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Jamie Saintclair embarks on another full-throttle historical adventure - an absolute page-turner! If you love Dan Brown, Chris Kuzneski and Scott Mariani - you will love this! READERS ARE LOVING THE SAMURAI INHERITANCE! "Loved this story. It went everywhere and then some. I was happily dragged along on the edge of my seat every step." - 5 STARS "Extremely riveting!!!" - 5 STARS "Another excellent page-turner from Mr Douglas." - 5 STARS *************************************** UNDISTURBED AND FORGOTTEN FOR DECADES. NOW IT'S RESURRECTED AND THREATENS US ALL. April 1943 - A Mitsubishi transport plane, carrying Admiral Isoruku Yamamoto, architect of the Japanese attack on Pearl Harbor, plunges from the sky over the island of Bougainville. In a document case chained to his wrist is the greatest secret of the Second World War... December 2011 - Art recovery expert Jamie Saintclair is offered a lucrative commission: he has been tasked to find the preserved head of a Solomon Island warrior, missing from a German museum since 1945? The search takes Jamie from Berlin to Tokyo and with every turn the significance of the Bougainville skull becomes ever greater. Soon he realizes he's become involved in something much more important than finding a lost piece of history... Have you read The Doomsday Testament, The Isis Covenant and The Excalibur Codex, the previous Jamie Saintclair adventures?
"The Japanese have often thought the Edo period as Japan's dark ages, when the nation, isolated under the Tokugawa shogunate's national seclusion policy, fell hopelessly behind the rest of the world. In this book the author argues that, on the contrary, Tokugawa Japan was in many ways ahead of the West in its long peace and widespread prosperity. After the anarchy of a hundred years of civil warfare, three extraordinary historical figures ushered in the Pax Tokugawa the lasted 265 years, from 1603 to 1868. Oda Nobunaga destroyed what remained of the medieval order, Toyotomi Hideyoshi brought Japan under a single authority, and Tokugawa Ieyasu, the first shogun, constructed an enduring peace. Under Tokugawa rule control of flooding increased rice harvests, the samurai were transformed into a class of competent and highly moral administrators, and literacy spread. Japan in the eighteenth century was the most urbanized country in the world and boasted the most sophisticated culture of the time. Writing from his unique perspective as the eighteenth head of the house of Tokugawa, the author points out that a reevaluation of the Tokugawa era is long overdue. Indeed, the solid cultural values fostered during those three centuries of peace - egalitarianism, a small government leaving much to local autonomy, religious tolerance, living in harmony with nature - have much to offer the world in an age of rapid globalization and uncertainty." -- BOOK JACKET.
This book draws on historical demography to elucidate the regional diversity of the Japanese family and its convergence toward an integrated national family model that heralded the modern era, providing a new image of the family in pre-industrial Japan. The volume challenges the idea of early modern (1600-1870) Japan as a monolithic nation based on the ie, - the stem-family household so often mentioned as the fundamental form of Japanese social organization and enshrined in the Meiji Civil Code - which, in fact, came into being at various locales, at various speeds in the latter half of the 18th and the earlier half of the 19th centuries. In addition, there are several chapters which examine the role of women, either centrally or tangentially. With contributions by Mary Louise NAGATA, YAMAMOTO Jun, Hiroko COSTANTINI, Stephen ROBERTSON, MIZOGUCHI Tsunetoshi, NAKAJIMA Mitsuhiro, TSUBOUCHI Yoshihiro and MORIMOTO Kazuhiko.
Modern Japan offers us a view of a highly developed society with its own internal logic. Eiko Ikegami makes this logic accessible to us through a sweeping investigation into the roots of Japanese organizational structures. She accomplishes this by focusing on the diverse roles that the samurai have played in Japanese history. From their rise in ancient Japan, through their dominance as warrior lords in the medieval period, and their subsequent transformation to quasi-bureaucrats at the beginning of the Tokugawa era, the samurai held center stage in Japan until their abolishment after the opening up of Japan in the mid-nineteenth century. This book demonstrates how Japan’s so-called harmonious collective culture is paradoxically connected with a history of conflict. Ikegami contends that contemporary Japanese culture is based upon two remarkably complementary ingredients, honorable competition and honorable collaboration. The historical roots of this situation can be found in the process of state formation, along very different lines from that seen in Europe at around the same time. The solution that emerged out of the turbulent beginnings of the Tokugawa state was a transformation of the samurai into a hereditary class of vassal-bureaucrats, a solution that would have many unexpected ramifications for subsequent centuries. Ikegami’s approach, while sociological, draws on anthropological and historical methods to provide an answer to the question of how the Japanese managed to achieve modernity without traveling the route taken by Western countries. The result is a work of enormous depth and sensitivity that will facilitate a better understanding of, and appreciation for, Japanese society.
