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These Sagas were from a time when men were knighted for achieving great feats, and great their feats were. Often dismissed by the King’s court and shunned by their peers, they went a-viking with a small band of loyal followers, or sometimes alone, to seek their fortune and fame in a way that only a Viking would know how. On their return home they were, more often than not, proclaimed as heroes to be honoured by their kings and given their rightful places in the court and the nation. The sagas in this series are: ISBN TITLE’s 9781907256455 The Saga of Viga Glum 9781907256462 The Saga of Gisli the Outlaw 9781907256486 The Life and death of Cormak the Skald - A Romantic Norse Saga 9781907256516 THE SAGA OF BEOWULF - rewritten for children & young adults 9781907256530 THE SAGA OF BURNT NJAL 9781907256578 THE SAGA of GRETTIR THE STRONG 9781907256646 Fridthjof's Saga or Friedhof's Saga 9781909302631 Havamal 9781909302136 THE SAGA OF GUNNLAUG THE WORM-TONGUE AND RAVEN THE SKALD 9781907256738 The Saga of Eirik the Red - FREE EBOOK
The saga of Gunnlaug the Worm-Tongue and Raven the Skald, composed in the 13th century, relates the story of two Icelandic poets Gunnlaugr Ormstunga and Hrafn Önundarson, and their competition for the love of Helga the Fair, daughter of Þorsteinn Egilsson and granddaughter of Egill Skallagrímsson. The story opens with a prophetic dream of two eagles fighting over a swan, prefiguring the love triangle in the story. The rivalry is initially fought using verse, but later with weapons, when Gunnlaug challenges Hrafn to a holmgang -- a duel, the recognised Norse way of settling disputes. The narrative follows Gunnlaugr and is sympathetic towards him as it describes his ambitious career as a court poet across Scandinavia and the British Isles. The saga has similarities to earlier sagas of poets, such as Kormáks saga and Bjarnar saga, but it is more refined and elegant with strong characterization and emotional impact. Long considered a masterpiece, the saga is often read by new students of Old Norse literature. William Morris is normally thought of as a fantasy precursor of Tolkien, having written The Wood Beyond the World among other works. But he was also a translator, along with Eiríkr Magnússon, of more than just a few Norse Sagas. Originally written in the old Icelandic language, considered to be the closest tongue to that spoken by the Vikings, Gunnlaug the Worm-Tongue and Raven the Skald is but one of those efforts. ================= TAGS: Viking Saga, Norse, Norway, Gunnlaug, Worm-Tongue, Raven The Skald, Iceland, Greenland, Thorstein Egilson, Kin, Dream, Birth, Fostering, Helga The Fair, Raven, Vow, Faring, Abroad, East, West, Ireland, Quarrel, Swedish King, Wife, Abide Away, Landing, Wedding, Skaney, Kings Cloak, Two Foes, Fight, Dingness, News, Death Of Helga
OLAF TRYGGVASON, the hero of this saga is not an imaginary one; he was a real flesh and blood man who eventually reigned as King of Norway just over a thousand years ago. His life reads as only a Viking Saga could and should. Herein you will find the salient facts of his adventurous and outstanding life. They are: his boyhood of slavery in Estonia,his life at the court of King Valdemar,his wanderings as a Viking,the many battles he fought, on land and sea,his conversion to Christianity in England, and;his ultimate return to his native Norway where he reigned as King – are set forth in this volume which, if summarised, would make for a cracking campfire yarn. The events related herein can be found in the various Icelandic sagas dealing with the period in which he lived. In short, Olaf was your archetypal Viking. Very few authors could pen a saga that mirrors the life of Olaf, and many have tried. However in penning this story, Leighton made full and free use of these old time records, and added only such probable incidents as were necessary to give a thread of continuity to the reader. NOTE: For the convenience of readers who may wish for greater exactness; Olaf Triggvison was born A.D. 963 and he started on his wanderings as a Viking in the year A.D. 981. The sea fight between the Vikings of Jomsburg and the Norwegians took place in A.D. 986, and the battle of Maldon in the year A.D. 991. Olaf reigned only five years as King of Norway, being crowned in 995, and ending his reign with his death in the glorious defeat at Svold in the year A.D. 1000. 10% of the publisher’s profit from the sale of this book will be donated to UNICEF. KEYWORDS/TAGS: Viking, Norse, Saga, Story, Olaf Tryggvason, slave, warrior, King, conversion, Christianity, Valdemar, land battles, sea battles, Jomsburg, England, Norway, Norwegian, battle of Maldon, battle of Svold, finding of olaf, sigurd erikson, gerda' s prophecy, slaying of klerkon, norse kings, training, captain of the host, west, over-seas, hermit, scilly Isles, thorir klakka, evil earl, christening, Sigrid, haughty, long serpent, sigvaldi, treachery, snare, svold sound, defence
Medieval people viewed whales in complex and contradictory ways, from marvelous to monstrous to mundane, heaven-sent or hell-bent. Despite this, whales are conspicuous in their absence from most historical and archaeological dialogues on the Middle Ages. Drawing upon a wealth of legal, literary and material evidence, this work details the ways in which whales were sought out and scavenged at sea and shore, fought over in legal and physical battles, and prized for meat, bone and fuel. Using Old Norse sagas, laws and material culture, alongside comparative historical and ethnographic evidence, Monstrous Fishes and the Mead-Dark Sea reexamines the value of whales in the medieval North Atlantic world.
A GREAT READ FOR KIDS! In this volume you will find 14 of the most popular Norse Myths and Tales rewritten especially for children. Tales and stories like Odin’s Reward, Tyr and the Wolf, Freyja’s Necklace, The Hammer of Thor, A Gift from Frigga, The Stealing of Iduna, Skadi, Ægir’s Feast and more. This little volume is the outcome of several years’ experience of the telling of the classic Norse myths to classes of children. There are graphic descriptions in the Norse tales of the hard struggle with rugged nature and the severe climate of the North. The tales and adventures of equally rugged men and women, of bravery and heroes in a time when heroes were needed and men were knighted for achieving great feats - and great hose feats were. Then, too, the moral tone of the Norse myths is higher, purer, and more steadfast than that of the Greek tales, and is more congenial to our Western point of view which has been influenced more by the Teuton than the Greek. But this is simply not a number of made up tales, many works were consulted in the preparation of this volume, and the compilers are especially indebted to the following: Thorpe’s translation of Sæmund’s “Edda”; “The Younger Edda,” in translations; Anderson’s “Norse Mythology”; Guerber’s “Myths of Northern Lands”; William and Mary Howitt’s “Literature and Romance of Northern Europe”; and Mallet’s “Northern Antiquities.”