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Sound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue—a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make—The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance. Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocoön before moving to a discussion of the early modern automaton known as Tipu’s Tiger and the statue of the Commendatore in Mozart’s Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart—with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues have served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts. A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history.
Since ancient times, the human outer ear, or auricle, has been considered a tool for healing, corroborated by recent scientific research. Various points on the auricle serve a double function, providing information on the condition of the internal organs and other parts of the body, while at the same time serving as a control panel that makes it possible to "change the settings" when there is a malfunction. Rather like a computer keyboard connected to a computer network, the outer ear is connected to the entire central nervous system; pressing on one of the auricle's "keys" affects the programming of the organism's self-regulatory system.
An ear-opening reassessment of sonic art from World War II to the present Marcel Duchamp famously championed a "non-retinal" visual art, rejecting judgments of taste and beauty. In the Blink of an Ear is the first book to ask why the sonic arts did not experience a parallel turn toward a non-cochlear sonic art, imagined as both a response and a complement to Duchamp's conceptualism. Rather than treat sound art as an artistic practice unto itself-or as the unwanted child of music-artist and theorist Seth Kim-Cohen relates the post-War sonic arts to contemporaneous movements in the gallery arts. Applying key ideas from poststructuralism, deconstruction, and art history, In the Blink of an Ear suggests that the sonic arts have been subject to the same cultural pressures that have shaped minimalism, conceptualism, appropriation, and relational aesthetics. Sonic practice and theory have downplayed - or, in many cases, completely rejected - the de-formalization of the artwork and its simultaneous animation in the conceptual realm. Starting in 1948, the simultaneous examples of John Cage and Pierre Schaeffer initiated a sonic theory-in-practice, fusing clement Greenberg's media-specificity with a phenomenological emphasis on perception. Subsequently, the "sound-in-itself" tendency has become the dominant paradigm for the production and reception of sound art. Engaged with critical texts by Jacques Derrida, Rosalind Krauss, Friedrich Kittler, Jean François Lyotard, and Jacques Attali, among others, Seth Kim-Cohen convincingly argues for a reassessment of the short history of sound art, rejecting sound-in-itself in favor of a reading of sound's expanded situation and its uncontainable textuality. At the same time, this important book establishes the principles for a nascent non-cochlear sonic practice, embracing the inevitable interaction of sound with the social, the linguistic, the philosophical, the political, and the technological. Artists discussed include: George Brecht John Cage Janet Cardiff Marcel Duchamp Bob Dylan Valie Export Luc Ferrari Jarrod Fowler Jacob Kirkegaard Alvin Lucier Robert Morris Muddy Waters John Oswald Marina Rosenfeld Pierre Schaeffer Stephen Vitiello La Monte Young
Measures are the subject of this unusual book, in which Robert Tavernor offers a fascinating account of the various measuring systems human beings have devised over two millennia. He discusses measures in our own time - when space travel presents to humankind a direct encounter with the unfathomable measure of the universe.
The best-known and most sensational event in Vincent van Gogh’s life is also the least understood. For more than a century, biographers and historians seeking definitive facts about what happened on a December night in Arles have unearthed more questions than answers. Why would an artist at the height of his powers commit such a brutal act? Who was the mysterious “Rachel” to whom he presented his macabre gift? Did he use a razor or a knife? Was it just a segment—or did Van Gogh really lop off his entire ear? In Van Gogh’s Ear, Bernadette Murphy reveals, for the first time, the true story of this long-misunderstood incident, sweeping away decades of myth and giving us a glimpse of a troubled but brilliant artist at his breaking point. Murphy’s detective work takes her from Europe to the United States and back, from the holdings of major museums to the moldering contents of forgotten archives. She braids together her own thrilling journey of discovery with a narrative of Van Gogh’s life in Arles, the sleepy Provençal town where he created his finest work, and vividly reconstructs the world in which he moved—the madams and prostitutes, café patrons and police inspectors, shepherds and bohemian artists. We encounter Van Gogh’s brother and benefactor Theo, his guest and fellow painter Paul Gauguin, and many local subjects of Van Gogh’s paintings, some of whom Murphy identifies for the first time. Strikingly, Murphy uncovers previously unknown information about “Rachel”—and uses it to propose a bold new hypothesis about what was occurring in Van Gogh’s heart and mind as he made a mysterious delivery to her doorstep. As it reopens one of art history’s most famous cold cases, Van Gogh’s Ear becomes a fascinating work of detection. It is also a study of a painter creating his most iconic and revolutionary work, pushing himself ever closer to greatness even as he edged toward madness—and one fateful sweep of the blade that would resonate through the ages.
