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Lawrence Ferlinghetti nasce nel 1919 a Yonkers, New York, da padre italiano e madre di origini franco-portoghesi. È poeta, romanziere, traduttore, editore, pittore, autore di teatro e drammi radiofonici. Anima della San Francisco Renaissance, che negli anni 50 stravolge le convenzioni letterarie e sociali del tempo, Ferlinghetti è da allora protagonista di una intensa attività creativa, mai disgiunta da una profonda attenzione a tematiche politiche, sociali ed ecologiche. Fondatore assieme a Pete D. Martin della famosa City Lights Bookstore, Ferlinghetti ha sempre compiuto scelte editoriali coraggiose, come la pubblicazione di “Urlo” di Allen Ginsberg, vero manifesto della beat generation, per la quale viene accusato di vendita e distribuzione di materiale osceno: il noto processo del 1956 termina con una storica vittoria legale contro la censura. Negli anni ha partecipato a numerosi festival e reading di poesia, tra i quali quelli storici alla Royal Albert Hall di Londra (1965), a Castelporziano (1978), ad Amsterdam (1981), dimostrandosi viaggiatore instancabile e artista sempre attento alla difesa degli ultimi e del pianeta. Ha esposto le proprie opere pittoriche in diversi musei e gallerie sia negli Stati Uniti che in Europa. Insignito nel 1998 del titolo di primo Poeta Laureato della città di San Francisco, Ferlinghetti ha ricevuto svariati riconoscimenti, tra cui recentemente quello di Commendatore al merito della Repubblica Italiana. Il suo “A Coney Island of the Mind” tradotto in decine di lingue, è tra i libri di poesia più letti al mondo con oltre un milione di copie stampate.
Originally published: London: Fourth Estate, 2013.
Winner of CILIP Kate Greenaway Medal Winner of the TD Canadian Children’s Literature Award A young boy wakes up to the sound of the sea, visits his grandfather’s grave after lunch and comes home to a simple family dinner with his family, but all the while his mind strays to his father digging for coal deep down under the sea. Stunning illustrations by Sydney Smith, the award-winning illustrator of Sidewalk Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig. With curriculum connections to communities and the history of mining, this beautifully understated and haunting story brings a piece of Canadian history to life. The ever-present ocean and inevitable pattern of life in a Cape Breton mining town will enthrall children and move adult readers.
More than two decades of letters from one of the greatest writers of the twentieth century—the author of The Metamorphosis and The Trial—to the people in his life, from his years as a student in Prague in the early 1900s to his final months in the sanatorium near Vienna where he died in 1924. Sometimes surprisingly humorous, sometimes wrenchingly sad, these letters, collected after Kafka's death by his friend and literary executor Max Brod, include charming notes to school friends; fascinating accounts to Brod about his work in its various stages of publication; correspondence with his publisher, Kurt Wolff, about manuscripts in progress, suggested book titles, type design, and late royalty statements; revealing exchanges with other young writers of the day, including Martin Buber and Felix Weltsch, on life, literature, and girls; and heartbreaking reports to his parents, sisters, and friends on the declining state of his health in the last months of his life.
#1 New York Times bestseller and winner of the Carnegie Medal! "A superlative novel . . . masterfully crafted."--The Wall Street Journal Based on "the forgotten tragedy that was six times deadlier than the Titanic."--Time Winter 1945. WWII. Four refugees. Four stories. Each one born of a different homeland; each one hunted, and haunted, by tragedy, lies, war. As thousands desperately flock to the coast in the midst of a Soviet advance, four paths converge, vying for passage aboard the Wilhelm Gustloff, a ship that promises safety and freedom. But not all promises can be kept . . . This paperback edition includes book club questions and exclusive interviews with Wilhelm Gustloff survivors and experts.
Sarah's grandpa gives her a special shell and says if she listens carefully she can hear the sea, but all she hears are everyday village noises.
A revisionist history of medicine, in which blood plays the starring role Inspired by Homer’s description of the ebb and flow of the “wine dark sea,” the ancient Greeks conceived a back-and-forth movement of blood. That false notion, perpetuated by the influential Roman physician Galen, prevailed for fifteen hundred years until William Harvey proved that blood circulates: the heart pumps blood in one direction through the arteries and it returns through the veins. Harvey’s discovery revolutionized the life sciences by making possible an entirely new quantitative understanding of the cardiovascular system, a way of thinking on which many of our lifesaving medical interventions today depend. In The Wine-Dark Sea Within, cardiologist Dhun Sethna argues that Harvey’s revelation inaugurated modern medicine and paved the way for groundbreaking advances from intravenous therapy, cardiac imaging, and stent insertions to bypass surgery, dialysis, and heart-lung machines. Weaving together three thousand years of global history, following bitter feuds and epic alliances, tragic failures and extraordinary advancements, this is a provocative history by a fresh voice in popular science.
*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
A luxuriously designed photographic meditation on the infinite permutations of the sea, from the author of the acclaimed photobooks The Heavens and The Meadow Since moving to New England in 1984, Barbara Bosworth (born 1953) has been photographing the sea and its awe-inspiring ability to transform sky, water and light. The sea evokes calm introspection, romance and poetry, while remaining a deeply unknowable and overpowering natural force, a contradiction that has drawn people to the shoreline for millennia. Before she discovered photography, and for as long as she can remember, Bosworth has been looking at the sea. Many hours were spent with her father watching the light move across Cape Cod Bay. Later in life, she walked those same beaches with the wonder that had been passed down by her father, as well as generations of writers, poets and artists. This book of Bosworth's photographs of the sea, made with an 8x10 camera, follows in the tradition of The Meadow and The Heavens, serving as the third and final volume in the series, keeping the same size and design elements as the previous two publications.