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A ground-breaking debut novel that combines the investigatory pleasures of a legal drama with a provocative and literary exploration of the limits of empathy 'I loved this highly original and compelling story' Cathy Rentzenbrink You are about to enter a novel formed of documents and evidence. Here is the blog of a nurse on a dialysis ward attempting to live in the aftermath of bringing a rape trial to court in which the defendant was exonerated. Here are the transcripts of the police interviews with her, and the accused, the emails and texts between them submitted for trial; his journal, his conversations on 4chan, his drama scripts, him, him, him. How will the nurse, Corina, ever get him out of her head? This is a highly original debut novel that will win plaudits for its inventiveness at the same time as it compels the reader with the pleasures of suspense and family drama. Provocative, blackly funny and moving, it announces a new voice unlike any other.
The title of this book: CAN I SEE YOUR HANDS refers to one of the key outcomes of this book-- being able to tell whether or not people want to cause us harm. To put it very simply, if you can see someone's hands and they are not concealing them, holding a weapon or positioning to strike you, one's levels of trust and confidence can increase. This simple example can serve as a reminder to all of us in many of the complex moments we have to deal with, and difficult decisions we have to make, in everyday life.
A literary, historical and philosophical discussion of attitudes to blindness by the sighted, and what the blind 'see'Why has there been a persistent fascination by the sighted, including philosophers, poets and the public, in what the blind 'see'? Is the experience of being blind, as Descartes declared, like 'seeing with the hands'? What happens on the rare occasions when surgery allows previously blind people to see for the very first time? And how did evidence from early experimental surgery inform those philosophical debates about vision and touch? These questions and others were prompted by a question that the Irish scientist, Molyneux, asked an English philosopher, Locke, in 1688, but which was to have implications for British empiricism, French sensationism, and the beginnings of psychology that outlasted the long tail of the Enlightenment. Through an unfolding historical and philosophical narrative the book follows up responses to this question in Britain and France, and considers it as an early articulation of sensory substitution, the substitution of one sense (touch) for another (vision). This concept has influenced attitudes towards blindness, and technologies for the blind and vision impaired, to this day.Key FeaturesUnfolds the history of 'blindness' from 17th century that shades into the beginnings of psychologyQuestions the assumed centrality of vision and the eye in Enlightenment philosophy and scienceTraces the core idea of 'sensory substitution' from hypothetical speculations in the 17th century to present day technologies for the blind and vision impaired
Drawing hands is extraordinarily difficult, even for accomplished artists. This book teaches you a very simple and straightforward way to draw truly amazing, completely realistic-looking hands, and all in 6 simple steps! In her typical, laid back, easy-to-understand and conversational teaching style, Artist Karen Campbell once again makes it both easy and enjoyable for artists of all abilities to first understand and then successfully execute even the most hand difficult drawings in this book. Using a combination of humor and easy-to-follow steps, Karen teaches you ways to develop muscle memory, sharpen your observational skills, and draw and shade realistic hands in graphite. The 25 different hand gestures include a wide variety of poses from people of all ages (from babies to old men) so there is literally something in here for everyone. Artists of all abilities will also learn to successfully and easily create the look of those troublesome hand details that seem to always pop up like wrinkles, veins, creases, bumps, bones, tendons, arm hair, long nails and more...and all with just a handful of supplies! Never heard of Elephant Skin or The "Poodge" show up on people before? Well get ready, because not only are you about to learn what those are, you're about to learn how to draw them too!
Like The Man Who Mistook His Wife for a Hat, this is a fascinating voyage into a strange and wonderful land, a provocative meditation on communication, biology, adaptation, and culture. In Seeing Voices, Oliver Sacks turns his attention to the subject of deafness, and the result is a deeply felt portrait of a minority struggling for recognition and respect — a minority with its own rich, sometimes astonishing, culture and unique visual language, an extraordinary mode of communication that tells us much about the basis of language in hearing people as well. Seeing Voices is, as Studs Terkel has written, "an exquisite, as well as revelatory, work."
As the child in this story watches her parents build, sew, garden, and paint, she realizes she wants to create as well, and with a place to work, good materials, and plenty of encouragement, she makes her own beautiful things. By the author of Pie in the Sky.
It’s never too soon for children to learn that violence is never okay, hands can do many good things, and everyone is capable of positive, loving actions. In this bright, inviting, durable board book, simple words and full-color illustrations teach these important concepts in ways even very young children can understand. Created in response to requests from parents, preschool teachers, and childcare providers, this book belongs everywhere young children are. Includes tips for parents and caregivers.
"The perfect introductory art book for little hands with lots to express! Instructions are kept to a minimum, and resulting art is very clever as kids' imaginations take flight with simple materials."--Back cover
Hands can be one of the expressive elements of your portrait - if you know the right way to draw them. By following Lee Hammond's easy, step-by-step approach, you can render hands that hold and hands that wave. Old hands and young hands. Hands that look real, not cartoony. &break;&break;The secret is seeing and drawing hands as simple shapes that fit together like puzzle. The, create gradual, smooth shadings to replicate the subtle contours of skin. Before you knot it, you'll be drawing realistic hands! &break;&break;You'll find tips on making hands look distinctly young, old, feminine and masculine; drawing hands in action, in any pose or position; and using hands to "tell stories" in your drawings. Plus, you'll learn graphing tricks that make drawing from photos easy! And you'll see the difference in your drawings right away!