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What was it like to be Charles Dickens? His letters are the nearest we can get to a Dickens autobiography: vivid close-up snapshots of a life lived at maximum intensity. This is the first selection to be made from the magisterial twelve-volume British Academy Pilgrim Edition of his letters. From over fourteen thousand, four hundred and fifty have been cherry-picked to give readers the best essence of 'the Sparkler of Albion'. Dickens was a man with ten times the energy of ordinary mortals. There seem to have been twice the number of hours in his day, and he threw himself into letter-writing as he did into everything else. This eagerly awaited selection takes us straight to the heart of his life, to show us Dickens at first hand. Here he is writing out of the heat of the moment: as a novelist, journalist, and magazine editor; as a social campaigner and traveller in Europe and America, and as friend, lover, husband, and father. Reading and writing letters punctuated the rhythms of Dickens's day. 'I walk about brimful of letters', he told a friend. He claimed to write 'at the least, a dozen a day'. Sometimes it was a chore but more often a pleasure: an outlet for high spirits, sparkling wit, and caustic commentary - always as seen through his highly individual and acutely observing eye. Whether you dip in or read straight through, this selection of his letters creates afresh the brilliance of being Dickens, and the sheer pleasure of being in his company.
The nearest we can get to a Dickens autobiography, these letters give us unique insights into his life, and are essential reading for Dickens fans everywhere. Whether you dip in or read straight through, this selection of his letters creates afresh the brilliance of being Dickens, and the sheer pleasure of being in his company.
Throughout his writing career Charles Dickens was a hugely prolific journalist. This volume of his later work is selected from pieces that he wrote after he founded the journal Household Words in 1850 up until his death in 1870. Here subjects as varied as his nocturnal walks around London slums, prisons, theatres and Inns of Court, journeys to the continent and his childhood in Kent and London are captured in remarkable pieces such as 'Night Walks', 'On Strike', 'New Year's Day' and 'Lying Awake'. Aiming to catch the imagination of a public besieged by hack journalism, these writings are an extraordinary blend of public and private, news and recollection, reality and fantastic description.
Charles Dickens's 200th birthday will be celebrated in 2012. Though his writings are now more than 100 years old, many remain in print and are avidly read and studied. Often overlooked--or unknown--are the considerable Christian convictions Dickens held and displayed in his work. This book fills that vacuum by examining Dickens the Christian and showing how Christian beliefs and practices permeate his work. This historical work is written for pastors, students, and laity alike. Chapters look at Dickens's life and work topically, arguing that Christian faith was front and center in some of what Dickens wrote (such as his children's work The Life of Our Lord) and saliently implicit throughout various other characters and plots. Since Dickens's Christian side is rarely considered, Gary Colledge illuminates a fresh angle of Dickens, and the 200th birthday makes it especially timely.
This arrangement of nearly 6,000 of Dickens's letters shows how much creative energy overflowed into his daily correspondence.
This is the largest selection of Stoic philosopher and tragedian Seneca's letters currently available. In them Seneca advises his friend Lucilius on how to do without what is superfluous, whether on the subject of happiness, riches, reputation, or the emotions. We learn too about Seneca's personal and political life in the time of Nero.
Using hundreds of primary sources, Charles Dickens in Love narrates the story of the most intense romances of Charles Dickens' life and shows how his novels both testify to his own strongest affections and serve as memorials to the young women he loved all too well, if not always wisely. When Charles Dickens died in 1870, he was the best-known man in the English-speaking world - the preeminent Victorian celebrity, universally mourned as both a noble spirit and the greatest of novelists. Yet, the first person named in his will was an unknown woman named Ellen Ternan - only a handful of people had any idea who she was. Of his romance with Ellen, Dickens had written, "it belongs to my life and probably will only die out of the same with the proprietor," and so it was. She remained the most important person in his life until his death. She was not the first woman who had fired his imagination. As a young man he had fallen deeply in love with a woman who "pervaded every chink and crevice" of his mind for three years, Maria Beadnell. When she eventually jilted him he vowed that "I never can love any human creature but yourself." A few years later he was stunned by the sudden death of his young sister-in-law, Mary Scott Hogarth, and worshiped her memory for the rest of his life. "I solemnly believe that so perfect a creature never breathed," he declared, and he died over thirty years later still wearing her ring. Charles Dickens has no rival as the most fertile creative imagination since William Shakespeare, and no one influenced his imagination more powerfully than these three women, his muses and teachers in the school of love.
2021 National Jewish Book Award Winner - Children's Picture Book 2022 Sydney Taylor Book Award Honor for Picture Books Chicago Public Library Best Informational Books for Younger Readers 2021 The Best Jewish Children's Books of 2021, Tablet Magazine A Junior Library Guild Selection March 2022 The Best Children's Books of the Year 2022, Bank Street College 2022 First Place—Children's Book Nonfiction, Press Women of Texas 2022 First Place—Children's Book Nonfiction, National Federation of Press Women Eliza Davis believed in speaking up for what was right. Even if it meant telling Charles Dickens he was wrong. In Eliza Davis's day, Charles Dickens was the most celebrated living writer in England. But some of his books reflected a prejudice that was all too common at the time: prejudice against Jewish people. Eliza was Jewish, and her heart hurt to see a Jewish character in Oliver Twist portrayed as ugly and selfish. She wanted to speak out about how unfair that was, even if it meant speaking out against the great man himself. So she wrote a letter to Charles Dickens. What happened next is history.