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Emitting shrill cries and leaving its footprints in mud and snow, it has roamed the Pine Barrons of South Jersey for almost three hundred years. It is usually said to resemble a composite of several different animals, but it walks upright and us believed to be the child of a human mother.What is this mysterious creature? The Jersey Devil, of course! More than twenty years after their first book about the Jersey Devil was published, James McCloy and Ray Miller, Jr.'s, new research into this phenomenon continues to intrigue readers. Does the Jersey Devil actually exist? Or is it simply a hoax? Open Phantom of the Pines--if you dare--and decide for yourself.
Thirteen-year-old Rachel and her cousin Charlie become linked with the mad ghost of a fierce old lady, who is eerily involved in the upcoming Sunbonnet Queen contest about which Rachel dreams.
“There is much to enjoy in this sumptuous novel.”—Sunday Mirror “My name is Mary Seymour and I am the daughter of one queen and the niece of another.” Browsing an antiques shop in Wiltshire, Alison Bannister stumbles across a delicate old portrait—identified as the doomed Tudor queen, Anne Boleyn. Except Alison knows better. The subject is Mary Seymour, the daughter of Katherine Parr, who was taken to Wolf Hall in 1557 and presumed dead after going missing as a child. And Alison knows this because she, too, lived at Wolf Hall and knew Mary...more than four hundred years ago. The painting of Mary is more than just a beautiful object for Alison—it holds the key to her past life, the unlocking of the mystery surrounding Mary’s disappearance and how Alison can get back to her own time. To when she and Mary were childhood enemies yet shared a pact that now, finally, must be fulfilled, no matter the cost. Bestselling author of House of Shadows Nicola Cornick offers a provocative alternate history of rivals, secrets and danger, set in a time when a woman’s destiny was determined by the politics of men and luck of birth. A spellbinding tale for fans of Kate Morton, Philippa Gregory and Barbara Erskine.
In 1989, while attempting a new route on a difficult overhanging rock face, climber Dan Osman fell. Again and again, protected by the rope, he fell. He decided then that it would not be in climbing but in falling that he would embrace his fear--bathe in it, as he says, and move beyond it. A captivating exploration of the daredevil world of rock climbing, as well as a thoughtful meditation on the role of risk and fear in the author's own life. In the tradition of the wildly popular man-versus-nature genre that has launched several bestsellers, Andrew Todhunter follows the lives of world-class climber Dan Osman and his coterie of friends as he explores the extremes of risk on the unyielding surface of the rock. Climbing sheer rock faces of hundreds or thousands of feet is more a religion than a sport, demanding dedication, patience, mental and physical strength, grace, and a kind of obsession with detail that is crucial just to survive. Its artists are modern-day ascetics who often sacrifice nine-to-five jobs, material goods, and the safety of everyday life to pit themselves and their moral resoluteness against an utterly unforgiving opponent. In the course of the two years chronicled in Fall of the Phantom Lord, the author also undertakes a journey of his own as he begins to weigh the relative value of extreme sports and the risk of sudden death. By the end of the book, as he ponders joining Osman on a dangerous fall from a high bridge to feel what Osman experiences, Todhunter comes to a new understanding of risk taking and the role it has in his life, and in the lives of these climbers. Beautifully written, Fall of the Phantom Lord offers a fascinating look at a world few people know. It will surely take its place alongside Into Thin Air and The Perfect Storm as a classic of adventure literature.
Phantom Lake explores the stories, legends, and tall tales that make up “Flin Flon,” a real imaginary place perched on rocky outcrops and lakes of the Canadian Shield. Lakes and stories together draw Sproxton into their spell. He travels by trains, planes, Bombardiers and automobiles across the West to understand Flin Flon and so understand himself. The northern stories, like Shield Lakes seen from the air, become ink-blots to test the writer’s mettle. "Someone said the lake was named Phantom because of its deceptive bays. You think you're going one place and then you find you've gone somewhere else." In a series of trips—real and imagined—to the Manitoba-Saskatchewan mining district north of 54° latitude, the narrator seeks to find himself between the waters of the elusive Phantom Lake and the monster rocks of Flin Flon, famous for its strange name, legendary riches, and underground marijuana operations. In his quest, Sproxton encounters fictional characters in The Sunless City and The Lobstick Trail, two novels that imagine the town into existence. Sproxton tells of the first gold rush, the draining of Flin Flon Lake, the emergence of the open pit, smelter smoke and slag pour, headframes and tailings ponds. Stories of work and play— including prospectors Tom Creighton, David Collins, Kate Rice, explorers Alexander Henry, David Thompson and J. B. Tyrrell, and the man who became a gunslinger—are set North of 54 among a network of spectacular lakes reaching from Amisk (Beaver) to Athapapuskow to Wekusko (Herb). At the center of this fictional and historical mosaic lies the elusive Phantom Lake.
