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Though he speaks no words in Scripture, St. Joseph’s message to us is resounding: he wants to lead us to Jesus. In Through the Heart of St. Joseph, Fr. Boniface Hicks reveals the path St. Joseph has laid. Discover how St. Joseph’s vulnerability, littleness, silence, and hiddenness can transform and heal us. Fr. Hicks also looks to the saints who lived the “Joseph Option” to show how we too can embrace a life of humble trust and steadfast courage. Through the Heart of St. Joseph proves with quiet conviction that if we entrust ourselves to the foster father of Our Lord, he will give us his love and protection—just as he gave it to Jesus.
"Before the entitled lived here exclusively, the marginalized died in droves." Founded in 1849 to care for indigent immigrants in Greenwich Village, St. Vincent's Hospital was sold in 2010 to create multi-million-dollar homes. In its 161 years of existence, the legendary institution treated survivors of the Titanic, tended to victims of both World Trade Center attacks, and served as Ground Zero of the AIDS Crisis. With honesty, humor, and flights of historical fancy, GHOSTS OF ST. VINCENT'S tells the hospital's story through the eyes of a man who spent a winter on its 7th floor AIDS ward and survived just in time for the drug "cocktail" that saved so many lives. Featuring appearances by indomitable icons (from Edna St. Vincent Millay to Robert Mapplethorpe, Sidney Lumet to Vito Russo, Ed Koch and The Ramones), GHOSTS OF ST. VINCENT'S explores coming out and coming back from the dead, gender fluidity and gentrification, the price of forgiveness, the cost of survival, and the ephemeral nature of New York City.
Winner of the 2019 Pinckley Prize for Debut Novel "[An] atmospheric suspense novel . . . Pick it up now." —O, THE OPRAH MAGAZINE In the wintery silences of Pennsylvania’s Blue Ridge Mountains, a woman befriends a mysterious foreigner—setting in motion this suspenseful, atmospheric, politically charged debut After surviving a life-altering accident at twenty-two, Kathleen recuperates by retreating to a remote campground lodge in a state park, where she works flipping burgers for deer hunters and hikers—happy, she insists, to be left alone. But when a hesitant, heavily accented stranger appears in the dead of winter—seemingly out of nowhere, kicking snow from his flimsy dress shoes—the wary Kathleen is intrigued, despite herself. He says he’s a student from Uzbekistan. To her he seems shell-shocked, clearly hiding from something that terrifies him. And as she becomes absorbed in his secrets, she’s forced to confront her own—even as her awareness of being in danger grows . . . Steeped in the rugged beauty of the Blue Ridge Mountains, with America’s war on terror raging in the background, Sarah St.Vincent’s Ways to Hide in Winter is a powerful story about violence and redemption, betrayal and empathy . . . and how we reconcile the unforgivable in those we love.
Commissioned by Our Lord Himself to preach His Gospel, St. Vincent began at age 50 an apostolate of preaching that would extend to France, Italy, Spain, Belgium, Switzerland, Austria, Germany and a few other countries as well. Travelling with him were as many as 10,000 people, including at least 50 priests. The throngs that gathered to hear him came from many miles around, such that he was forced to preach in the open--no church being large enough to hold all the people.
Thirty years after the smashing success of Zelda, Nancy Milford returns with a stunning second act. Savage Beauty is the portrait of a passionate, fearless woman who obsessed American ever as she tormented herself. If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. The first woman ever to win the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction and her impact on crowds, and on men, was legendary. Yet beneath her studied act, all was not well. Milford calls her book "a family romance"—for the love between the three Millay sisters and their mother was so deep as to be dangerous. As a family, they were like real-life Little Women, with a touch of Mommie Dearest. Nancy Milford was given exclusive access to Millay's papers, and what she found was an extraordinary treasure. Boxes and boxes of letter flew back and forth among the three sisters and their mother—and Millay kept the most intimate diary, one whose ruthless honesty brings to mind Sylvia Plath. Written with passion and flair, Savage Beauty is an iconic portrait of a woman's life.
The theology of Vincent of Lérins is often reduced to a memorable slogan: "We hold that faith which has been believed everywhere, always, and by everyone." Thomas Guarino argues that this "Vincentian canon" has frequently been taken out of context. This book introduces Vincent's thought and its reception in Christian history, exploring Vincent's creative and innovative understanding of the development of doctrine and showing how it informed the thought of John Henry Newman. Guarino contends that Vincent's theology contributes significantly to theology and ecumenism in the twenty-first century. The volume is the second in a series on the church fathers edited by Hans Boersma and Matthew Levering. About the Series The Foundations of Theological Exegesis and Christian Spirituality series critically recovers patristic exegesis and interpretation for contemporary theology and spirituality. Each volume covers a specific church father and illuminates the exegesis that undergirds the Nicene tradition.
This book makes available the previously unpublished correspondence of Michael Keane, an eighteenth-century Irish attorney general of St Vincent.From Ballylongford, Co. Kerry, Keane's Irish-West Indian odyssey brought him first to the British colony of Barbados and after 1763 to the Ceded Islands, which Great Britain acquired at the conclusion of the Seven Years War. From his base in St Vincent, he founded sugar estates rose through the ranks of colonial society and established a West Indian fortune. As Keane's correspondence shows, he worked on behalf of Irish Atlantic interests that had become dispersed throughout the colonial world, including Catholic, Protestant and Non-Conformist merchants, as well as absentee Irish-West Indian planters and merchants in Barbados, Nevis and St Kitts, who looked to him to protect their interests in the colony. His letter book provides a rare look into the world of the plantation attorney and manager.
Vincent Ferrer (1350–1419), a celebrated Dominican preacher from Valencia, was revered as a living saint during his lifetime, receiving papal canonization within fifty years of his death. In The Saint and the Chopped-Up Baby, Laura Ackerman Smoller recounts the fascinating story of how Vincent became the subject of widespread devotion, ranging from the saint's tomb in Brittany to cult centers in Spain, Italy, France, Germany, and Latin America, where Vincent is still venerated today. Along the way, Smoller traces the long and sometimes contentious process of establishing a stable image of a new saint. Vincent came to be epitomized by a singularly arresting miracle tale in which a mother kills, chops up, and cooks her own baby, only to have the child restored to life by the saint’s intercession. This miracle became a key emblem in the official portrayal of the saint promoted by the papal court and the Dominican order, still haunted by the memory of the Great Schism (1378–1414) that had rent the Catholic Church for nearly forty years. Vincent, however, proved to be a potent religious symbol for others whose agendas did not necessarily align with those of Rome. Whether shoring up the political legitimacy of Breton or Aragonese rulers, proclaiming a new plague saint, or trumpeting their own holiness, individuals imposed their own meanings on the Dominican saint. Drawing on nuanced readings of canonization inquests, hagiography, liturgical sources, art, and devotional materials, Smoller tracks these various appropriations from the time of Vincent’s 1455 canonization through the eve of the Enlightenment. In the process, she brings to life a long, raucous discussion ranging over many centuries. The Saint and the Chopped-Up Baby restores the voices of that conversation in all its complexity.
Tracing Millay's life from her youth in Maine to the bohemian fervor of her early adulthood in Greenwich Village and Paris, this fancinating biography will captivate middle grade readers. Including photos, full-length poems, plentiful letter and diary excerpts, a time line, source notes, and bibliography, this is an indispensable resource for any young person interested in poetry, literature, or biographies of remarkable people in American history.