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A moving and entrancing novel set in Paris during World War II about an American woman, a dashing pilot, and a young Jewish girl whose fates unexpectedly entwine—perfect for the fans of Kristen Hannah’s The Nightingale and Martha Hall Kelly’s Lilac Girls, this is “an emotional, heart-breaking, inspiring tribute to the strength of the human spirit and the enduring power of love” (Mariah Stewart, New York Times bestselling author). When Ruby first marries the dashing Frenchman she meets in a coffee shop, she pictures a life strolling arm in arm along French boulevards, awash in the golden afternoon light. But it’s 1938, and war is looming on the horizon. Unfortunately, her marriage soon grows cold and bitter, her husband Marcel, distant and secretive—all while the Germans flood into Paris, their sinister swastika flags waving in the breeze. When Marcel is killed, Ruby discovers the secret he’d been hiding—he was a member of the French resistance—and now she is determined to take his place. She becomes involved in hiding Allied soldiers—including a charming RAF pilot—who have landed in enemy territory. But her skills are ultimately put to the test when she begins concealing her twelve-year-old Jewish neighbor, Charlotte, whose family was rounded up by the Gestapo. Ruby and Charlotte become a little family, but as the German net grows tighter around Paris, and the Americans debate entering the combat, the danger increases. No one is safe. “Set against all the danger and drama of WWII Paris, this heartfelt novel will keep you turning the pages until the very last word” (Mary Alice Monroe, New York Times bestselling author).
The first Asian woman in hip-hop, Sophia Chang shares the inspiring story of her career in the music business, working with such acts as The Wu-Tang Clan and A Tribe Called Quest, her path to becoming an entrepreneur, and her candid accounts of marriage, motherhood, aging, desire, marginalization, and martial arts. Fearless and unpredictable, Sophia Chang prevailed in a male-dominated music industry to manage the biggest names in hip-hop and R&B. The daughter of Korean immigrants in predominantly white suburban Vancouver, Chang left for New York City, and soon became a powerful voice in music boardrooms at such record companies as Atlantic, Jive, and Universal Music Group. As an A&R rep, Chang met a Staten Island rapper named Prince Rakeem, now known as the RZA, founder of the Wu-Tang Clan, the most revered and influential rap group in hip-hop history. That union would send her on a transformational odyssey, leading her to a Shaolin monk who would become her partner, an enduring kung fu practice, two children, and a reckoning with what type woman she ultimately wanted to be. For decades, Chang helped remarkably talented men tell their stories. Now, with The Baddest Bitch In The Room, she is ready to tell her own story of marriage, motherhood, aging, desire, marginalization, and martial arts. This is an inspirational debut memoir by a woman of color who has had the audacity to be bold in the pursuit of her passions, despite what anyone—family, society, the dominant culture—have prescribed.
Winner of the 2007 Colorado Prize for Poetry Published by the Center for Literary Publishing at Colorado State University
Alive with insight, wit and Dyer's characteristic irreverence, this collection of essays offers a guide around the cultural maze, mapping a route through the worlds of literature, art, photography and music. Besides exploring what it is that makes great art great, Working the Room ventures into more personal territory with extensive autobiographical pieces - 'On Being an Only Child', 'Sacked' and 'Reader's Block', among other gems. Dyer's breadth of vision and generosity of spirit combine to form a manual for ways of being in - and seeing - the world today.
ONE OF WASHINGTON POST'S NOTABLE NONFICTION BOOKS OF THE YEAR A bracingly honest exploration of why there are still so few women in STEM fields—“beautifully written and full of important insights” (Washington Post). In 2005, when Lawrence Summers, then president of Harvard, asked why so few women, even today, achieve tenured positions in the hard sciences, Eileen Pollack set out to find the answer. A successful fiction writer, Pollack had grown up in the 1960s and ’70s dreaming of a career as a theoretical astrophysicist. Denied the chance to take advanced courses in science and math, she nonetheless made her way to Yale. There, despite finding herself far behind the men in her classes, she went on to graduate summa cum laude, with honors, as one of the university’s first two women to earn a bachelor of science degree in physics. And yet, isolated, lacking in confidence, starved for encouragement, she abandoned her ambition to become a physicist. Years later, spurred by the suggestion that innate differences in scientific and mathematical aptitude might account for the dearth of tenured female faculty at Summer’s institution, Pollack thought back on her own experiences and wondered what, if anything, had changed in the intervening decades. Based on six years interviewing her former teachers and classmates, as well as dozens of other women who had dropped out before completing their degrees in science or found their careers less rewarding than they had hoped, The Only Woman in the Room is a bracingly honest, no-holds-barred examination of the social, interpersonal, and institutional barriers confronting women—and minorities—in the STEM fields. This frankly personal and informed book reflects on women’s experiences in a way that simple data can’t, documenting not only the more blatant bias of another era but all the subtle disincentives women in the sciences still face. The Only Woman in the Room shows us the struggles women in the sciences have been hesitant to admit, and provides hope for changing attitudes and behaviors in ways that could bring far more women into fields in which even today they remain seriously underrepresented.
