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In the summer of 1955, fourteen-year-old Clement enters a general store in Money, Mississippi to purchase a soda. Unaware of the consequences of flouting the rules governing black-white relations in the South, this Chicago native defies tradition, by laying a dime on the counter and turns to depart. Miss Cuthbert, the store attendant, demands that he place the money in her hand, but he refuses, declaring, "I ain't no slave!" and exits with a sense of entitlement unknown to black people at the time. His behavior results in his brutal murder. This event sparks a war in Money, forcing the black community to galvanize its strength in pursuit of equality.
This collection of twenty-three essays by Duncan Stroik shows the development and consistency of his architectural vision. Packed with informative essays and over 170 photographs, this collection clearly articulates the Church’s architectural tradition.
Describes various types of space which are sacred to different religions, including churches, mosques, synagogues, temples, and other shrines.
A collection of poems about different places around the world that are considered sacred by various cultures, including Mecca, the Ganges River, and Christian cathedrals.
In Spaces for the Sacred, Philip Sheldrake brilliantly reveals the connection between our rootedness in the places we inhabit and the construction of our personal and religious identities. Based on the prestigious Hulsean Lectures he delivered at the University of Cambridge, Sheldrake's book examines the sacred narratives which derive from both overtly religious sites such as cathedrals, and secular ones, like the Millennium Dome, and it suggests how Christian theological and spiritual traditions may contribute creatively to current debates about place.
Architecture has always been more than mere shelter--it expresses some of the most fundamental and universal aspects of human existence. Through an in-depth survey of religious buildings and sacred sites around the world--from Japanese Zen temples to the Stonehenge-like structures of England--the author shows how sacred architecture symbolizes and recapitulates the spiritual quest.
World travelers and armchair tourists who want to explore the mythology and archaeology of the ruins, sanctuaries, mountains, lost cities, and temples of ancient civilizations will find this guide ideal. Detailed here are the monuments and sites where ancient peoples once gathered to perform sacred rituals and ceremonies to worship various gods and to achieve spiritual enlightenment. Important archaeological, historical, and geological destinations worldwide are profiled, from the Great Pyramid in Egypt and the Forbidden City in China to the Temples of Angkor in Cambodia and Mount Shasta in California. Sites are described in historical and cultural context, and practical contemporary travel information is provided, including detailed maps, drawings, photographs, and travel directions.
T. R. Hummer says that "Stephen Haven is a poet of incisive discipline deployed in the service of a passionate humanistic ethos. Every word in this collection reflects concern: concern for humanity, and concern for language, humanity's best hope. Global in vision, this worried book is unflinching, yet hopeful, yielding up a world in which 'Your own caesurae, / Your own circumference, / Is the shell of a missing animal. / You pull it tight around you like a cloak. . . . '
In a series of pioneering studies, this book examines the creation—and the conflict behind the creation—of sacred space in America. The essays in this volume visit places in America where economic, political, and social forces clash over the sacred and the profane, from wilderness areas in the American West to the Mall in Washington, D.C., and they investigate visions of America as sacred space at home and abroad. Here are the beginnings of a new American religious history—told as the story of the contested spaces it has inhabited. The contributors are David Chidester, Matthew Glass, Edward T. Linenthal, Colleen McDannell, Robert S. Michaelsen, Rowland A. Sherrill, and Bron Taylor.