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The Satyrs’ Reign is a truly unique book. There is nothing like it. It provides an explanation of all creation, evolution, sentient life, the soul, spiritual connections, God, Heaven, Hell, Angels and Alien Life as well. It details how to commune with your soul, how to survive in the afterlife, how to fight, flee and – unfortunately – live with the fate of being punished by greater beings that rule the meta-physical afterlife. We soon learn that a sentient life after physical death is gained by communion with our soul and that this ‘afterlife’ is no paradise for any soul – ours or aliens. Our author (who was possessed by an astral spirit, a warrior-soul known as Calum Wang) explains how so-called ‘Angels’ exist and why they are ruthlessly against any soul that has any memory embedded within it. Your soul – that goes on with the likeness of you – will be hunted down by Angels or Demons and it makes no difference which because they are both utterly determined to destroy all souls that are sentient. It is a tense struggle that continues across time and space. Calum Wang tells our author how he defies ‘The Saraph’, the great Arch-Angels that totally control the meta-physical repository’s we would know as Heaven and Hell. We also learn that our souls in Hell have been enslaved and used as grotesque and violent hell-spawn against other sentient life-forms as well. The Satyrs’ Reign provides detail of one alien life form in particular that has fought ‘us’ as hell-spawn. You will find a thought-provoking passage on almost every page – so it can be a very challenging read that should be consumed with a pause after each chapter. To say ‘Your Soul Will Never Be The Same’ after reading this book – is true. It challenges our society and who we really are, to the very core; and it wins. The real message is embedded in its purpose and truth – not the superfluous facts or misleading detail. The way I see myself, other people and the society that surrounds me now has indeed changed; after reading The Satyrs’ Reign. I am not an atheist or a believer anymore and my journey is now my own.
"What critic of Spenser's poetry does not know, and acknowledge, a debt to Harry Berger? The collection, at last, of these seminal essays into a single volume is welcome news indeed for the generation of scholars who learned from them and can now more easily send their own students to them. . . . Their importance as documents of the discovery of Spenser, and the Spenserian mode, in the 1960s is given new prominence, moreover, by Berger's recent essays here on the 'metapastoralism' of The Shepheardes Calendar. In them, this New Critic comes home again to Spenser, recognizing the value of recent critical trends but arguing passionately for the centrality of the close reading of text. The result is a powerful case for reconciliation and consolidation of methods that have dominated literary study over the second half of this century."--Donald Cheney, co-editor of The Spenser Encyclopedia
Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.