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Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement: “I shot him between the eyes.” As the tale—a plunge into the chilly waters of loneliness, desperation, and bitterness—proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. Stripped of any preciousness or sentimentality, Natalia Ginzburg's writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don't more wives kill their husbands?
A magnificently stark book—within the smallness of one poor, muddled, provincial life, Natalia Ginzburg finds enormous pain and loss An almost unbearably intimate novella, The Road to the City concentrates on a young woman barely awake to life, who fumbles through her days: she is fickle yet kind, greedy yet abashed, stupidly ambitious yet loving too—she is a mass of confusion. She’s in a bleak space, lit with the hard clarity of a Pasolini film. Her family is no help: her father is largely absent; her mother is miserable; her sister’s unhappily promiscuous; her brothers are in a separate masculine world. Only her cousin Nini seems to see her. She falls into disgrace and then “marries up,” but without any joy, blind to what was beautiful right before her own eyes. The Road to the City was Ginzburg’s very first work, originally published under a pseudonym. “I think it might be her best book,” her translator Gini Alhadeff remarked: “And apparently she thought so, too, at the end of her life, when assembling a complete anthology of her work for Mondadori.
Each of the two novellas is narrated by a young woman who is in some way betrayed by, or the betrayer of, romantic love.
From the introduction by Paul Lewis --
Each spring, formations of sandhill cranes crisscross the skies along Nebraska's Platte River in one of the last great migratory spectacles on the North American continent. From across the globe, tens of thousands of visitors gather to witness a land transformed, "wild with birds." But the central Platte River system is witness to even more than this wondrous annual event. It is also an abiding source of natural, agricultural, and economic life in three states as an icon of western history and as a place of wonder. In This River Beneath the Sky, Doreen Pfost seamlessly blends memoir and nature writing, tracking the Platte River valley for one calendar year, ushering readers through its diverse and changing landscape and the plants, animals, and humans that call the ecosystem home. From serving as a tour guide for visitors who come to see the sandhill crane migration to monitoring the population count on a bluebird trail, from exploring the human settlements surrounding the Platte River to wading the river with biologists, Pfost immerses herself in the rhythm and life of the area. Along with Pfost's personal experiences of the river, she explores the river's history, the land- and water-use choices that were made decades ago and their repercussions that must now be mitigated if cranes--and other species--are to survive and flourish, and the legislative and scientific efforts to preserve the diverse species and their essential habitat.
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies