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Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base, and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.
Britain's foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journal provides an international forum for writers and scholars in the field of postclassical and contemporary Western sculpture. Recent highlights include essays by art historian Catherine Speck on Jacob Epstein, Elyse Speaks on Louise Bourgeois, and Anna Seidel on Gian Lorenzo Bernini, alongside current exhibition news and book reviews. Academically focused but accessible and richly illustrated throughout, Sculpture Journal is an insightful read for researchers, enthusiasts, collectors, or anyone interested in sculpture.
Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base, and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.
Britain's foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journal provides an international forum for writers and scholars in the field of postclassical and contemporary Western sculpture. Recent highlights include essays by art historian Catherine Speck on Jacob Epstein, Elyse Speaks on Louise Bourgeois, and Anna Seidel on Gian Lorenzo Bernini, alongside current exhibition news and book reviews. Academically focused but accessible and richly illustrated throughout, Sculpture Journal is an insightful read for researchers, enthusiasts, collectors, or anyone interested in sculpture.
Britain’s foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journal provides an international forum for writers and scholars in the field of post-classical and contemporary Western sculpture. Recent highlights include essays by playwright David Hare on Eduardo Paolozzi, Christopher Bedford on Richard Serra, and Sarah Wilson on French sculptor Germaine Richier, alongside current exhibition news and book reviews. The fall volume, issue fifteen, number two, focuses on photography and its particular role within sculpture arts.
Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base, and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.