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The Revenger's Tragedy is one of the most vital, important, and enduring tragedies of the Jacobean era, one of the few non-Shakespearean plays of that period that is still regularly revived on stage and taught in classrooms. The play is notable for its piercing insight into human depravity, its savage humour, and its florid theatricality. This collection of new essays offers students an invaluable overview of the play's critical and performance history as well as four critical essays offering a range of new perspectives.
The Revenger's Tragedy (1606), now widely attributed to Thomas Middleton, is a play that provides a dark, satirical response to other revenge tragedies such as Hamlet. With its over-the-top and highly theatrical approach to revenge, The Revenger's Tragedy has emerged as one of the most compelling examples of a drama by one of Shakespeare's contemporaries. This collection of ten newly-commissioned essays situates the play with respect to other Middleton and Shakespeare works as well as repertory, showcasing recent research about the play's engagement with issues such as religion, genre, race, language and performance.
The Revenger's Tragedy is one of the most vital, important, and enduring tragedies of the Jacobean era, one of the few non-Shakespearean plays of that period that is still regularly revived on stage and taught in classrooms. The play is notable for its piercing insight into human depravity, its savage humour, and its florid theatricality. This collection of new essays offers students an invaluable overview of the play's critical and performance history as well as four critical essays offering a range of new perspectives.
The Oxford Handbook of Shakespeare and Embodiment brings together 42 of the most important scholars writing on the subject today. They explore representations of gender in the context of race, ethnicity, sexuality, disability, and religion, and consider Shakespeare's life, contemporary editing practices, and the performance of his plays.
As the Elizabethan era gave way to the reign of James I, England grappled with corruption within the royal court and widespread religious anxiety. Dramatists responded with morally complex plays of dark wit and violent spectacle, exploring the nature of death, the abuse of power and vigilante justice. In Kyd's The Spanish Tragedy a father failed by the Spanish court seeks his own bloody retribution for his son's murder. Shakespeare's 1603 version of Hamlet creates an avenging Prince of unique psychological depth, while Chettle's The Tragedy of Hoffman is a fascinating reworking of Hamlet's themes, probably for a rival theatre company. In Marston's Antonio's Revenge, thwarted love leads inexorably to gory reprisals and in Middleton's The Revenger's Tragedy, malcontent Vindice unleashes an escalating orgy of mayhem on a debauched Duke for his bride's murder, in a ferocious satire reflecting the mounting disillusionment of the age. Emma Smith's introduction considers the political and religious climate behind the plays and the dramatic conventions within them. This edition includes a chronology, playwrights' biographies and suggestions for further reading.
"An intense and horrible view of life."--T. S. Eliot "This drama must now be acknowledged, for dramtic power, for coherence of structure, for astonishing compression and consistency of language, and for superb unity of tone, surpassed in the whole Elizabethan repertory by only the few greatest plays."--Lawrence J. Ross In the family of passions none is more patient than hate. This masterpiece of the Elizabethan stage, first published in 1607, is a study of debauchery, deep offense, and the high cost of revenge. It is often compared to Hamlet for its relentless tension and its lecherous royalty. Its protagonist, Vindice, is one of the most memorable characters in all of Renaissance theater, a murderer who will not let a single enemy remain alive.
This volume offers an accessible and thought-provoking guide to this major Renaissance tragedy, surveying its key themes and evolving critical responses over the course of nearly four centuries. Providing a uniquely detailed and up-to-date account of the play's rich stage history, it demonstrates how useful Performance Studies is to our understanding of early modern drama, and looks closely at major recent productions on both sides of the Atlantic, notably the 2014 production of the 'Jacobean' indoor space, the Sam Wanamaker Playhouse in London. In a series of critical essays, the guide offers fresh perspectives on the characters' mechanical psychology, the influence of Spanish Golden Age literature on Middelton and Rowley, and how the play has been treated on the modern stage and screen. Featuring a guide to digital resources and an annotated bibliography, this collection is a definitive guide to The Changeling.
The Revenger's Tragedy (1606), now widely attributed to Thomas Middleton, is a play that provides a dark, satirical response to other revenge tragedies such as Hamlet. With its over-the-top and highly theatrical approach to revenge, The Revenger's Tragedy has emerged as one of the most compelling examples of a drama by one of Shakespeare's contemporaries. This collection of ten newly-commissioned essays situates the play with respect to other Middleton and Shakespeare works as well as repertory, showcasing recent research about the play's engagement with issues such as religion, genre, race, language and performance.
The White Devil is one of the most violent and most fascinating plays in English theatrical history. It is also a notoriously challenging work; this volume offers a practical, accessible and thought-provoking guide to the play, surveying its major themes and critical reception. It also provides a detailed and up-to-date history of the play's performance, beginning with its first staging in 1611 staging and ending with the RSC's 2014 revival. Moving through to four new critical essays, it opens up cutting-edge perspectives on the work, and finishes with a practical guide to pedagogical approaches and resources. Detailing web-based and production-related resources, and including an annotated bibliography of critical works, the guide will equip teachers and facilitate students' understanding of this complex play.