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THE ROAD I CALL HOME is a significant book spotlighting the breathtaking photographic portraits of the homeless and their stories. Through the lens of multi award winning, prominent photographer, filmmaker and humanitarian, Randy Bacon, THE ROAD I CALL HOME beautifully presents over 200 pages of portraits and narratives from the exhibition, which has traveled to numerous museums, galleries and venues nationwide. THE ROAD I CALL HOME features simple, direct, emotive, casual studio portraits that emphasize the beauty, dignity and integrity of the homeless and is accompanied by heartfelt narratives, personally told by each person. The unforgettable photography and stories are rooted in compassion and belief that, as a community, we can approach homelessness by choosing to see the beauty of each person in front of us - rather than the issues that overwhelm us. Homelessness is an issue that can easily overwhelm us. You don't have to go far in everyday life to literally come face-to-face with homelessness. We see the stark reality as we drive through our communities, as we walk down our streets and within the media. We see the heartbreaking struggle of too many people that don't have a house, which stirs emotion in each of us. Homelessness is an issue of humanity - over 600,000 people are homeless in the United States, a staggering 150 million humans living homeless worldwide and almost 2 billion living with inadequate housing. THE ROAD I CALL HOME looks to build new awareness about our relationship to homelessness and to each other - to give a voice to the voiceless and begin conversations that will be catalysts for people to get involved. THE ROAD I CALL HOME challenges viewers to look at homelessness with eyes of love and compassion, not negative judgment - to inspire people to simply acknowledge those in need, trusting that we are the same and just wanting to love and be loved. When we take time to listen to another person's journey, we begin the process of turning a stranger into a friend and opening our hearts to another human being.
Winner! Western Writers of America 2020 Spur Award - Best Western Juvenile Fiction Category. In 1933, what's left of the Turner family--twelve-year-old Hallie and her two brothers--finds itself driving the back roads of rural America. The children have been swept up into a new migratory way of life. America is facing two devastating crises: the Great Depression and the Dust Bowl. Hundreds of thousands of people in cities across the country have lost jobs. In rural America it isn't any better as crops suffer from the never-ending drought. Driven by severe economic hardship, thousands of people take to the road to seek whatever work they can find, often splintering fragile families in the process. As the Turner children move from town to town, searching for work and trying to cobble together the basic necessities of life, they are met with suspicion and hostility. They are viewed as outsiders in their own country. Will they ever find a place to call home? New York Times-bestselling author Sandra Dallas gives middle-grade readers a timely story of young people searching for a home and a better way of life.
Faith holds up a photo of the boarded-up, vacant house: "It’s the first thing I see. And I just call it ‘the Homeless House’ ‘cause it’s the house that nobody fixes up." Faith is one of fourteen women living on Syracuse’s Southside, a predominantly African-American and low-income area, who took photographs of their environment and displayed their images to facilitate dialogues about how they viewed their community. A Place We Call Home chronicles this photography project and bears witness not only to the environmental injustice experienced by these women but also to the ways in which they maintain dignity and restore order in a community where they have traditionally had little control. To understand the present plight of these women, one must understand the historical and political context in which certain urban neighborhoods were formed: Black migration, urban renewal, white flight, capital expansion, and then bust. Ducre demonstrates how such political and economic forces created a landscape of abandoned housing within the Southside community. She spotlights the impact of this blight upon the female residents who survive in this crucible of neglect. A Place We Call Home is the first case study of the intersection of Black feminism and environmental justice, and it is also the first book-length presentation using Photovoice methodology, an innovative research and empowerment strategy that assesses community needs by utilizing photographic images taken by individuals. The individuals have historically lacked power and status in formal planning processes. Through a cogent combination of words and images, this book illuminates how these women manage their daily survival in degraded environments, the tools that they deploy to do so, and how they act as agents of change to transform their communities.
When her father kills himself after losing his money in the stock market crash of 1929, twelve-year-old Frances, now a penniless orphan decides to hop abroad a freight train and live the life of a hobo.
The shocking poignant story of eviction, expulsion, and the hard-scrabble fight for a home They are reviled. For centuries the Roma have wandered Europe; during the Holocaust half a million were killed. After World War II and during the Troubles, a wave of Irish Travellers moved to England to make a better, safer life. They found places to settle down – but then, as Occupy was taking over Wall Street and London, the vocal Dale Farm community in Essex was evicted from their land. Many did not leave quietly; they put up a legal and at times physical fight. Award-winning journalist Katharine Quarmby takes us into the heat of the battle, following the Sheridan, McCarthy, Burton and Townsley families before and after the eviction, from Dale Farm to Meriden and other trouble spots. Based on exclusive access over the course of seven years and rich historical research, No Place to Call Home is a stunning narrative of long-sought justice.
From the editor of A Country of Refuge comes an anthology of writing on one of the defining issues of our time; focusing on the fate of refugee children and young adults, it is aimed at children and adult readers alike. There are tales of home, and missing it; poems about the dangerous journeys undertaken and life in the refugee camps; stories about prejudice, but also stories of children’s fortitude, their dreams and aspirations. A Country to Call Home implores us to build bridges, not walls. It is intended as a reminder of our shared humanity, seeking to challenge the negative narratives that so often cloud our view of these vulnerable young people, and prevent us giving them the empathy they deserve. The book will include stories, flash fiction, poetry and original artwork from some of our finest children’s writers: Michael Morpurgo, David Almond, Chris Riddell, Moniza Alvi, Simon Armitage, Sita Brahmachari, Eoin Colfer, Kit de Waal, Peter Kalu, Judith Kerr, Patrice Lawrence, Anna Perera, the late Christine Pullein-Thompson, Bali Rai and S. F. Said.
