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This book is the first comprehensive comparative-historical survey of patterns of alternation in the Romance verb that persist through time but have long ceased to be conditioned by any phonological or functional determinant. It explores the status of these patterns and their persistence, self-replication, and reinforcement over time.
This book is the first comprehensive comparative-historical survey of patterns of alternation in the Romance verb which appear to be 'autonomously morphological': although they can be shown to be persistent through time, they have long ceased to be conditioned by any phonological or functional determinant. Some of these patterns are well known in Romance linguistics, while others have scarcely been noticed. The sheer range of phenomena which participate in these patterns in any case far surpasses what Romance linguists had previously realized. The patterns constitute a kind of abstract 'leitmotiv', running through the history of the Romance languages and conferring on them a distinctive morphological physiognomy. Although intended primarily as a novel contribution to comparative-historical Romance linguistics, the book considers in detail the status of these patterns which appear to be a matter of 'morphology by itself', unsupported by determining factors external to the morphological system. Particular attention is paid to the problem of their persistence, self-replication, and reinforcement over time. Why do abstract morphological patterns that quite literally 'do not make sense' display such diachronic robustness? The evidence suggests that speakers, faced with different ways of expressing semantically identical material, seek out distributional templates into which those differences can be deployed. In Romance the only available templates happen to be 'morphomic', morphologically accidental, effects of old sound changes or defunct functional conditionings. Those patterns are accordingly exploited, and indeed reinforced, by being made maximally predictable.
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This book provides a detailed account of verb movement across more than twenty standard and non-standard Romance varieties. Norma Schifano examines the position of the verb with respect to a wide selection of hierarchically-ordered adverbs, as laid out in Cinque's (1999) seminal work. She uses extensive empirical data to demonstrate that, contrary to traditional assumptions, it is possible to identify at least four distinct macro-typologies in the Romance languages: these macro-typologies stem from a compensatory mechanism between syntax and morphology in licensing the Tense, Aspect, and Mood interpretation of the verb. The volume adopts a hybrid cartographic/minimalist approach, in which cartography provides the empirical tools of investigation, and minimalist theory provides the technical motivations for the movement phenomena that are observed. It provides a valuable tool for the examination of fundamental morphosyntactic properties from a cross-Romance perspective, and constitutes a useful point of departure for further investigations into the nature and triggers of verb movement cross-linguistically.
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Morphology, and in particular word formation, has always played an important role in Romance linguistics since it was introduced in Diez’s comparative Romance grammar. Recent years have witnessed a surge of interest in inflectional morphology, and current research shows a strong interest in paradigmatic analyses. This volume brings together research exploring different areas of morphology from a variety of theoretical and methodological perspectives. On an empirical basis, the theoretical assumption of the ‘Autonomy of Morphology’ is discussed critically. ‘Data-driven’ approaches carefully examine concrete morphological phenomena in Romance languages and dialects. Topics include syncretism and allomorphy in verbs, pronouns, and articles as well as the use of specific derivational suffixes in word formation. Together, the articles in this volume provide insights into issues currently debated in Romance morphology, appealing to scholars of morphology, Romance linguistics, and advanced students alike.
Structural linguists have focused on the morphological patternings of the Romance verb system, both from the point of view of systematizing variation and of mapping meaning on the form. Transformationalists, however, have tended to focus on the English auxiliaries. This book fills a gap in previous accounts by investigating the syntax of Romance verb-form usage, concerning both the verb itself and a simple sentence and such phenomena as sequence of tense in complex sentences. Adopting both a synchronic and diachronic perspective, and combining the approaches of structuralists and transformationalists, the author argues that there are still valid ideas to be drawn from the pre-Chomskyan concern with paradigmatic structure.
This volume provides the first book-length study of the controversial topic of Verb Second and related properties in a range of Medieval Romance varieties. The findings have widespread implications for the understanding of both the key typological property of Verb Second and the development of Latin into the modern Romance languages.