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Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text. Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television. "We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect. The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance. These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.
Widely applauded when it was published last year, Pearl Abraham's debut novel The Romance Reader possesses that quality that distinguishes all great fiction—a fresh look at the universal truths that bind us together. Like Chaim Potok, who revealed the Orthodox Jewish world from a young man's perspective in The Chosen, Abraham explores new ground, offering readers a tender story of a young Hasidic woman facing the challenges of growing up and the demands of her religion. Rachel Benjamin is the daughter of a quixotic rabbi who dreams of building a synagogue in the secluded upstate New York bungalow colony where his family now lives. As the rabbi's eldest daughter, Rachel is expected to set an example for her five siblings and for the other girls in the community: she must wear thick opaque tights with seams; she is forbidden to wear a bathing suit in public; and she can never read books in English. But like all young adults, Rachel bristles at the stringent rules set by her family and her religion, rebelling in ways that become increasingly apparent. Whether sneaking sheer nylons in and out of the house or applying for an illicit library card that will allow her access to the romance novels that she loves, Rachel is determined to do things her way. Dreaming of a life that mirrors that of the heroines in her favorite novels, Rachel craves the independence she will never have as a Hasidic woman in an arranged marriage. And yet, as her impending marriage draws inevitably nearer, the pulls of family and faith weigh against the frightening and unknown world beyond her own. This coming-of-age tale is both unusual and familiar—an intriguing, heartfelt look at the power of family and religion in the Hasidic community and the universal desire to leave the nest.
In one of the most exciting debuts in years, Pearl Abraham--who grew up in a Hasidic community herself--presents the story of Rachel, a girl caught between the strictly controlled world of ultra Orthodox Judaism and the sedictive yearnings of her own heart. Both a coming-of-age story and a brave, beautifully rendered expose of a hidden, insular world . . . heartrending.--Elle.
CANNON/ROMANCE READERS BOOK CLUB
Discover what makes Lucy Gilmore an instant fan favorite with this unforgettably funny enemies-to-lovers romcom starring a grumpy dog show judge, a determined former beauty queen, and a Golden Retriever more interested in stealing bacon than winning Best in Show. Ruby Taylor gave up pageant life the day she turned eighteen and figured she'd never look back. But when an old friend begs her to show beloved Golden Retriever Weezy at the upcoming Canine Classic, Ruby doggedly straps on her heels and gets to work. If only she knew exactly what the adorably lazy lump of a dog was getting her into. If there's one thing veterinarian Spencer Wilson knows in this world, it's dogs. Human beings are a different story. Especially gorgeous women clearly in way over their heads. As judge for the local dog show, Spencer advises Ruby to quit while she still can, but her old fervor for winning has returned—and she wants to show the stern, broody-eyed judge that she's more than just a pretty face. In the end, she'll show him who's best in show. "AS APPEALING AS A PUPPY."—Publishers Weekly STARRED for Puppy Christmas
The cozy comforts of an English village bookstore open up a world of new possibilities for Evie Starling in this charming new romantic comedy from New York Times bestselling author Samantha Young. At thirty-three-years old Evangeline Starling’s life in Chicago is missing that special something. And when she’s passed over for promotion at work, Evie realizes she needs to make a change. Some time away to regain perspective might be just the thing. In a burst of impulsivity, she plans a holiday in a quaint English village. The holiday package comes with a temporary position at Much Ado About Books, the bookstore located beneath her rental apartment. There’s no better dream vacation for the bookish Evie, a life-long Shakespeare lover. Not only is Evie swept up in running the delightful store as soon as she arrives, she’s drawn into the lives, loves and drama of the friendly villagers. Including Roane Robson, the charismatic and sexy farmer who tempts Evie every day with his friendly flirtations. Evie is determined to keep him at bay because a holiday romance can only end in heartbreak, right? But Evie can’t deny their connection and longs to trust in her handsome farmer that their whirlwind romance could turn in to the forever kind of love.
New York Times bestselling author Nalini Singh welcomes you to a remote town on the edge of the world where even the blinding brightness of the sun can’t mask the darkness that lies deep within a killer.… On the rugged West Coast of New Zealand, Golden Cove is more than just a town where people live. The adults are more than neighbors; the children, more than schoolmates. That is until one fateful summer—and several vanished bodies—shatters the trust holding Golden Cove together. All that’s left are whispers behind closed doors, broken friendships, and a silent agreement to not look back. But they can’t run from the past forever. Eight years later, a beautiful young woman disappears without a trace, and the residents of Golden Cove wonder if their home shelters something far more dangerous than an unforgiving landscape. It’s not long before the dark past collides with the haunting present and deadly secrets come to light.
The third book in Sarah MacLean's witty and romantic Scandal & Scoundrel series featuring a ravishing heroine and the man, desperately in love, who now has to make amends. The one woman he will never forget… Malcolm Bevingstoke, Duke of Haven, has lived the last three years in self-imposed solitude, paying the price for a mistake he can never reverse and a love he lost forever. The dukedom does not wait, however, and Haven requires an heir, which means he must find himself a wife by summer’s end. There is only one problem—he already has one. The one man she will never forgive… After years in exile, Seraphina, Duchess of Haven, returns to London with a single goal—to reclaim the life she left and find happiness, unencumbered by the man who broke her heart. Haven offers her a deal; Sera can have her freedom, just as soon as she finds her replacement…which requires her to spend the summer in close quarters with the husband she does not want, but somehow cannot resist. A love that neither can deny… The duke has a single summer to woo his wife and convince her that, despite their broken past, he can give her forever, making every day the Day of the Duchess.
Developing a theoretical perspective on the phenomenon of fandom, this work examines the role of fandom in contemporary Western society. It focuses on issues such as social class, power, and gender as themes to build an understanding of theories of fandom.
Long before clinch covers and bodice rippers, romance novels had a bad reputation as the lowbrow lit of desperate housewives and hopeless spinsters. But why were these books-the escape and entertainment of choice for millions of women-singled out for scorn and shame? Dangerous Books for Girls examines the secret history of the genre's bad reputation-from the "damned mob of scribbling women" in the nineteenth century to the sexy mass-market paperbacks of the twentieth century-and shows how romance novels have inspired and empowered generations of women to dream big, refuse to settle, and believe they're worth it. For every woman who has ever hidden the cover of a romance-and every woman who has been curious about those "Fabio books"-Dangerous Books For Girls shows why there's no room for guilt when reading for pleasure.