Ellen thought she’d always live in the remote, pretty coastal village where she grew up. After all, her husband, Harry, works on a farm where he’s guaranteed a job and home for life. But when the old landowner dies and the couple and their young children are forced from their cottage, the future is suddenly bleak. Rather than stay – and starve – in the countryside they love, Harry sets out to find a job in the factories and mills of nearby Hull, and Ellen must leave behind everything she’s ever known to follow her husband and build a new life for her family on the unfamiliar city streets. The road ahead is full of hardships and challenges. But with love and determination, they make the best of things, forging friendships with other newcomers and refugees; even helping them to succeed in their new surroundings. Then tragedy threatens Ellen’s fragile happiness. How much more can she sacrifice before they find a place to call home? Val Wood's wonderful historical sagas are perfect for readers of Dilly Court, Maggie Hope and Rosie Goodwin.
“Rarely will a book touch your heart like A Place to Call Home. So sit back, put up your feet, and enjoy.”—The Atlanta Journal and Constitution Twenty years ago, Claire Maloney was the willful, pampered, tomboyish daughter of the town's most respected family, but that didn’t stop her from befriending Roan Sullivan, a fierce, motherless boy who lived in a rusted-out trailer amid junked cars. No one in Dunderry, Georgia—least of all Claire’s family--could understand the bond between these two mavericks. But Roan and Claire belonged together . . . until the dark afternoon when violence and terror overtook them, and Roan disappeared from Claire's life. Now, two decades later, Claire is adrift, and the Maloneys are still hoping the past can be buried under the rich Southern soil. But Roan Sullivan is about to walk back into their lives. . . . By turns tender and sexy and heartbreaking and exuberant, A Place to Call Home is an enthralling journey between two hearts—and a deliciously original novel from one of the most imaginative and appealing new voices in Southern fiction. Praise for A Place to Call Home “A beautiful, believable love story.”—Chicago Tribune “For sheer storytelling virtuosity, Ms. Smith has few equals.”—Richmond Times-Dispatch “Enchanting new novel . . . a beautiful love story of reunion.”—The News & Observer, Raleigh, NC “Stylishly written, filled with Southern ease and humor.”—Tampa Tribune
The Brutal Road West It’s late summer 1838. President Martin Van Buren issues an order that the fifteen thousand Cherokee Indians living in the Smoky Mountains of North Carolina are to be evicted from their homeland. Forced to migrate to Indian Territory, the Cherokees begin their tragic, one-thousand-mile journey westward. Most of the seven thousand soldiers escorting them along the way are brutally cruel. But Cherokee Rose, an eighteen-year-old Indian girl, finds one soldier, Lieutenant Britt Claiborne, willing to stand up for them. Both Christians, Cherokee Rose discovers that Britt is also a quarter Cherokee himself. It’s upon the Trail of Tears that they fall in love, dreaming of one day marrying and finding a place to call home together. They found each other in the midst of tragedy… But is their love enough to keep them together? Cherokee Rose has endured more than any eighteen-year-old girl should. Though accepted by her tribe, being both mixed blood and a Christian set her apart. Then fifteen thousand Cherokee Indians are evicted from their homes in the Smoky Mountains of North Carolina. Broken and angry, Cherokee Rose joins her people on the thousand-mile trek westward to Indian Territory. The journey holds many trials—not the least of which is the cruelty of the soldiers escorting them. But Cherokee Rose is determined: these men will not break her. Lieutenant Britt Claiborne is devoted to serving his country, but he detests the way his fellow soldiers treat the Indians. He not only refuses to join in, but does all he can to stop the abuse. To the soldiers, he is a traitor. To those he helps, a champion. But Britt knows he’s only doing what he must, not just because he’s a Christian, but for a reason he’s reluctant to reveal. Thrown together in the face of brutality, these two find themselves falling in love. They dream of marrying and finding a place to call home. But can their love survive the Trail of Tears? “Cherokee Rose is a good story and a great way to learn about a historical event we would rather sweep under the rug.” --Lauraine Snelling, bestselling author of Amethyst Story Behind the Book Long captivated with the study of American history, Al and JoAnna Lacy eagerly researched the time in the 1800s when the five “civilized tribes” were forced by the U.S. government to make a one-thousand-mile journey to Indian Territory (now the state of Oklahoma). The tribes were the Cherokee, the Chickasaw, the Choctaw, the Creek, and the Seminole. Repeatedly forced to surrender their lands, the people of the Cherokee Nation, as well as those of the other four tribes, were hoping to find in Indian Territory a place to call home .
A home of one’s own has always been a cornerstone of the American dream, fulfilling like nothing else the desire for comfort, financial security, independence, and with a little luck, even a touch of distinctive character, or even beauty. But what we have come to regard as almost a national birthright has recently begun to elude more and more prospective homebuyers. Where housing is concerned, affordable and well-crafted rarely exist together. Or do they? For years, founding editor-in-chief of Dwell magazine and noted architecture and design critic Karrie Jacobs had been confronting this question both professionally and personally. Finally, she decided to see for herself whether it was possible to build the home of her own dreams for a reasonable sum. The Perfect $100,000 House is the story of that quest, a search that takes her from a two-week crash course in housebuilding in Vermont to a road trip of some 14,000 miles. In the course of her journey Jacobs encounters a group of intrepid and visionary architects and builders working to revolutionize the way Americans thinks about homes, about construction techniques, and about the very idea of community. By her trip’s end Jacobs, has not only had a practical and sobering education in the economics, aesthetics, and politics of homebuilding, but has been spurred to challenge her own deeply held beliefs about what constitutes an ideal home. The Perfect $100,000 House is a compelling and inspiring demonstration that we can live in homes that are sensible, modest, and beautiful.