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In 1890 W B Yeats and Ernest Rhys founded a poetry club. Based mainly at Fleet Street's immortal 'Ye Olde Cheshire Cheese' pub with occasional appearances at the Domino room in the Café Royal poets gathered together to dine and drink. Whilst it was based on a core of poets many others attended on an ad hoc basis including Oscar Wilde, Francis Thompson & Lord Alfred Douglas. The camaraderie, banter and poetry that played out in their dreams, ambitions and for many, their difficult lives led Yeats to call them 'the tragic generation'. As well as their enthusiastic social forays they printed two anthologies of verse. The first in 1892 and the second in 1894. For all the talent it could call upon the print runs were only in their hundreds. Part of a poet's obligation is to move the boundaries of society, to write what others shun. And whilst that is certainly the case with our group in terms of writing in one glaring respect they were very Victorian. The members of the club were only men. Arthur Ransome sums up their existence as "... the Rhymer's Club used to meet, to drink from tankards, smoke clay pipes, and recite their own poetry". Whilst their initial aims were food, drink, camaraderie and bragging, the reality is that their poetry gives us so much more.
Featuring innovative research by emergent and established scholars, The Fin-de-Siecle Poem throws new light on the remarkable diversity of poetry produced at the close of the nineteenth century in England. Opening with a detailed preface that shows why literary historians have frequently underrated fin-de-siecle poetry, the collection explains how a strikingly rich body of lyrical and narrative poems anticipated many of the developments traditionally attributed to Modernism. Each chapter in turn provides insights into the ways in which late-nineteenth-century poets represented their experiences of the city, their attitudes toward sexuality, their responses to empire, and their interest in religious belief. The eleven essays presented by editor Joseph Bristow pay renewed attention to the achievements of such legendary writers as Oscar Wilde, John Davidson, Ernest Dowson, Lionel Johnson, and W.B. Yeats, whose careers have always been associated with the 1890s. This book also explores the lesser-known but equally significant advances made by notable women poets, including Michael Field, Amy Levy, Charlotte Mew, Alice Meynell, A. Mary F. Robinson, and Graham R. Tomson. The Fin-de-Siecle Poem brings together innovative research on poetry that has been typecast as the attenuated Victorianism that was rejected by Modernism. The contributors underscore the remarkable innovations made in English poetry of the 1880s and 1890s and show how woman poets stood shoulder-to-shoulder with their better-known male contemporaries.Joseph Bristow is professor of English at the University of California, Los Angeles, where he edits the journal Nineteenth-Century Literature. His recent books include The Cambridge Companion to Victorian Poetry, Oscar Wilde: Contextual Conditions, and the variorum edition of Oscar Wilde's The Picture of Dorian Gray.
This book focuses on the two works in the subtitle as well as on unpublished manuscripts and notebooks in the Yeats collection of the National Library of Ireland. The author argues that by the end of the 1890s Yeats had developed a coherent symbolic system based on his work with Irish folklore and mythology and that this system is most clearly delineated in the first editions of the work and in Yeats's unpublished papers. The book begins with a study of Yeats's Irish and Celtic sources, then moves on to outline the symbolic theory, drawing heavily on Yeats's notebooks. The theory is then applied in a critical study of the poems, prose, and plays of the last half of the 1890s.
Ernest Dowson (1867-1900) was a British writer of the fin de siècle period, widely seen as the most representative example of the 'tragic generation' of decadent poets. This book presents a full-length and coherent reading of Dowson's oeuvre for the first time in English.
From 1888 to 1892 W.B.Yeats contributed a series of essays on literature and Irish folklore to two American newspapers, the Boston Pilot and Providence Sunday Journal. These important but little-known pieces show his intense engagement with current books, plays, personalities and controversies. They also make major statements about the issues of cultural nationalism and theatrical reform that preoccupied the poet. Newly edited, annotated, and introduced by George Bornstein and Hugh Witemeyer, Letters to the New Island offers a fresh glimpse of Yeats as an active polemicist, critic and all-round man of letters.
Based on The Cambridge history of English literature.