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Following completion of the U.S. air base in Natal, Brazil, in 1942, U.S. airmen departing for North Africa during World War II communicated with Brazilian mechanics with a thumbs-up before starting their engines. This sign soon replaced the Brazilian tradition of touching the earlobe to indicate agreement, friendship, and all that was positive and good—yet another indication of the Americanization of Brazil under way during this period. In this translation of O Imperialismo Sedutor, Antonio Pedro Tota considers both the Good Neighbor Policy and broader cultural influences to argue against simplistic theories of U.S. cultural imperialism and exploitation. He shows that Brazilians actively interpreted, negotiated, and reconfigured U.S. culture in a process of cultural recombination. The market, he argues, was far more important in determining the nature of this cultural exchange than state-directed propaganda efforts because Brazil already was primed to adopt and disseminate American culture within the framework of its own rapidly expanding market for mass culture. By examining the motives and strategies behind rising U.S. influence and its relationship to a simultaneous process of cultural and political centralization in Brazil, Tota shows that these processes were not contradictory, but rather mutually reinforcing. The Seduction of Brazil brings greater sophistication to both Brazilian and American understanding of the forces at play during this period, and should appeal to historians as well as students of Latin America, culture, and communications.
Bossa nova is one of the most popular musical genres in the world. Songs such as “The Girl from Ipanema” (the fifth most frequently played song in the world), “The Waters of March,” and “Desafinado” are known around the world. Bossa Nova—a number-one bestseller when originally published in Brazil as Chega de Saudade—is a definitive history of this seductive music. Based on extensive interviews with Antonio Carlos Jobim, Jo+o Gilberto, and all the major musicians and their friends, Bossa Nova explains how a handful of Rio de Janeiro teenagers changed the face of popular culture around the world. Now, in this outstanding translation, the full flavor of Ruy Castro’s wisecracking, chatty Portuguese comes through in a feast of detail. Along the way he introduces a cast of unforgettable characters who turned Gilberto’s singular vision into the sound of a generation.
This book provides a synthesis of the relationship between Brazil and Canada, or what comprises Canada today, with the objective of uncovering a neglected history. This book covers from the first known exchange of migrants between the two countries in 1828 to 1979 when a political openness in the Brazilian military dictatorship gave rise to a new chapter in the two countries’ relationship. As the first synthetic treatment of this relationship, this book not only aims to build on the limited historiography that exists, but also to open up new interpretive channels that can be further explored in the future. Recommended for scholars of Latin American studies, history, and international relations.
In Brazil, the United States, and the Good Neighbor Policy: The Triumph of Persuasion during World War II, Alexandre Busko Valim studies the use of cinema in Brazil as an instrument of political persuasion by the United States during the period of the so-called Good Neighbor policy during World War II by examining extensive documentation found in the National Archives in College Park, Maryland. In doing so, Valim demonstrates the modus operandi of media imperialism: its mapping strategies and control of the market, its actions, and its objectives of domination. When thinking about the place of images as a means of convincing and imposing an ideological project, the author notes the methods necessary to examine this relationship between art and politics, a problem that is central in the contemporary world. Scholars of Latin American Studies, international relations, history, political science, and media studies will find this book particularly useful.
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace. New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions. McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.
DIVExamines photographs, mixed media essays, and experimental literature from two of the most influential modernist avant-garde movements in Latin America, proposing a theory of modernism that addresses the intersection of ethics and aesthetics./div
From the first encounters between the Portuguese and indigenous peoples in 1500 to the current political turmoil, the history of Brazil is much more complex and dynamic than the usual representations of it as the home of Carnival, soccer, the Amazon, and samba would suggest. This extensively revised and expanded second edition of the best-selling Brazil Reader dives deep into the past and present of a country marked by its geographical vastness and cultural, ethnic, and environmental diversity. Containing over one hundred selections—many of which appear in English for the first time and which range from sermons by Jesuit missionaries and poetry to political speeches and biographical portraits of famous public figures, intellectuals, and artists—this collection presents the lived experience of Brazilians from all social and economic classes, racial backgrounds, genders, and political perspectives over the past half millennium. Whether outlining the legacy of slavery, the roles of women in Brazilian public life, or the importance of political and social movements, The Brazil Reader provides an unparalleled look at Brazil’s history, culture, and politics.
