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'[R]eadable and thoughtful . . . does an excellent job of exploring how the murderous political police in all its incarnations defined the Soviet Union, and left a poisonous legacy still with us today' Professor Mark Galeotti, author of The Vory and A Short History of Russia Repression, control, manipulation and elimination of enemies assisted in the establishment of the Soviet state, and helped maintain it in power, but could not, in the end, prevent its collapse. Citizens of the West have, for the most part, been told a very simplified story of the repressive 'totalitarian' state that was the USSR. In fact, it was sustained by more than just policing and force. No amount of revisionist history can erase the reality of millions controlled, imprisoned and killed, but there was much more to the USSR's one-party state than this. Whittock tells a more complex story of the combination of cruelty, co-operation and compromise required to build and run a one-party state. Much of this is the story of the role played by the secret police in creating and sustaining such a form of government, but it is much more than simply a 'history of the secret police'. This is because the 'police state' which emerged (in which dissent, both real and imaginary, was undoubtedly policed, threatened and ruthlessly eliminated) was more than just the product of the arrests, interrogations, executions and imprisonments carried out by the secret police. The USSR was also made possible by a battle for hearts and minds which led millions of people to feel that they really had benefited from the system and had a stake in the new society.
Karakozov in 1866, Russian political life became trapped within a vicious circle of political reaction, growing disillusionment with the government and intensifying political dissent that increasingly manifested itself in acts of terrorism against Tsarist officials.
This book explores the mythology woven around the Soviet secret police and the Russian cult of state security that has emerged from it. Tracing the history of this mythology from the Soviet period through to its revival in contemporary post-Soviet Russia, the volume argues that successive Russian regimes have sponsored a âe~cultâe(tm) of state security, whereby security organs are held up as something to be worshipped. The book approaches the history of this cult as an ongoing struggle to legitimise and sacralise the Russian state security apparatus, and to negotiate its violent and dramatic past. It explores the ways in which, during the Soviet period, this mythology sought to make the existence of the most radically intrusive and powerful secret police in history appear âe~naturalâe(tm). It also documents the contemporary post-Soviet re-emergence of the cult of state security, examining the ways in which elements of the old Soviet mythology have been revised and reclaimed as the cornerstone of a new state ideology. The Russian cult of state security is of ongoing contemporary relevance, and is crucial for understanding not only the tragedies of Russiaâe(tm)s twentieth-century history, but also the ambiguities of Russiaâe(tm)s post-Soviet transition, and the current struggle to define Russiaâe(tm)s national identity and future development. The book examines the ways in which contemporary Russian life continues to be shaped by the legacy of Soviet attitudes to state-society relations, as expressed in the reconstituted cult of state security. It investigates the shadow which the figure of the secret policeman continues to cast over Russia today. The book will be of great interest to students of modern Russian history and politics, intelligence studies and security studies, as well as readers with an interest in the KGB and its successors.
“The Russia that Satter depicts in this brave, engaging book cannot be ignored . . . Required reading for anyone interested in the post-Soviet state” (Newsweek). Anticipating a new dawn of freedom after the disintegration of the Soviet Union, Russians could hardly have foreseen the reality of their future a decade later: A country impoverished and controlled at every level by organized crime. This riveting book views the 1990s reform period through the experiences of individual citizens, revealing the changes that have swept Russia and their effect on Russia’s age-old ways of thinking. “With a reporter’s eye for vivid detail and a novelist’s ability to capture emotion, he conveys the drama of Russia’s rocky road for the average victimized Russian . . . This is only half the story of what is happening in Russia these days, but it is the shattering half, and Satter renders it all the more poignant by making it so human.” —Foreign Affairs “[Satter] tells engrossing tales of brazen chicanery, official greed and unbearable suffering . . . Satter manages to bring the events to life with excruciating accounts of real Russians whose lives were shattered.” —The Baltimore Sun “Satter must be commended for saying what a great many people only dare to think.” —The Globe and Mail (Toronto) “Humane and articulate.” —The Spectator “Vivid, impeccably researched and truly frightening . . . Western policy-makers would do well to study these pages.” —National Post
WINNER OF THE 2017 NATIONAL BOOK AWARD IN NONFICTION FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS WINNER OF THE NEW YORK PUBLIC LIBRARY'S HELEN BERNSTEIN BOOK AWARD NAMED A BEST BOOK OF 2017 BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, WASHINGTON POST, BOSTON GLOBE, SEATTLE TIMES, CHRISTIAN SCIENCE MONITOR, NEWSWEEK, PASTE, and POP SUGAR The essential journalist and bestselling biographer of Vladimir Putin reveals how, in the space of a generation, Russia surrendered to a more virulent and invincible new strain of autocracy. Award-winning journalist Masha Gessen's understanding of the events and forces that have wracked Russia in recent times is unparalleled. In The Future Is History, Gessen follows the lives of four people born at what promised to be the dawn of democracy. Each of them came of age with unprecedented expectations, some as the children and grandchildren of the very architects of the new Russia, each with newfound aspirations of their own--as entrepreneurs, activists, thinkers, and writers, sexual and social beings. Gessen charts their paths against the machinations of the regime that would crush them all, and against the war it waged on understanding itself, which ensured the unobstructed reemergence of the old Soviet order in the form of today's terrifying and seemingly unstoppable mafia state. Powerful and urgent, The Future Is History is a cautionary tale for our time and for all time.
This book takes stock of arguments about the historical legacies of communism that have become common within the study of Russia and East Europe more than two decades after communism's demise and elaborates an empirical approach to the study of historical legacies revolving around relationships and mechanisms rather than correlation and outward similarities. Eleven essays by a distinguished group of scholars assess whether post-communist developments in specific areas continue to be shaped by the experience of communism or, alternatively, by fundamental divergences produced before or after communism. Chapters deal with the variable impact of the communist experience on post-communist societies in such areas as regime trajectories and democratic political values; patterns of regional and sectoral economic development; property ownership within the energy sector; the functioning of the executive branch of government, the police, and courts; the relationship of religion to the state; government language policies; and informal relationships and practices.
Introduction -- Prelude to revolution -- Rising crime before the October revolution -- Why did the crime rate shoot up? -- Militias rise and fall -- An epidemic of mob justice -- Crime after the Bolshevik takeover -- The Bolsheviks and the militia -- Conclusion
Understanding the Modern Russian Police represents the culmination of ten years of research and an ongoing partnership between the Volgograd Academy of Russian Internal Affairs Ministry (VA MVD) and the Volgograd branch of the Russian Presidential Academy of National Economy and Public Administration (VAPA). The book provides a timely and comprehen
The documents emerging from the secret police archives of the former Soviet bloc have caused scandal after scandal, compromising revered cultural figures and abruptly ending political careers. Police Aesthetics offers a revealing and responsible approach to such materials. Taking advantage of the partial opening of the secret police archives in Russia and Romania, Vatulescu focuses on their most infamous holdings—the personal files—as well as on movies the police sponsored, scripted, or authored. Through the archives, she gains new insights into the writing of literature and raises new questions about the ethics of reading. She shows how police files and films influenced literature and cinema, from autobiographies to novels, from high-culture classics to avant-garde experiments and popular blockbusters. In so doing, she opens a fresh chapter in the heated debate about the relationship between culture and politics in twentieth-century police states.
Focusing on urban areas in the 1930s, this college professor illuminates the ways that Soviet city-dwellers coped with this world, examining such diverse activities as shopping, landing a job, and other acts.