(Applause Books). Rita Lakin was a pioneer a female scriptwriter in the early 1960s when Hollywood television was exclusively male. For years, in creative meetings she was literally "the only woman in the room." In this breezy but heartfelt remembrance, Lakin takes readers to a long-forgotten time when women were not considered worthy or welcome at the creative table. Widowed with three young children, she talked herself into a secretarial job at Universal Studios in 1962, despite being unable to type or take dictation. With guts, skill, and humor, she rose from secretary to freelancer, to staff writer, to producer, to executive producer and showrunner, meeting hundreds of famous and infamous show biz legends along the way during her long and unexpected career. She introduced many women into the business and was a feminist before she even knew she was one. The general public did not know her name, but Lakin touched the lives of millions of viewers week after week, year after year. The relevance of her personal journey charming yet occasionally shocking will be an eye-opener to present-day who take for granted the abundance of female creative talent in today's Hollywood.
In The Most Powerful Woman in the Room Is You, Lydia Fenet takes you on her twenty-year journey from intern to managing director and global head of strategic partnerships at Christie’s Auction House. Lydia shares the revolutionary sales approach she has crafted over the years that has not only shaped her career, but helped her raise more than half a billion dollars for nonprofits around the world. This is an approach that will empower you to sell your way to success in business and in life. For example, you’ll learn how to create your own “Strike Method” or signature move to help you feel confident entering any situation. Combining case studies and personal stories, Lydia also shares tips from some of the most powerful and successful women in business, fashion, journalism, sports, and the arts. This book will show you how to take your career to the next level, whether it’s overcoming your fear of asking for something or bridging a wage gap. Lydia has been there and come back more powerful than ever. Inspiring and encouraging, Lydia’s hard-won advice will help you walk into any room with the confidence of a leader and motivate others to find their voice as well. Get ready to embrace your natural strengths, map your career, and take ownership of your life.
The masterful author of The Best of Everything takes us through a season of friendship, discovery, betrayal, and love to tell a story of four friends and the events that shaped their futures. New York in 1963 is a place of infinite possibilities, especially when you’re young and eager for the adventure a big city offers. Leigh, Cady, Vanessa, and Susan meet when they become roommates on the Upper East Side. Nothing can diminish the exhilaration of their newfound freedom and independence—even being crammed together in a single bedroom with a kitchen too small for a table and chairs. A casting assistant at a talent agency, Leigh is the level-headed one. Cady is a prep school teacher, emotional, passionate, and ready for love. Vanessa, a stewardess, craves her independence above all else. Susan is the mercurial, difficult one, and after one confrontation too many, makes a choice that will change the course of all their lives… PRAISE FOR RONA JAFFE “Reading Rona Jaffe is like being presented with a Cartier watch: you know exactly what you’re getting and it’s exactly what you want.”—Cosmopolitan “Vivid and trenchant…Wry and very readable…A minor genius.”—New York Times Book Review “Jaffe has not lost her wit, her keen eye for human frailties and her ear for the small but telling remark.”—Publishers Weekly
A man finds himself in a sedate and empty lounge bar with no memories of his past. Hidden doors disguised by beautiful wall marquetry panels take him on disjointed adventures through alternate versions of his life, none of which he recognizes and where he feels like a imposter pretending to be himself, a stranger to loved ones, life events, likes and dislikes. His philosophical struggle, fueled by guilt and a deep sense of futility, ends anticlimactically when he is forced to choose a particular version of his life.