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A major literary figure and frequent contributor to the Yiddish-language newspaper Forverts from the 1920s to the mid-1930s, Jonah Rosenfeld was recognized during and after his lifetime as an explorer of human psychology. His work foregrounds loneliness, social anxiety, and people’s frustrated longing for meaningful relationships—themes just as relevant to today’s Western society as they were during his era. The Rivals and Other Stories introduces nineteen of Rosenfeld’s short stories to an English-reading audience for the first time. Unlike much of Yiddish literature that offers a sentimentalized view of the tight knit communities of early twentieth-century Jewish life, Rosenfeld’s stories portray an entirely different view of pre-war Jewish families. His stories are urban, domestic dramas that probe the often painful disjunctions between men and women, parents and children, rich and poor, Jews and Gentiles, self and society. They explore eroticism and family dysfunction in narratives that were often shocking to readers at the time they were published. Following the Modernist tradition, Rosenfeld rejected many established norms, such as religion and the assumption of absolute truth. Rather, his work is rooted in psychological realism, portraying the inner lives of alienated individuals who struggle to construct a world in which they can live. These deeply moving, empathetic stories provide a counterbalance to the prevailing idealized portrait of shtetl life and enrich our understanding of Yiddish literature.
When the young narrator of Miriam Karpilove’s A Provincial Newspaper leaves New York to work for a new Yiddish newspaper in Massachusetts, she expects to be treated with respect as a professional writer. Instead, she finds herself underpaid and overworked. In this slapstick novella, Karpilove’s narrator lampoons the gaggle of blundering publishers and editors who put her through the ringer and spit her back out again. Along with A Provincial Newspaper, this captivating collection includes nineteen stories originally published in Forverts in the 1930s, during Karpilove’s time as a staff writer at that newspaper. In the stories, we find a large cast of characters—an older woman navigating widowhood, a writer rebuffed by dismissive audiences, American-born Jewish girls unable to communicate with Yiddish-speaking immigrants, and a painter so overcome with jealousy about his muse’s potential lover that he misses his opportunity with her—each portrayed with both sympathy and irony, in ways unexpected and delightful. Also included are Karpilove’s recollections of her arrival in Palestine in 1926, chronicled with the same buoyant cynicism and witty repartee that is beloved by readers of her fiction.
Boycotted, and Other Stories by Talbot Baines Reed: A collection of short stories set in Victorian-era England, this book explores themes of social injustice, class conflict, and the power of the human spirit. From the story of a factory worker fighting for justice to the tale of a young boy standing up to a bully, these stories are both thought-provoking and entertaining. Key Aspects of the Book "Boycotted, and Other Stories": Social Justice: The book examines issues of inequality, discrimination, and the fight for social justice in Victorian England. Diverse Characters: The stories feature characters from all walks of life, from factory workers to wealthy aristocrats, providing a broad perspective on Victorian society. Inspiration and Resilience: The book celebrates the power of the human spirit, showing how ordinary people can overcome adversity and make a difference in the world. Talbot Baines Reed was an English author and journalist known for his popular novels and short stories. Born in London in 1852, he worked as a journalist before pursuing a career in writing. His books, including Boycotted, and Other Stories, were bestsellers in their time and remain popular classics of Victorian literature.
On a Saturday afternoon in late October Edward Coe, a satisfactory average successful man of thirty-five, was walking slowly along the King's Road, Brighton. A native and inhabitant of the Five Towns in the Midlands, he had the brusque and energetic mien of the Midlands. It could be seen that he was a stranger to the south; and, in fact, he was now viewing for the first time the vast and glittering spectacle of the southern pleasure city in the unique glory of her autumn season. A spectacle to enliven any man by its mere splendour! And yet Edward Coe was gloomy. One reason for his gloom was that he had just left a bicycle, with a deflated back tyre, to be repaired at a shop in Preston Street. Not perhaps an adequate reason for gloom!... Well, that depends. He had been informed by the blue-clad repairer, after due inspection, that the trouble was not a common puncture, but a malady of the valve mysterious. And the deflation was not the sole cause of his gloom. There was another. He was on his honeymoon. Understand me—not a honeymoon of romance, but a real honeymoon. Who that has ever been on a real honeymoon can look back upon the adventure and faithfully say that it was an unmixed ecstasy of joy? A honeymoon is in its nature and consequences so solemn, so dangerous, and so pitted with startling surprises, that the most irresponsible bridegroom, the most light-hearted, the least in love, must have moments of grave anxiety. And Edward Coe was far from irresponsible. Nor was he only a little in love. Moreover, the circumstances of his marriage were peculiar, and he had married a dark, brooding, passionate girl.
This book is a collection of short stories. This volume is divided into five parts: Part 1: TRUE contains: Her Eyes were Gray - The De Vines - Twilight - A Vision - Birthday Tokens - A New Lesson in Botany - The Races, and the Motto - Adela's Legend - Lance and Sylvester - The Likeness - Lance Returns - Sylv's Trouble - Lance and Adela - Dennie's Trouble - Elbow-crook Swamp - "I Live, How Long I Trow Not" Part 2: MAJOR BARRINGTON'S MARRIAGE. Part 3: "BAD PEPPERS." Part 4: THREE BRIDGES contains "The Importance of a Hat" - "Father, Daughter, And—Who Else?" - "Listening" - "The Third Bridge" Part 5: IN EACH OTHER'S SHOES.
A boy who feels persecuted by the banality of everyday life yearns to ascend to the cold and majestic plane of the stars. A seamstress finds liberation of a sort in “becoming” a dog and howling at the moon. A club of young girls masquerade as the grieving fiancées of strange men. This book brings together these and other remarkable short stories by the Russian Symbolist Fyodor Sologub that explore the lengths to which people will go to transcend the mundane. Renowned as one of late imperial Russia’s finest stylists, Sologub bridges the great nineteenth-century novel and the fin-de-siècle avant-garde. He stands out for his masterful command of both realist and fantastic storytelling; his play with language evinces a belief in its capacity to access other worlds and other levels of meaning. Many of Sologub’s stories are set among children whose alienation from the adult world has lent them imagination and curiosity, enabling them to create an alternative reality. At the same time, he bluntly examines the sordid realities of late imperial Russian society and frankly presents sometimes unconventional sexuality. The book also features a selection of Sologub’s “little fairy tales,” ambiguous parables couched in childlike language whose ingenuity anticipates the miniatures and “incidents” of Daniil Kharms. Susanne Fusso’s elegant translation offers these artful tales to an English-speaking audience.
Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.
Hope is a widespread, if not a universal, human experience. For centuries, followers of Jesus of Nazareth have ordered their lives around a central hope. How is their experience similar to or different from others who live by hope? This book seeks an answer in the idea that living by hope involves living within a peculiar story of the world--an incomplete story. The stories that shape these hopes are threatened by evil, however it may be defined. The hopeful struggle as characters caught up in plots that move toward resolution. They exercise an as-yet unverified hope that evil will not prevail. In this regard, the hope of Christians is similar to others. Yet, it is different because they wait for the God of Jesus to transform the world to match the promise he made to Abraham. To arrive at this conclusion, this book takes a detour through four model life-organizing stories. Christians and participants in other stories-of-the-world may not agree on the ultimate ground for hope. However, taking a detour into the hopeful experience of another may help uncover a place where rivals can stand together long enough to talk.