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In this provocative new book -- the first one to examine print and broadcast news coverage of women's issues in English Canada -- Barbara Freeman explores what the media were saying about women and their concerns during an important period in our history -- and why. The Satellite Sex is both a social history and a media case study of the years 1966-1971, when the feminist movement began once more to gather support. Women wanted equal treatment under the law, and they wanted rights they had not gained when they won the vote many years earlier. In response, the Canadian government appointed a federal inquiry on the status of women, and hundreds of women came forward to talk to the Commission about the injustices they experienced at school, at work, in public life, in their homes, and even in their bedrooms. The Satellite Sex demonstrates that the print and broadcast media coverage of women's issues at that time were much more complex and fragmented than revealed by research in the United States on the same era. This book, released thirty years after the Canadian Commission presented its report, also raises questions about the lack of strong feminist voices in today's news media.
Citing a lack of strong feminist voices in contemporary Canadian media, Freeman (journalism, Carleton U., Ottawa) was motivated to write this first book-length analysis of news media coverage of women's issues in Canada. The period 1966-1971 is seen as a critical period in Canadian feminist history, during which time the Canadian government appointed a federal inquiry into women's issues (the Royal Commission on the Status of Women). Freeman examines the relationship between the Commission and the media, the reporters' understandings of professional practice, and the ways in which they covered issues from the hearings and the Commission's Report. She argues that an understanding of media coverage of gender issues is the past may lead to thoughtful and effective coverage now and in the future. Accessible to a general audience. c. Book News Inc.
A teenage boy born in space makes his first trip to Earth in this engrossing sci-fi adventure for fans of The Martian from award-winning author Nick Lake. He’s going to a place he’s never been before: home. Moon 2 is a space station that orbits approximately 250 miles above Earth. It travels 17,500 miles an hour, making one full orbit every ninety minutes. It’s also the only home that fifteen-year-old Leo and two other teens have ever known. Born and raised on Moon 2, Leo and the twins, Orion and Libra, are finally old enough and strong enough to endure the dangerous trip to Earth. They’ve been “parented” by teams of astronauts since birth and have run countless drills to ready themselves for every conceivable difficulty they might face on the flight. But has anything really prepared them for life on terra firma? Because while the planet may be home to billions of people, living there is more treacherous than Leo and his friends could ever have imagined, and their very survival will mean defying impossible odds.
2016 Winner of the Norma Fleck Award for Canadian Children’s Non-Fiction 2016 ALA Stonewall Book Award, Honor Book 2016 ALA Notable Children's Book A comic book for kids that includes children and families of all makeups, orientations, and gender identities, Sex Is a Funny Word is an essential resource about bodies, gender, and sexuality for children ages 8 to 10 as well as their parents and caregivers. Much more than the "facts of life" or “the birds and the bees," Sex Is a Funny Word opens up conversations between young people and their caregivers in a way that allows adults to convey their values and beliefs while providing information about boundaries, safety, and joy. The eagerly anticipated follow up to Lambda-nominated What Makes a Baby, from sex educator Cory Silverberg and artist Fiona Smyth, Sex Is a Funny Word reimagines "sex talk" for the twenty-first century.
A moving exploration of how gay men construct their identities, fight to be themselves, and live authentically It goes without saying that even today, it’s not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized. Through moving stories—of friends and patients, and his own—Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of “the homosexual,” to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets’s work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We—particularly the young—must construct our own paths through life. Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.
As hoteliers design zero-gravity hotel suites for out-of-this-world unions and with the first honeymoon in space already scheduled, this provocative account reveals the truth about romantic rendezvous in Earth's orbit and beyond as well as the advantages and difficulties of having sex in space. Questions the space agencies are too embarrassed to discuss -- such as Has anyone 'done it' in space? What will happen to the first baby conceived in space? and Have astronauts and cosmonauts practised 'docking manoeuvres' while in orbit? -- are thoughtfully answered, while science-fiction myths about interstellar intercourse are dispelled. From chemistry to psychology, this exploration runs the reproductive and sexual gamut, from lust and sexual mechanics to conception, pregnancy, and birth in low-gravity situations.
space program and the rise of the women's movement in America.
Fiction. Through its profile of Mercury de Sade, a computer programmer obsessed with the erotic potential of alien life, EXTRATERRESTRIAL SEX FETISH introduces a new perversion into the lexicon of sexual pathologies: exophilia, an abnormal attraction for aliens. "What Kubrick did to the science fiction film, EXTRATERRESTRIAL does to the science fiction novel...a kind of 2001: A Space Sodomy"--Dr. H. Floyd. "If the Marquis de Sade invented an astonishing new branch of mathematics, in which series and sets of bodies were subject to formal operations of pain and degradation, EXTRATERRESTRIAL is the first to apply this new math to cosmology.a kind of 120 Days of Saturn"--P. de Curval. Supervert 32C is a media company that utilizes the techniques of vanguard aesthetics to research the pathology of novel perversions.
The unprecedented level of diversity recorded among the clones of self-fertilizing gynogenetic unisexuals and self-fertilizing simultaneous hermaphrodites challenges current ideas on the predominant role of recombination in promoting evolution of biological diversity. Though limited to a few species, the existence of self-fertilizing and cycli