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Lindsay Allason-Jones has been at the forefront of small finds and Roman frontier research for 40 years in a career focussed on, but not exclusive to, the north of Britain, encompassing an enormous range of object types and subject areas. Divided into thematic sections the contributions presented here to celebrate her many achievements all represent at least one aspect of Lindsay’s research interests. These encompass social and industrial aspects of northern frontier forts; new insights into inscribed and sculptural stones specific to military communities; religious, cultural and economic connotations of Roman armour finds; the economic and ideological penetration of romanitas in the frontiers as reflected by individual objects and classes of finds; evidence of trans-frontier interactions and invisible people; the role of John Clayton in the exploration and preservation of Hadrian’s Wall and its material culture; the detailed consideration of individual objects of significant interest; and a discussion of the widespread occurrence of mice in Roman art.
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
Drama unfolds between the servants and masters of an aristocratic Irish household in this “classic upstairs-downstairs story” set during World War II—for fans of Downton Abbey (Time) The war has led to a scarcity of experienced staff at the vast hereditary house of an aristocratic Anglo-Irish family. When Eldon the butler dies, Raunce—the head footman—is assigned his job. The other servants are taken aback by this irregular promotion, but lovely young Edith, a recent hire, is quite attracted to the older Raunce and a flirtation begins. And it is Edith who discovers Mrs. Tennant’s daughter-in-law, whose husband is fighting at the front, in bed with a neighbor one morning, scandalizing the whole household. When the Tennants depart for England, Raunce is left in charge of the house and struggles to control its disputatious inhabitants as well as to secure the love of Edith, especially after a precious family jewel disappears. In Loving, Henry Green explores the deeply precarious nature of ordinary life against the background of the larger world at war.
The 120 Days of Sodom by Marquis de Sade relates the story of four wealthy men who enslave 24 mostly teenaged victims and sexually torture them while listening to stories told by old prostitutes. The book was written while Sade was imprisoned in the Bastille and the manuscript was lost during the storming of the Bastille. Sade wrote that he "wept tears of blood" over the manuscript's loss. Many consider this to be Sade crowing acheivement.
29 and unmarried, gasp! - can you think of anything worse? In 1920s rural Canada, Valancy Stirling is considered "past it" and with a controlling, nagging mother and petty gossips for relatives she feels trapped in the life she has ended up in and when she is diagnosed with a terminal heart condition and given a year to live, it seems she will die without ever experiencing happiness. And so, she rebels. She leaves her family home slamming the door as she does and moves in with her old friend Cissy and starts working as a housekeeper. The independence is intoxicating - as is a growing friendship with local man, Barney Snaith. It looks as though Valancy will have love to warm her heart in her final months. But secrets on both sides threaten to ruin things. The intoxicating story of love and loss is perfect for fans of Elizabeth Gaskell and Jodie Picoult. Lucy Maud (L.M.) Montgomery was a Canadian author best known for a series of children's books beginning with 'Anne of Green Gables'. The books were a huge hit in her lifetime and were recently made in the Netflix series 'Anne with an E'. Montgomery published 20 novels, 530 short stories, 500 poems and 30 essays in her lifetime. Most were set in Canada's smallest province, Prince Edward Island.
Science Fiction, Alien Encounters, and the Ethics of Posthumanism offers a typology of alien encounters and addresses a range of texts including classic novels of alien encounter by H.G. Wells and Robert Heinlein; recent blockbusters by Greg Bear, Octavia Butler and Sheri Tepper; and experimental science fiction by Peter Watts and Housuke Nojiri.
A murder in a crowded Broadway theater presents a full house of suspects—the first in this classic mystery series starring Ellery Queen! Despite the dismal Broadway season, Gunplay continues to draw crowds. A gangland spectacle, it’s packed to the gills with action, explosions, and gunfire. In fact, Gunplay is so loud that no one notices the killing of Monte Field. In a sold-out theater, Field is found dead partway through the second act, surrounded by empty seats. The police hold the crowd and call for the one man who can untangle this daring murder: Inspector Richard Queen. With the help of his son Ellery, a bibliophile and novelist whose imagination can solve any crime, the Inspector attacks this seemingly impenetrable mystery. Anyone in the theater could have killed the unscrupulous lawyer, and several had the motive. Only Ellery Queen, in his debut novel, can decipher the clue of the dead man’s missing top hat.
Proceeding from the premise that Jews, negatively depicted according to a range of demeaning stereotypes, are a feature of English crime writing between the two world wars, the author examines why this is so, with reference to recent debate over the profundity of anti-Semitism in Britain, and traces the evolution of fictional Jewish images in the context of socio-historical trends and events. Annotation copyrighted by Book News, Inc., Portland, OR