The transcripts of the three Kyoto School roundtable discussions of the theme of ‘the standpoint of world history and Japan’ may now be judged to form the key source text of responsible Pacific War revisionism. Published in the pages of Chuo Koron, the influential magazine of enlightened elite Japanese opinion during the twelve months after Pearl Harbor, these subversive discussions involved four of the finest minds of the second generation of the Kyoto School of philosophy. Tainted by controversy and shrouded in conspiratorial mystery, these transcripts were never republished in Japan after the war, and they have never been translated into English except in selective and often highly biased form. David Williams has now produced the first objective, balanced and close interpretative reading of these three discussions in their entirety since 1943. This version of the wartime Kyoto School transcripts is neither a translation nor a paraphrase but a fuller rendering in reader-friendly English that is convincingly faithful to the spirit of the original texts. The result is a masterpiece of interpretation and inter-cultural understanding between the Confucian East and the liberal West. Seventy years after Tojo came to power, these documents of the Japanese resistance to his wartime government and policies exercise a unique claim on students of Japanese history and thought today because of their unrivalled revelatory potential within the vast literature on the Pacific War. The Philosophy of Japanese Wartime Resistance may therefore stand as the most trenchant analysis of the political, philosophic and legal foundations of the place of the Pacific War in modern Japanese history yet to appear in any language.
Japan has often been thought of as a closed country, but before the country was closed in 1635 many travellers from the West were able to experience its unique traditions and culture. Their accounts speak of legends of powerful dragons and devils, tales of the revered emperor and the protocol surrounding him, following complex etiquette in everything from tea ceremonies to footwear, and bloodthirsty warlords who exacted cruel and unusual punishments for the smallest of crimes. In Old Japan Antony Cummins uses these captivating eyewitness accounts to reveal fascinating facts and myths from the mysterious Land of the Rising Sun.
Renaissance in Japan is a superb survey of Japan's literary giants—forerunners of today's modern Japanese writers. Called the "Kyoto epoch," the age in which these writers lived was the period in which Japanese cultural development made many of its greatest advances. In these years of the early Tokugawa era, the old aristocratic culture was confronted with the new plebeian awakening, giving rise to dynamic social developments, in effect a peaceful revolution. The humanistic movement that emerged during this period is epitomized in and popular arts and letters by such famous figures as Basho, the pilgrim poet; Saikaku, novelist of the gilded age, and Chikamatsu, Japan's greatest playwright. In that stirring period Basho wrote such undying poetry as: "The lark sings through the long spring day, but never enough for its heart's content." Saikaku noted that "love is darkness, but in the land of love the darkest night is bright as noon." Chikamatsu wrote wisely that "art is something which lies in the slender margin between the real and the unreal." In Japan it was the beginning of the end of the feudal Dark Ages—even though the political ramifications would not be manifest until the advent of the Meiji Restoration.
Breeze into Japanese eases the task of learning Japanese with its simple, logical, and fun approach.
“Recreating Japanese Men is a wonderful and invaluable book. Its interdisciplinary mix of essays opens the door to a new world of scholarship on masculinity in Japan." —David L. Howell, Harvard University “By considering a wide variety of alternative masculinities throughout Japanese history, these essays reveal the tensions, conflicts and overlapping between competing masculine and feminine ideals and practices in surprising ways.” —Robert A. Nye, Oregon State University “This gallery of striking but also subtle images of Japanese masculinity both reinforces old and reveals new historical understandings of Japanese political and military institutions, social divisions, and cultural anxieties. Essential reading in both Japan and masculinity studies.“ --Gary Cross, author of Men to Boys: The Making of Modern Immaturity.
"Japan has since the Second World War challenged the industrial giants of the West on their own ground with triumphant success. Yet she remains a profoundly traditional -- even feudal -- society. The paradox is not simply that these two very different attitudes coexist in Modern Japan: it is rather that the one actually grows out of the other. Japan has become a mighty industrial power largely because of her traditional values and disciplines. Michael Macintyre has taken his camera in search of the evidence of Japanese tradition, and has found it in a variety of fascinating, and sometimes unexpected, places. In the heart of this modern industrial society the shrine festivals βourish, with their parades of samurai and courtiers. The age--old martial arts and the cult of the sword live on alongside the gentler pursuits of the tea ceremony and βower arrangement. The theatre of Noh, Kabuki and Bunraku continue their ancient traditions, and the geishas of Kyoto."--front jacket flap