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Through his work as a physician, Karl König explored the relationship between the rhythm of the seasons, the Christian festivals, thinking in particular about their effect on human beings and communities. This fascinating collection of König's essays, lectures and notes looks at the cycle of the year and the different aspects of all the Christian festivals, from Easter to the Twelve Holy Days of Christmas. König discusses the idea that human beings can derive inner strength from festival celebrations through an active social life and participation in community, and also that a strong, healthy community life relies on the celebration of festivals.
Countless different festivals are celebrated all over the world throughout the year. Some are national holidays, celebrated for religious and cultural reasons, or to mark an important date in history, while others are just for fun. Give thanks and tuck into a delicious meal with friends and family at Thanksgiving, get caught up in a messy tomato fight in Spain at La Tomatina, add a splash of color to your day at the Holi festival of colors and celebrate the life and achievements of Martin Luther King Jr. on Martin Luther King Jr. Day. With fact-filled text accompanied by beautifully bright illustrations from the wonderfully talented Chris Corr, prepare yourself for a journey as we travel around the world celebrating and uncovering a visual feast of culture.
"Collected from his writings in Lutherische Brosamen, 1876; Ansprachen und Gebete, 1888; Casual Predigten und Reden, 1889; Festklaenge, 1892."
"Collected from his writings in Lutherische Brosamen, 1876; Ansprachen und Gebete, 1888; Casual Predigten und Reden, 1889; Festklaenge, 1892."
Three lives touch and wind together in a small North Carolina town as wildfires head menacingly toward the community.
Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.