Three junior detectives investigate a mystery involving an Oriental chest, a sunken ship, and a baffling dual identity.
From the famed Atlantis to the remote Rupes Nigra, islands have long held our fascination: they are locales isolated from ordinary life, lurking in unexplored corners of the globe and thus full of undisclosed mysteries. At times, however, our fascination with islands has bled into reality, as real maps bear the coordinates of fictional lands and travelogues tell tall tales of their inhabitants, their natural wonders, or their treasures. In Phantom Islands, Dirk Liesemer tells the stories of thirty of these fantastical islands. Beginning with their supposed discovery, he recreates their fabled landscapes, the voyages that attempted to verify their existence, and, ultimately, the moment when their existence was finally disproven. Spanning oceans and centuries, these curious tales are a chronicle of human lust for discovery and wealth. Beautifully illustrated with colored maps and charts, Phantom Islands shows the cunning of imposters and frauds, the earnestness of explorers searching for knowledge, and the pleasure that can be found in our willingness to deceive and to be deceived.
Three young sleuths discover who is haunting a mysterious old mirror--and why.
Dr. Sharon Estill Taylor has written a highly readable and illuminating account of her experience as a birthmother in the sixties. With a keen eye for detail and a wry sense of humor, she vividly recounts the ways the no-questions-asked cultural forces of the time swept her toward the surrender of her son. Though steamrolled by a process that gave her no say, Dr. Taylor persevered and found her voice as an early champion of sensitive search and reunion. -Jim Gritter, author of The Spirit of Open Adoption, Lifegivers, and Hospitious Adoption Praise for Phantom Son:: In Phantom Son, Dr. Sharon Estill Taylor tells her own story of being an unwed mother at age 18 in the early 1960s. It bridges a time when unwed women endured devastating discrimination and pressure to give up their parental rights to a time when searching for and finding these children was more accepted and facilitated by society. There are smaller sub-stories, including one about the author's loss of her father who was killed in World War II, and how that event affected her family over the decades; and another about her experience of sex and identity-formation in the 1960s. These sub-stories are fascinating and contribute to the gripping nature of this book. Beyond all, this is a story of grief, courage, and redemption. The lives of most people are filled with issues and complexities that only can be addressed by storytelling. Taylor does that with grace and eloquence. -John Harvey, Editor of the Journal of Loss and Trauma, and Professor of Psychology, Emeritus, University of Iowa Dr. Sharon Estill Taylor's account of her unintended pregnancy and her subsequent traumatic adoption process in the 1960s is an important reminder of how far we have come as a society in terms of the acceptance of out of wedlock births. Instead of the rampant shaming and secrecy surrounding these pregnancies, these commonplace events are now tolerated and even celebrated. This is how it should be as the impact of societal and religious silencing and shame heaped upon these mothers in the 1960s was nothing short of traumatic abuse, as Dr. Taylor tells us in her book. This is an important read for anyone, but I particularly recommend this book for those whose lives have been affected by the disenfranchised grief of coerced adoption. -Deborah Stokes, PhD, Director of The Better Brain Center, Washington, DC In Phantom Son, Dr. Sharon Estill Taylor shares her journey as an unwed mother in the 1960s and her courageous search for the son she had to give up. Her grief and loss give way to the formation of wonderful familial relationships. In the tradition of the Irish story teller, Dr. Taylor gives her readers a powerful gift that will resonate in their own lives. -Fr. Kilian J. Malvey, O.S.B., Professor of Theology, Saint Martin's University As a reunited adoptee, I never tire of reading about reunions. In Dr. Sharon Estill Taylor's Phantom Son, the reader experiences the author's journey from love-struck teenager to expectant mother to powerful advocate for other birthmothers. Dr. Taylor vividly describes how she was forced to physically separate from her son and how she kept the emotional connection alive in her soul. Dr. Taylor's writing is raw, open, and honest; important qualities when dealing with such emotional subject matter. -Christine Murphy, author of Taking Down the Wall: