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Set in Jamaica and New York, this acclaimed first novel explores the ties that bind mother to child and weaves a mesmerizing tale of promises broken and dreams deferred.
Governor General’s Award–winning Métis poet and acclaimed novelist Katherena Vermette’s second collection, river woman, explores her relationship to nature — its destructive power and beauty, its timelessness, and its place in human history. Award-winning Métis poet and novelist Katherena Vermette’s second book of poetry, river woman, examines and celebrates love as decolonial action. Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless. Like the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves. Vermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words / transcend ceremony / into everyday” and “nothing / is inanimate.”
Lela Rhoades has a voice so sharp, so funny, warm, and honest, that the stories of her life and the traditions of her parents will barely sit still on the page. As told to Molly Curtis in the 1970's, this memoir takes us back into a world where men chased mother grizzlies out of their dens for their meat, where manzanita berries were ground up into sugar and houses built with the door right in the middle of the roof. It was an intricate, complex life that was unknown to the strangers that would take over the land. For all of her recollections, old recipes, and legends, this is also a story of transition for Lela Rhoades, her Achumawi people, and for Native California in general. Here, Rhoades walks the line between tradition and change, watching the land and hunting rights of her people vanish, telling creation stories that blend both Coyote and Jesus, and recounting her marriage to a white rancher. Come, sit down at the feet of Lela Rhoades, and listen to the strength and beauty of her world. "There was an aristocratic presence, an aristocratic aura about the heavy, elder lady, Lela Grant Rhoades, slowly rocking in her chair as she quietly embroidered a delicate pattern, silver needles flashing in the fading evening light, black-rimmed glasses resting on her nose a mysterious aristocratic something, like she knew many secrets or something more necessary than life. I thought of Grandmother Spider creating her web with great confidence." From the Foreword by Darryl Babe Wilson
After the ceasefire in 1988, the devastation to the landscape of Iraq wrought by the longest war of the twentieth century—the Iran-Iraq War—becomes visible. Eight years of fighting have turned nature upside down, with vast wastelands being left behind. In southeastern Iraq, along the shores of the Shatt al-Arab River, the groves of date palm trees have withered. No longer bearing fruit, their leaves have turned a bright yellow. There, Iraqi forces had blocked the entry points of the river’s tributaries and streams, preventing water from flowing to the trees and vegetation. Yet, surveying this destruction from the sky, a strip of land bursting with green can be seen. Beginning from the Shatt al-Arab River and reaching to the fringes of the western desert, several kilometers wide, it appears as a lush oasis of some kind. The secret of this fertility, sustaining villages and remaining soldiers, is unclear. But it is said that one old woman is responsible for this lifeline.
A NATIONAL BESTSELLER "A fiery tour de force... I could not put this book down. It truly was terrifying and unutterably beautiful." -Alison Borden, The Denver Post From the best-selling author of The Dog Stars, the story of two college students on a wilderness canoe trip--a gripping tale of a friendship tested by fire, white water, and violence Wynn and Jack have been best friends since freshman orientation, bonded by their shared love of mountains, books, and fishing. Wynn is a gentle giant, a Vermont kid never happier than when his feet are in the water. Jack is more rugged, raised on a ranch in Colorado where sleeping under the stars and cooking on a fire came as naturally to him as breathing. When they decide to canoe the Maskwa River in northern Canada, they anticipate long days of leisurely paddling and picking blueberries, and nights of stargazing and reading paperback Westerns. But a wildfire making its way across the forest adds unexpected urgency to the journey. When they hear a man and woman arguing on the fog-shrouded riverbank and decide to warn them about the fire, their search for the pair turns up nothing and no one. But: The next day a man appears on the river, paddling alone. Is this the man they heard? And, if he is, where is the woman? From this charged beginning, master storyteller Peter Heller unspools a headlong, heart-pounding story of desperate wilderness survival.
She was the inspiration for the heroine of the TV series All the Rivers Run. Now 90, Pearl lives near Adelaide.
Commenced in 1958 with 142 young women who were seniors at Mills College, the Mills Study has become the largest and longest longitudinal study of women’s adult development, with assessments of these women in their twenties, forties, fifties, sixties, and seventies. Women on the River of Life synthesizes five decades of research to paint a picture of women’s personality and development across the lifespan. The book explores questions of family, work, life-path, maturity, wisdom, creativity, attachment, and purpose in life, unfolding in the context of a rapidly changing historical period with far-reaching consequences for the kinds of lives women would envision for themselves. Helson and Mitchell breathe life into abstract theories and concepts with the real-life stories and voices of the study’s participants. Woven throughout the book are the authors’ reminiscences on the profound endeavor of sustaining a longitudinal study of women’s lives through time.
Stifled by a soul-crushing job, devastated by the death of her beloved brother, and lonely after the end of a fifteen-year marriage, Wini is feeling vulnerable. So when her three best friends insist on a high-octane getaway for their annual girls' trip, she signs on, despite her misgivings. A freak accident leaves the women stranded, separating them from their raft and everything they need to survive. When night descends, a fire on the mountainside lures them to a ramshackle camp that appears to be their lifeline. But as Wini and her friends grasp the true intent of their supposed saviors, long buried secrets emerge and lifelong allegiances are put to the test.
'A fascinating story told by a very promising writer.' Sir Michael Parkinson Into the troubled world of John Morgan and his unstable son David, steps Nicola, a young woman who David finds on the farm during a blizzard. Desperate, and half-frozen to death, Nicola is taken in and nursed slowly back to health by Morgan. As she recovers, Nicola slowly ingratiates herself into the lives of both men, and seems set to be the conduit through which their differences can finally be reconciled. But nothing in The River Woman is as it seems. Who is Nicola and why does she keep her past such a secret? Why is she so curious about John and David Morgan, and is there a connection between her presence on the farm and May Morgan's untimely death?
Born in Minnesota in 1890 and raised and educated in Massachusetts, Marjory Stoneman Douglas came to Florida in 1915 to work for her father, who had just started a newspaper called the Herald in a small town called Miami. In this "frontier" town, she recovered from a misjudged marriage, learned to write journalism and fiction and drama, took on the fight for feminism and racial justice and conservation long before those causes became popular, and embarked on a long and uncommonly successful voyage into self-understanding. Way before women did this sort of thing, she recognized her own need for solitude and independence, and built her own little house away from town in an area called Coconut Grove. She still lives there, as she has for over 40 years, with her books and cats and causes, emerging frequently to speak, still a powerful force in ecopolitics. Marjory Stoneman Douglas begins this story of her life by admitting that "the hardest thing is to tell the truth about oneself" and ends it stating her belief that "life should be lived so vividly and so intensely that thoughts of another life, or a longer life, are not necessary." The voice that emerges in between is a voice from the past and a voice from the future, a voice of conviction and common sense with a sense of humor, a voice so many audiences have heard over the years—tough words in a genteel accent emerging from a tiny woman in a floppy hat—which has truly become the voice of the river.