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Although a number of publications have appeared in recent years marking the importance of the ‘swinging sixties’, many tend to be personally reflective in nature and London-centric in their coverage. By contrast, The Scottish Sixties: Reading, Rebellion, Revolution? addresses this misrepresentation and in so doing fills a gap in both Scottish and British literary and cultural studies. Through a series of academic analyses based on archival records, ephemera and work produced during the 1960s, this volume focuses uniquely on Scotland. In its concern with some of the key figures of Scottish cultural life, the book considers amongst other topics the implications of censorship, the role of little magazines in shaping cultural debates, the radical nature of much Scottish literature of the time, developments in the avant-garde and the role of experiment in theatre, film, TV, fine art and music.
Although a number of publications have appeared in recent years marking the importance of the 'swinging sixties', many tend to be personally reflective in nature and London-centric in their coverage. By contrast, The Scottish Sixties: Reading, Rebellion, Revolution? addresses this misrepresentation and in so doing fills a gap in both Scottish and British literary and cultural studies. Through a series of academic analyses based on archival records, ephemera and work produced during the 1960s, this volume focuses, uniquely, on Scotland. In its concern with some of the key figures of Scottish cultural life, the book considers amongst other topics the implications of censorship, the role of little magazines in shaping cultural debates, the radical nature of much Scottish literature of the time, developments in the avant-garde and the role of experiment in theatre, film, TV, fine art and music.
Is the 'United' Kingdom really as united as its name suggests? For many people in the UK, increasing nationalism in Scotland has come as rather a shock, raising questions about what Britain is, and where its future lies. In "The Road to Independence? Scotland since the Sixties", Murray Pittock not only gives an account of modern Scottish nationalism, but also explains what Scotland's role in Britain has been historically, and why it has changed radically in the last fifty years where the debate about independence has come to the fore. The author relates the economic, social and cultural history of Scotland, the rise of modern Scottish nationalism and the reasons for it, the recent history and differing character of Scotland's cities and cultural industries, the impact of multiculturalism on Scottish as distinct from British society, and the changes wrought by devolution, including the reasons for the election of Scotland's first-ever nationalist government in 2007. "The Road to Independence?" is the only history of Scotland available with a truly contemporary focus. In dealing with everything from modern painting to political structures it is remarkably comprehensive; in explaining the rise of modern nationalism it is of great importance to policy-makers and the wider public. It will be of interest to students of politics, history, law and social science, and to all who want to understand the rapidly changing face of Britain
Marking the first twenty years of the Scottish Parliament, this collection of essays assesses its impact on Scotland, the UK and Europe, and compares progress against pre-devolution hopes and expectations. Bringing together the voices of ministers and advisers, leading political scientists and historians, commentators, journalists and former civil servants, it builds an authoritative account of what the Scottish Parliament has made of devolution and an essential guide to the powers Holyrood may need for Scotland to flourish in an increasingly uncertain world.
If the World Wars defined the first half of the twentieth century, the sixties defined the second half, acting as the pivot on which modern times have turned. From popular music to individual liberties, the tastes and convictions of the Western world are indelibly stamped with the impact of this tumultuous decade. Framing the sixties as a period stretching from 1958 to 1974, Arthur Marwick argues that this long decade ushered in nothing less than a cultural revolution – one that raged most clearly in the United States, Britain, France, and Italy. Marwick recaptures the events and movements that shaped life as we know it: the rise of a youth subculture across the West; the sit-ins and marches of the civil rights movement; Britain's surprising rise to leadership in fashion and music; the emerging storm over Vietnam; the Paris student uprising of 1968; the growing force of feminism, and much more. For some, it was a golden age of liberation and political progress; for others, an era in which depravity was celebrated, and the secure moral and social framework subverted. The sixties was no short-term era of ecstasy and excess. On the contrary, the decade set the cultural and social agenda for the rest of the century, and left deep divisions still felt today.
This book explores the 'culture wars' of 1945-1970 and is the first major study of the origins and development of this leading annual arts extravaganza.
A Companion to Scottish Literature offers fresh readings of major authors and periods of Scottish literary production from the first millennium to the present. Bringing together contributions by many of the world’s leading experts in the field, this comprehensive resource provides the historical background of Scottish literature, highlights new critical approaches, and explores wider cultural and institutional contexts. Dealing with texts in the languages of Scots, English, and Gaelic, the Companion offers modern perspectives on the historical milieux, thematic contexts and canonical writers of Scottish literature. Original essays apply the most up-to-date critical and scholarly analyses to a uniquely wide range of topics, such as Gaelic literature, national and diasporic writing, children’s literature, Scottish drama and theatre, gender and sexuality, and women’s writing. Critical readings examine William Dunbar, Robert Burns, Walter Scott, Robert Louis Stevenson, Muriel Spark and Carol Ann Duffy, amongst others. With full references and guidance for further reading, as well as numerous links to online resources, A Companion to Scottish Literature is essential reading for advanced students and scholars of Scottish literature, as well as academic and non-academic readers with an interest in the subject.
Traces the development of the ideology of modern Scottish nationalism from the 1960s to the independence referendum in 2014.
The first ever book-length attempt to strip away the myths and write the real history of Scotland's slavery past. Written to appeal to a wide audience, it contains many original ,surprising and uncomfortable conclusions.
Scotland, its people and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema’s most important and influential themes and issues, films and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland’s cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.