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In 1969 Michael Lydon, a founding editor of Rolling Stone and a leading member of rock writing's first generation, got a dream assignment: to cover the Rolling Stones' hopscotch tour across America that ended at Altamont. His long, intimate piece on the tour, The Rolling Stones Discover America, captures the highs and lows of the grueling tour and has become a classic of rock 'n' roll journalism--one that the Maysles brothers studied to guide the editing of their film, Gimme Shelter.Nobody used the term "embedded reporter" in those days, but that's how Lydon lived on the tour, staying in the Stones' HQ house above LA's Sunset Strip and in suites at New York's Plaza Hotel, flying in private jets to Dallas, Chicago, Philadelphia, and Boston, gambling in Las Vegas, hanging out backstage at the LA Forum and Manhattan's Madison Square Garden, smoking pot with "The Boys" in late-night bull sessions, and night after night digging the overpowering, sensuous, and beautiful music. "This was the peak of my rock 'n' roll reporting career," Lydon has said. "I knew I was where every hippie in America wanted to be, and I jumped into the tour with my eyes and ears wide open, a big grin on my mug."The peaceful miracle of Woodstock's three day "Peace and Music" festival had just happened, and the 60s revolution in electric music, psychedelic drugs, long hair, and free love was spreading across the country. Millions of kids, scared of Vietnam and bored in school, were searching for new ideas and directions in the music of the Beatles, Dylan, and the Stones; the rock stars, kids themselves, were searching for ideas and directions from their peers. "Every Stones' concert on that tour became a mutual celebration of a new generation," Lydon remembers, "Mick and Keith feeding off the energy blossoming up from the darkness in the huge halls and arenas and hurling that energy back at the kids in savage, demonic music."The Stones' concert at the Altamont Raceway, planned as their free gift to San Francisco, turned to disaster, as a bad mix of youthful naiveté, vicious Hell's Angels, drugs, and the mind-bending pressure to top Woodstock engendered first fear and confusion and finally murder in front of the stage as the Stones played "Sympathy for the Devil."In The Rolling Stones Discover America, Lydon also describes his own nervousness living so close to stardom. "The Stones were good guys and hard-working musicians," he says, "but they were the sun kings of the tour universe. The rest of us were minor planets spinning about them in fixed and distant orbits. It's a miracle I managed to keep my feet on the ground, keep taking notes, and get the story down on paper--but I'm glad I did."Praise for Michael Lydon's writing:"It is with the greatest sensitivity and care that Lydon explores the connections between the scene, the men, and the music." Ben Gerson, Fusion."Far and away [Rock Folk is] the best book on pop music I've ever read." George Frazier, Boston Globe.Rock Folk is one of the best books on American music I've ever run across." Dennis McNally, Grateful Dead historian.
"One of the greatest rock books ever written." -- GQ Thirty years ago, the Rolling Stones swept America, taking Exile on Main Street to Main Streets across the nation. Everyone held their breath to see what would happen; the Stones' previous U.S. tour had been a chaotic circus culminating in the infamous death of a fan at Altamont. And this tour (the "Stones Touring Party") was rumored to be wilder than ever: bigger shows in major arenas, with a far larger entourage and even more drugs. Robert Greenfield went along for the ride, and came away with a riveting insider's account, called by Ian Rankin "one of the greatest rock books ever written." The reality lived up to the rumor: take one part Lee Radziwill, a dash of Truman Capote, set the scene at Hef's Playboy mansion, and toss in the county jail for good measure. That was the Stones Touring Party, the ultimate rock 'n' roll band at the height of its spectacular depravity.
The definitive illustrated collection of Beat culture from the people who made the scene--now in paperback It's been nearly fifty years since Jack Kerouac took to the road, but Beat culture continues to be a popular and influential force in today's writing, music, and art. With more than 75 contributors, this celebratory potpourri of words, illustrations, and photography contains original and previously published essays by Richard Miller, Ann Douglas, Johnny Depp, Michael McClure, Hettie Jones, Hunter S. Thompson, Joyce Johnson, Richard Hell, and others. It includes rare pieces from the Rolling Stone archives by William Burroughs, Lester Bangs, and Robert Palmer as well as intimate photographs by Robert Frank, Annie Leibovitz, and rarely seen photos taken by the Beats themselves. A rich tapestry of voices and a visual treat, this treasury of Beat lore and literature is a true collector's item whose entertainment value will go on...and on. "A huge dim sum cart of a book...a first-rate companion." --Publishers Weekly "Compelling reading." --The Denver Post
The first collection of academic essays focused entirely on the musical, historical, cultural and media impact of the Rolling Stones.
Discusses the evolution of rock music from its earliest origins to today's most influential musical styles and performers
Flashbacks is an eyewitness account of '60s rock as it was being made. Michael Lydon-the first editor of Rolling Stone and a participant in the rock revolution-enjoyed unique access to the people and events when rock was new. His profiles of the founding fathers and mothers of '60s rock are unique in that they are based on first-hand interviews and on-the-spot reporting. This collection includes the first piece written on the Monterey Pop Festival of 1967 (written only 48 hours after the festival, and never before published); an account of the Rolling Stones's U.S. tour of December 1969; Janis Joplin's dramatic rise and equally dramatic fall; The Grateful Dead at home in their communal house in San Francisco and on stage at Winterland; and much more.
The long-awaited autobiography of Keith Richards, guitarist, songwriter, singer, and founding member of the Rolling Stones. With The Rolling Stones, Keith Richards created the songs that roused the world, and he lived the original rock and roll life. Now, at last, the man himself tells his story of life in the crossfire hurricane. Listening obsessively to Chuck Berry and Muddy Waters records, learning guitar and forming a band with Mick Jagger and Brian Jones. The Rolling Stones's first fame and the notorious drug busts that led to his enduring image as an outlaw folk hero. Creating immortal riffs like the ones in "Jumping Jack Flash" and "Honky Tonk Women." His relationship with Anita Pallenberg and the death of Brian Jones. Tax exile in France, wildfire tours of the U.S., isolation and addiction. Falling in love with Patti Hansen. Estrangement from Jagger and subsequent reconciliation. Marriage, family, solo albums and Xpensive Winos, and the road that goes on forever. With his trademark disarming honesty, Keith Richard brings us the story of a life we have all longed to know more of, unfettered, fearless, and true.
Here's the inside story: the history of the Rolling Stones - according to the Rolling Stones. Mick Jagger, Keith Richards, Charlie Watts, and Ronnie Wood have come together for this remarkable project. They've also opened up their personal and band archives to include many rare and intimate images that are interwoven with the text. The book gets right to the heart of what makes the Stones the Stones, as musicians, songwriters, performers, and colleagues. They describe how their music has evolved and how it has affected and changed their lives. They also reveal, with refreshing frankness, how their own lives have helped, or hindered, their music-making. The Stones' own words - insightful, funny, poignant, surprising, and above all, completely authentic - are complemented by insider reflections from key players in their story over the years such as Ahmet Ertegun, David Bailey, and Cameron Crowe. A comprehensive reference section including discography, and chronology, studded with the Stones' personal comments on the music and memories, completes this must-read volume. Here, in their own words and images, is the life and work of a band which has played the soundtrack of our lives for the last forty years.
Details the history of the Beat movement, which began in the 1940s, and describes the lives of Jack Kerouac, Allen Ginsberg, and William Burroughs; along with other writers, artists, and events in a graphic novel format.