Classic human follies of desire and ambition foreground a revelatory awakening the planet needs. UFOs in formation in the sky. Vegetation—from cranky houseplants to wise old conifers—telepathically transmit their complaints. A cat gone viral rebels against her influencer caretaker. In California, interconnected strangers find one another, drawn by messy threads of sex and art, their lives falling apart as an extraordinary new reality arises. In this debut novel by Clement Goldberg, classic human follies of desire and ambition foreground a revelatory awakening the planet needs. By turns tender and hilarious, visionary and perceptive, New Mistakes wittily shows us how we live today, and how we might, astonishingly, live tomorrow.
Presents a review of image denoising algorithms with practical MATLAB implementation guidance Digital Image Denoising in MATLAB provides a comprehensive treatment of digital image denoising, containing a variety of techniques with applications in high-quality photo enhancement as well as multi-dimensional signal processing problems such as array signal processing, radar signal estimation and detection, and more. Offering systematic guidance on image denoising in theories and in practice through MATLAB, this hands-on guide includes practical examples, chapter summaries, analytical and programming problems, computer simulations, and source codes for all algorithms discussed in the book. The book explains denoising algorithms including linear and nonlinear filtering, Wiener filtering, spatially adaptive and multi-channel processing, transform and wavelet domains processing, singular value decomposition, and various low variance optimization and low rank processing techniques. Throughout the text, the authors address the theory, analysis, and implementation of the denoising algorithms to help readers solve their image processing problems and develop their own solutions. Explains how the quality of an image can be quantified in MATLAB Discusses what constitutes a “naturally looking” image in subjective and analytical terms Presents denoising techniques for a wide range of digital image processing applications Describes the use of denoising as a pre-processing tool for various signal processing applications or big data analysis Requires only a fundamental knowledge of digital signal processing Includes access to a companion website with source codes, exercises, and additional resources Digital Image Denoising in MATLAB is an excellent textbook for undergraduate courses in digital image processing, recognition, and statistical signal processing, and a highly useful reference for researchers and engineers working with digital images, digital video, and other applications requiring denoising techniques.
Updated with new color graphics and new video CD of surgical and diagnostic procedures, this 6th edition retains its heritage as the classic textbook in otology and neurotology. Coverage includes scientific foundations and fundamentals, clinical evaluation and rehabilitation and sections on the external ear, inner ear, tympanomastoid compartment, internal auditory canal/Cerebellopontine angle/petrous apex and skull-based surgery. This edition integrates all the latest research in genetics, biotechnical advancements in laser and image-guided systems and clinical innovations and techniques of the past 7 years. Woven throughout is an intriguing historical overview of those who pioneered the early surgical interventions from 1950 to the present and the influences on current clinical practice. Editors of this edition, Julianna Gulya, Lloyd Minor and Dennis Poe are internationally renowned figures in the field of otology/neurotology. This 6th edition enormously benefits from their editorial direction and wealth of knowledge and clinical expertise. SOTE 6 remains the classic text and reference of choice for otolaryngologists and neurosurgeons and an essential addition to the libraries of experienced surgeons, trainees, or those preparing for board exams. New Chapters written by well-recognized leaders that include the latest research and clinical studies include: Tumor Biology Stereotactic Radiosurgery and Radiotherapy Ossicular Reconstruction Management of Cerebrospinal Fluid Leaks Surgical Treatment of Peripheral Vestibular Disorders Hearing Aids Tinnitus Rehabilitation Vestibular Rehabilitation Updated Temporal Bone Dissection Guide