary voice to deal with unfolding rather than past societal issues. Her multidisciplinary fusion of literature, political philosophy, and history calls for a commensurate multidisciplinary reading in order to understand the complexities of both the author and her works." —Betty T. Bennett In this book, Betty T. Bennett offers an extensively expanded version of the introduction she wrote for Pickering and Chatto's eight volume set, The Novels and Selected Works of Mary Shelley. Along with her insightful retelling of Mary Shelley's eventful life story, Bennett gives us a fresh reading of Frankenstein in the context of its author's full career. She also discusses a variety of Mary Shelley's lesser known works, including Matilda, Valperga, The Last Man, Perkin Warbeck, Lodore, Falkner, and her travel books. The result is a compelling portrait of Mary Shelley as she saw herself—an inventive, irreverent writer whose desire for political and social reform was at the heart of her literary expression for three decades.
Maria: or, The Wrongs of Woman (1798) is a novel by English writer, philosopher, and feminist Mary Wollstonecraft. Intended as a fictional sequel to A Vindication of the Rights of Woman (1792), a groundbreaking work of feminism and political philosophy, Maria: or, The Wrongs of Woman was published posthumously by Wollstonecraft’s husband, anarchist philosopher and writer William Godwin. Denied her autonomy, Maria is sent to an insane asylum by her husband, a wealthy aristocrat. Separated from her child and unable to advocate on her own behalf, Maria is fortunate to befriend Jemima, an attendant from the lower classes who empathizes with Maria’s situation. Jemima secretly provides her with books, inadvertently introducing her to the marginalia of Henry Darnford, another inmate at the asylum. The three grow close, sharing their stories with one another. Darnford reveals his troubled past and struggles with alcohol, Jemima discloses her experiences as an abused orphan-turned-prostitute, and Maria discusses her abusive marriage to George Venables. As she turned toward literature and intellectual life to avoid George’s affairs and frequent gambling, Maria found herself desperately looking for a way out. After several escape attempts, George—who had been scheming for years to frame his wife in order to divorce her—conspires to send her to the asylum, taking their child and cutting off contact with Maria. Although unfinished, Maria: or, The Wrongs of Woman explores the themes of her political and philosophical writings while illuminating the injustices suffered by women and lower class individuals in English society. With a beautifully designed cover and professionally typeset manuscript, this edition of Mary Wollstonecraft’s Maria: or, The Wrongs of Woman is a classic of English literature reimagined for modern readers.
Pioneers in life writing, Mary Wollstonecraft, author of A Vindication of the Rights of Woman (1792), and Mary Shelley, author of Frankenstein (1818 ), are now widely regarded as two of the leading writers of the Romantic period. They are both responsible for opening up new possibilities for women in genres traditionally dominated by men. This volume brings together essays on Wollstonecraft’s and Shelley’s life writing by some of the most prominent scholars in Canada, Australia, and the United States. It also includes a full-length play by award-winning Canadian playwright Rose Scollard. Together, the essays and the play explore the connections between mother and daughter, between writing and life, and between criticism and creation. They offer a new understanding of two important writers, of a literary period, and of emergent modes of life writing. Essayists include Judith Barbour, Betty T. Bennett, Anne K. Mellor, Charles E. Robinson, Eleanor Ty, and Lisa Vargo. Among the works discussed are Wollstonecraft’s Vindication, Letters from Norway, and Maria; or, The Wrongs of Woman; William Godwin’s Memoirs of Wollstonecraft; and Shelley’s Frankenstein, The Last Man, Ladore, and Rambles in Germany and Italy.