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Winifred Fassbinder was raised on a Pennsylvania farm that has been in her family since the 1700s. As the last surviving Fassbinder, however, she now resides at Royall Crest, an upscale 55-and-over slice of Heaven…or at least its residents hope Heaven can live up to their cushy lives at Royall Crest. But Winnie, who tries to be as uninvolved in other people’s lives as possible, has begun to wonder if some of the Charter Members at Royall Crest aren’t finding out about the real Heaven in oddly increasing numbers. As a Charter Member herself, Winnie figures it might be time she does a little investigating. Yet even as she wonders how to do that, she’s faced with a weepy but adorable Pollyanna, a runaway murder suspect with an attitude, a floater in one of the Royall Crest hot tubs, a Bad Boy with good intentions, and a cop who just wants to slide into retirement without complications. Written in the vein of Kasey’s Maggie Kelly bestselling mystery series, the crimes are off-the-wall, the cast of characters wacky but loveable creations of her fertile imagination and love of the ludicrous. Only this time, the Senior Set gets into the act!
Victory Without Peace concentrates on the U.S. Navy in European and Near Eastern waters during the post-World War I era. As participants in the Versailles peace negotiations, the Navy was charged with executing the naval terms of the Armistice as well as preserving stability and peace. U.S. warships were deploying into the Near East, Baltic, Adriatic, and Northern Europe, while simultaneously withdrawing its demobilized forces from European waters. This signifies the first time the U.S. Navy contributed to peacetime efforts, setting a precedent continues today. Conversely, Congressional appropriations handicapped this deployment by demobilization, general naval policy and postwar personnel, and operating funds reductions. Though reluctant to allocate postwar assets into seemingly unimportant European and Near Eastern waters, the Navy was pressured by the State Department and the American Relief Administration's leader, Herbert Hoover, to deploy necessary forces. Most of these were withdrawn by 1924 and the European Station assumed the traditional policy of showing the flag.
A full, honest, and objective biography of Diana, Princess of Wales, that goes beyond the headlines and gossip to reveal a story that "offers more than most of the sensationalized volumes that filled the bookstores following her death . . . a fair-handed reporting of Diana's world--the good, the bad, and the imagined" ("Cincinnati Post"). 16-page color photo insert.
In When I Was a Nipper Alan Titchmarsh goes on a personal and nostalgic journey through post-War Britain in search of treasured values and traditions that were once the soul of society. With characteristic wit, warmth and humour he draws on the experience of his own childhood, and also takes a broader perspective, creating a wonderfully detailed and evocative portrait of a way of life that is fast disappearing, and asks what can we learn from this era of austerity to make our lives better today? Born in Yorkshire in 1949 and brought up in a Britain still recovering from World War 2, Alan remembers a time of relative calm, when it was enough to return home at night knowing that the house would still be standing. We were known throughout the world for our patience, resourcefulness and resilience. 'Mustn't grumble' was almost a national catchphrase, and queuing was second nature. Peppered with wonderful archive photographs and advertisements, When I Was a Nipper takes us back to those days, down high streets and through farmyards, on to trolley buses and into local pubs. As we move towards a global economy, as communities fragment and customs are lost, When I Was a Nipper captures a world that is fast receding into history. It's powerfully nostalgic for those who remember those days, but it's also Alan's timely call to all recession-hit Brits to heed the lessons of austerity Britain: 'make do and mend'; 'look on the bright side' and 'take the knocks on the chin'.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.