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"What a terrific book! I could hardly put it down... A story of triumph over adversity."--James McPherson. Award-winning historian Hodes presents the true, extraordinary story of Eunice Connolly, a woman whose misfortune and defiance make up the grand themes of American history--opportunity and racism, war and freedom.
A finalist for the Lincoln Prize, The Sea Captain's Wife "comes surprisingly, and movingly, alive" (Tina Jordan, Entertainment Weekly). Award-winning historian Martha Hodes brings us into the extraordinary world of Eunice Connolly. Born white and poor in New England, Eunice moved from countryside to factory city, worked in the mills, then followed her husband to the Deep South. When the Civil War came, Eunice's brothers joined the Union army while her husband fought and died for the Confederacy. Back in New England, a widow and the mother of two, Eunice barely got by as a washerwoman, struggling with crushing depression. Four years later, she fell in love with a black sea captain, married him, and moved to his home in the West Indies. Following every lead in a collection of 500 family letters, Hodes traced Eunice's footsteps and met descendants along the way. This story of misfortune and defiance takes up grand themes of American history—opportunity and racism, war and freedom—and illuminates the lives of ordinary people in the past. A Library Journal Best Book of the Year and a selection of the Book of the Month Club, Literary Guild, and Quality Paperback Book Club.
A gripping novel of love and adventure on the high seas that introduces an unforgettable young heroine. Growing up on the Bay of Fundy in the 1860s, Azuba Galloway is determined to escape the confines of her town and live at sea. When she captures the heart of Captain Nathaniel Bradstock, she is sure her dreams are about to be realized, only to have pregnancy intervene. But when Azuba becomes embroiled in a scandal, Nathaniel must bring his young family abroad to save his reputation. Azuba gets her wish, but at what price? Alone in a male world, and juggling the splendor of foreign ports with the terror of the open seas, Azuba must fight to keep her family together. Blending the high-tension drama of missed chances and unexpected twists of the sort that made A Reliable Wife a bestseller with the pluck and spirit of a heroine in the vein of Laura Ingalls Wilder, The Sea Captain's Wife will captivate readers and critics alike.
Sarah Hicks Williams was the northern-born wife of an antebellum slaveholder. Rebecca Fraser traces her journey as she relocates to Clifton Grove, the Williams' slaveholding plantation, presenting her with complex dilemmas as she reconciled her new role as plantation mistress to the gender script she had been raised with in the North.
Around 1785, a woman was taken from her home in Senegambia and sent to Saint-Domingue in the Caribbean. Those who enslaved her there named her Rosalie. Her later efforts to escape slavery were the beginning of a family's quest, across five generations and three continents, for lives of dignity and equality. Freedom Papers sets the saga of Rosalie and her descendants against the background of three great antiracist struggles of the nineteenth century: the Haitian Revolution, the French Revolution of 1848, and the Civil War and Reconstruction in the United States. Freed during the Haitian Revolution, Rosalie and her daughter Elisabeth fled to Cuba in 1803. A few years later, Elisabeth departed for New Orleans, where she married a carpenter, Jacques Tinchant. In the 1830s, with tension rising against free persons of color, they left for France. Subsequent generations of Tinchants fought in the Union Army, argued for equal rights at Louisiana's state constitutional convention, and created a transatlantic tobacco network that turned their Creole past into a commercial asset. Yet the fragility of freedom and security became clear when, a century later, Rosalie's great-great-granddaughter Marie-José was arrested by Nazi forces occupying Belgium. Freedom Papers follows the Tinchants as each generation tries to use the power and legitimacy of documents to help secure freedom and respect. The strategies they used to overcome the constraints of slavery, war, and colonialism suggest the contours of the lives of people of color across the Atlantic world during this turbulent epoch.
In Relative Races, Brigitte Fielder presents an alternative theory of how race is ascribed. Contrary to notions of genealogies by which race is transmitted from parents to children, the examples Fielder discusses from nineteenth-century literature, history, and popular culture show how race can follow other directions: Desdemona becomes less than fully white when she is smudged with Othello's blackface, a white woman becomes Native American when she is adopted by a Seneca family, and a mixed-race baby casts doubt on the whiteness of his mother. Fielder shows that the genealogies of race are especially visible in the racialization of white women, whose whiteness often depends on their ability to reproduce white family and white supremacy. Using black feminist and queer theories, Fielder presents readings of personal narratives, novels, plays, stories, poems, and images to illustrate how interracial kinship follows non-heteronormative, non-biological, and non-patrilineal models of inheritance in nineteenth-century literary culture.
The transnationalism of ordinary lives threatens the stability of national identity and unsettles the framework of national histories and biography. This book takes mobility, not nation, as its frame, and captures a rich array of lives, from the elite to the subaltern, that have crossed national, racial and cartographic boundaries.
A poignant, multi-generational saga of a mixed-race family in the US West and South from the antebellum period through the rise of Jim Crow. When Samuel Townsend died at his home in Madison County, Alabama, in November 1856, the fifty-two-year-old white planter left behind hundreds of slaves, thousands of acres of rich cotton land, and a net worth of approximately $200,000. In life, Samuel had done little to distinguish himself from other members of the South's elite slaveholding class. But he made a name for himself in death by leaving almost the entirety of his fortune to his five sons, four daughters, and two nieces: all of them his slaves. In this deeply researched, movingly narrated portrait of the extended Townsend family, R. Isabela Morales reconstructs the migration of this mixed-race family across the American West and South over the second half of the nineteenth century. Searching for communities where they could exercise their newfound freedom and wealth to the fullest, members of the family homesteaded and attended college in Ohio and Kansas; fought for the Union Army in Mississippi; mined for silver in the Colorado Rockies; and, in the case of one son, returned to Alabama to purchase part of the old plantation where he had once been held as a slave. In Morales's telling, the Townsends' story maps a new landscape of opportunity and oppression, where the meanings of race and freedom--as well as opportunities for social and economic mobility--were dictated by highly local circumstances. During the turbulent period between the Civil War and the rise of Jim Crow at the turn of the twentieth century, the Townsends carved out spaces where they were able to benefit from their money and mixed-race ancestry, pass down generational wealth, and realize some of their happy dreams of liberty.
Media critic Douglas deconstructs the ambiguous messages sent to American women via TV programs, popular music, advertising, and nightly news reporting over the last 40 years, and fathoms their influence on her own life and the lives of her contemporaries. Photos.
An unprecedented account of the long-term cultural and political influences that Mexican-Americans will have on the collective character of our nation.In considering the largest immigrant group in American history, Gregory Rodriguez examines the complexities of its heritage and of the racial and cultural synthesis--mestizaje--that has defined the Mexican people since the Spanish conquest in the sixteenth century. He persuasively argues that the rapidly expanding Mexican American integration into the mainstream is changing not only how Americans think about race but also how we envision our nation. Brilliantly reasoned, highly thought provoking, and as historically sound as it is anecdotally rich, Mongrels, Bastards, Orphans, and Vagabonds is a major contribution to the discussion of the cultural and political future of the United States.