The Routledge History of the Second World War sums up the latest trends in the scholarship of that conflict, covering a range of major themes and issues. The book delivers a thematic analysis of the many ways in which study of the Second World War can take place, considering international, transnational, and global approaches, and serves as a major jumping off point for further research into the specific fields covered by each of the expert authors. It demonstrates the global and total nature of the Second World War, giving due coverage to the conflict in all major theatres and through the lens of the key combatants and neutrals, examines issues of race, gender, ideology, and society during the war, and functions as a textbook to educate students as to the trends that have taken place in how the conflict has been (and can be) interpreted in the modern world. Divided into twelve parts that cover central themes of the conflict, including theatres of war, leadership, societies, occupation, secrecy and legacies, it enables those with no memory of war to approach it with a view to comprehending what it was all about and places the history of this conflict into a context that is international, transnational, and institutional. This is a comprehensive and accessible reference volume for anyone interested in the most up to date scholarship on this major conflict. Chapter 18 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
When World War II erupted in 1939, Brazil seemed a world away. Beautiful, exotic, and remote, Brazil and its capital of Rio de Janeiro boasted world-famous beaches and five-star hotels, luring international travelers seeking adventure off the beaten path. "Rio: at the end of civilization, as we know it," claimed Orson Welles as he set out for the Brazilian capital in 1942 to film Allied propaganda. But even as expatriates like Welles drank away their worries in Brazil's stifling heat, the country's leadership was edging it toward an encounter with the modern world--one that would catapult the nation headlong into the twentieth century. In The Fortunes of War, acclaimed historian Neill Lochery reveals the secret history of Brazil's involvement in World War II, showing how the cunning politicians who ran the country extracted enormous wealth from both the Axis and the Allies, fundamentally transforming Brazil's economy and infrastructure during and after the war. Brazil's simplistic reputation as a faraway land of palm trees and samba dancers masked the country's immense strategic value to both the Axis and the Allies; its abundant natural resources made Brazil a crucial source of sustenance for Nazi Germany, while its geographical location made it a potential launching pad for a southerly invasion of the United States--a danger that American leaders remembered all too well from World War I, when Germany had urged Mexico to carry out just such an assault. Brazil's charismatic dictator, Get lio Dornelles Vargas, had himself long feared an attack from the country's rival to the south, Argentina, and understood that trade concessions from the Allies and Axis--not to mention weapons shipments from the Third Reich--could make his country a formidable force in South America. Vargas cozied up to Nazi Germany in the early years of the war, then deftly used his relationship with Germany to coax even better terms from the Allies, playing the two sides against each other in a dangerous game of bait-and-switch. The riches that Vargas's statecraft brought to Brazil transformed the country virtually overnight, allowing him to develop a sophisticated industrial and transportation infrastructure in what had previously been an underdeveloped backwater. But Brazil's cozy neutrality was not to last. As Brazil's ties with the United States deepened, the German position in Europe was eroding, leading Vargas to sever diplomatic relations with the Axis in early 1942. Within months Vargas declared war on the European Axis powers, and eventually sent 25,000 troops to the European theater. But Vargas's forces arrived too late--and were called home too early--to secure a significant role for Brazil in the postwar order. But within the country, at least, Vargas had made his mark: his leadership during the war ensured Rio's emergence as a major international city, and effectively remade Brazil as a modern nation. A tale of world war, diplomatic intrigue, and the rebirth of one of contemporary South America's most dynamic powers, The Fortunes of War brings to life a fascinating yet long-buried chapter of the most pivotal conflict of the twentieth century.
Examining the dynamics between subject, photographer and viewer, Fashioning Brazil analyses how Brazilians have appropriated and reinterpreted clothing influences from local and global cultures. Exploring the various ways in which Brazil has been fashioned by the pioneering scientific and educational magazine, National Geographic, the book encourages us to look beyond simplistic representations of exotic difference. Instead, it brings to light an extensive history of self-fashioning within Brazil, which has emerged through cross-cultural contact, slavery, and immigration. Providing an in-depth examination of Brazilian dress and fashion practices as represented by the quasi-ethnographic gaze of National Geographic and National Geographic Brazil (the Portuguese language edition of the magazine, established in 2000), the book unpacks a series of case studies. Taking us from body paint to Lycra, via loincloths and bikinis, Kutesko frames her analysis within the historical, cultural, and political context of Latin American interactions with the United States. Exploring how dress can be used to manipulate identity and disrupt expectations, Fashioning Brazil examines readers' sensory engagements with an iconic magazine, and sheds new light on key debates concerning global dress and fashion.