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Rooted in political controversy, gender warfare, violence, and revolution, Jane Porter’s The Scottish Chiefs is the epic story of William Wallace’s struggle for Scottish independence from English rule. After the cruel death of his wife at the hands of the English, Wallace embarks on a patriotic crusade to free Scotland, gathering around himself loyal followers of both sexes, drawn from across Scottish society. Using the cross-dressing motifs of romance, Porter demonstrates that women have a crucial role to play in the drama of national identity, either as temptresses or national heroines. The Scottish Chiefs is a landmark in the development of the historical novel, and explores vital questions of patriotism, civic duty, heroism, and the role of women. This Broadview edition offers a critical introduction and important historical contexts for the novel in the form of reviews, excerpts from Porter’s prefaces, and other contemporary accounts of William Wallace.
This is a study of the rise and activity of the London publishing house which started in 1829 as Bentley and Colburn and was finally absorbed by Macmillan in 1898. Professor Gettmann has worked from the surviving papers of the firm and it is probable that he has here given more detail about the aims, methods and successes of an English publisher of the time than can be found anywhere else. Since there is constant reference from the activities of Bentley to that of his contemporaries, it is also a microcosm of English authorship and publishing from the time of Scott to that of Meredith: one of the great period of English publishing enterprise. It discusses movements of taste and cycles of popular reading and illustrates the relationship between publisher and author. It also deals with authors' contracts and rewards and in short, deals with every aspect of English publishing in an important period.