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"A treasure trove of new and useful material, which will be invaluable to scholars working in medieval history."--Elizabeth Brown, City University of New York
Anglophiles and students of portraiture will find that The Royal Portrait fills a surprising void in the literature, as Scott (Royal Collection) presents for the first time a survey of British portraits housed in the various venues of the Royal Collection. The broad scope ranges from Richard II (the first British king portrayed) to Queen Elizabeth II; the latter monarch, along with Queen Victoria, is the subject of an independent chapter, while other chapters focus on images of royals from a particular dynastic house, such as the Stuart and the Hanoverian. Through an interesting selection of diverse media and formats employed in different periods, Scott explores the central question of "what constitutes a royal portrait?" The answers are multifaceted and contingent on such factors as patronage, function, royal control, and artistic intention; nevertheless symbolic visual conventions can still be traced in the representations of British monarchs over the centuries. This is a clearly written, well-illustrated survey; for more in-depth analyses of particular works one will need to turn to specialized sources, e.g., D. Howarth's Images of Rule (1997). Summing Up: Highly recommended. Lower-division undergraduates through researchers/faculty; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty. Reviewed by J. K. Dabbs.
This volume deals with the crisis in the representation of the monarchy that was provoked by the execution of Charles I.
This title was first published in 2001. For the English people, the image of the monarchy is deeply bound up with the idea of nationhood. This book surveys aspects of England's royal heritage dialogue from the late middle ages to the 19th century. It concentrates on monumental sculpted portraits because that was the way in which the image of the monarchy was customarily presented in the most immediate and permanent form at large scale in the public arena. The aim of such memorials was to consolidate and commemorate shared loyalties and beliefs, focusing on the monarchs. They were sometimes protected by railings, more often than just by their talismanic value. There was widespread resistance to the idea that Oliver Cromwell should be commemorated by public memorial. The English generally remained uncomfortable with the idea of republicanism. The monarchial government of the middle ages, thought to be sanctioned by God, was very different from the figurehead the monarchy has become.
In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. A Royal Passion explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe. The featured essays consider Victoria’s role in shaping the history of photography as well as photography’s role in shaping the image of the Queen. Including more than 150 color images—several rarely seen before—drawn from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum from February 4 to June 20, 2014.
**THE INSTANT NEW YORK TIMES BESTSELLER** Veteran style journalist Elizabeth Holmes expands her popular Instagram series, So Many Thoughts, into a nuanced look at the fashion and branding of the four most influential members of the British Royal Family: Queen Elizabeth II; Diana, Princess of Wales; Catherine, The Duchess of Cambridge; and Meghan, The Duchess of Sussex. Kate Middleton and Meghan Markle are global style icons, their every fashion choice chronicled and celebrated. With all eyes on them, the duchesses select clothes that send a message about their values, interests, and priorities. Their thoughtful sartorial strategies follow in the footsteps of Queen Elizabeth II and Diana, Princess of Wales, two towering figures known for using their personal style to great acclaim. With one section devoted to each woman, HRH is a celebration of their stories and their style, pairing hundreds of gorgeous photographs with extensive research. A picture emerges of the British monarchy’s evolution and the power of royal fashion, showing there’s always more than what meets the eye.
This book consists of twelve interdisciplinary essays on the ideas, images, and rituals of Tudor and early Stuart society. Through the exploitation of new manuscript material, or hitherto untapped artistic sources, the authors open up new perspectives on the ideas, institutions, and rituals of political society. The evidence of art and literature, and new techniques for the discovery of lost mentalities, are used to explore key aspects of Tudor political culture, including royal iconography, funereal symbolism, parliamentary elections, political vocabularies, kinship and family at court and in the country, and the architecture of urban authority. In his Introduction the editor uses the example of Henry VIII's historic break with Rome to suggest the seamless links between politics and political culture by presenting it against the backdrop of early-Tudor memories of Henry V, the cult of chivalry and the invasion of France (1513), and the pre-Reformation imagery of 'imperial' kingship.
Het hele paleis is in rep en roer, want de Royal Baby wil maar niet slapen. Prentenboek met humoristische kleurenillustraties. Vanaf ca. 4 jaar.
“An intriguing look into the past through The National Archives . . . It offers a glimpse into the different seals of the monarchs, nobility, and clergy.” —Tudor Blogger Royal Seals is an introduction to the seals of the kings and queens of England, Scotland and latterly the United Kingdom, as well as the Church and nobility. Ranging from Medieval times to modern day, it uses images of impressive wax seals held at The National Archives to show the historical importance of these beautiful works of art. Included are features on the great seals of famous monarchs like Richard III, Henry VIII, Elizabeth I and twentieth-century monarchs, as well as insights on the role of seals in treaties and foreign policy. With ecclesiastical seals and those of the nobility and lower orders included, this is a comprehensive and lavishly illustrated guide. “It is actually very fascinating as the book looks at the different types of seal used by various monarchs and why the seal came into being. We read about some of the most notable monarchs such as Charles II, George IV, James I, Henry VIII and more. But what has to be the best part of this book produced in conjunction with The National Archives, is the high quality of the pictures, certainly fantastic and really do show off the book at its best.” —UK Historian “The book should interest readers of Medieval Archaeology, providing a good introduction to the subject through what is undoubtedly an amazing national collection.” —Medieval Archaeology