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After leaving Gotham City at the end of 'KnightQuest,' Alfred travels to London. But when a young man who may be his son comes under fire, Alfred calls on Nightwing to mount a rescue mission.
Following Alfred's tragic death in "City of Bane," this collection gathers the greatest stories in the character's 75-year history, including his debut appearance in 1943's Batman #16, the mystery of "The Man Who Killed Mlle. Marie," and the touching "Father's Day." Collects stories from Batman #16 and #31; Detective Comics #83, #356, #501, #502, #806, and #807; Untold Legends of the Batman #2; Batman Annual #13; Batman: Shadow of the Bat #31; Batman: Gotham Adventures #16; Batman Eternal #31; and Batman Annual (2016) #1 and #3.
Alfred Pennyworth served the Wayne family for decades-even through the tragic loss of Bruce Wayne’s parents. His death at the hands of Bane is the only event that could possibly compare to that fateful night in Crime Alley, and it leaves Bruce at a similar crossroads. If Alfred was the glue that held the Bat-Family together, how will Batman deal with that all falling apart? And if the Caped Crusader is to be truly alone, he might either hang that cape up once and for all…or double down and carry on with this vengeful quest forever. Batman: Pennyworth R.I.P. #1 celebrates the life of one of the most important people in the history of Gotham City, while also addressing questions about what’s next.
“Inside Story of the Outsider!” The Outsider is revealed as Alfred; Alfred is “resurrected.”
The song remains anything but the same as the house lights start to come up on DC’s biggest, baddest battle for control of the Multiverse! The Darkest Knight is on the verge of ending this concert once and for all, but Wonder Woman has more than just a greatest hit planned. The Amazonian warrior stands ready to shred the Darkest Knight, solo! Plus, this extra-sized finale issue includes not one but two mind-blowing epilogues that lead directly into the next phase of the DC Universe-and no fan will want to miss that!
Would you wait for the love of your life to come back, or would you move on?
For 57 years, Alfred told his family he had been a barber, chauffeur, and translator in World War II. Following the death of his wife, he shared glimpses into his actual wartime experiences as a reluctant front-line machine gunner in Europe, 1944-45 with his daughter during her weekly nursing home visits.
Trick or treat? With nods to Tim Burton, Edward Gorey, and Neil Gaiman, this humorous picture book about a Victorian boy obsessed with monsters presents a dark and appealing world, created by debut author/illustrator Sam Streed. In the graveyard, between stone monuments for forgotten souls, lurks the Black Shuck. . . . Its one blood-red eye burns with an undying rage. After reading about the slimy Nixie, the angry Black Shuck, and the creepy Lantern Man in his beloved Book of Monsters, Alfred decides to invite the monsters to teatime with his crusty old aunty, who thinks monsters are an improper obsession for a respectable young boy.
This book draws on the work of anthropologist Alfred Gell to reinstate the importance of the object in art and society. Rather than presenting art as a passive recipient of the artist's intention and the audience's critique, the authors consider it in the social environment of its production and reception. A Return to the Object introduces the historical and theoretical framework out of which an anthropology of art has emerged, and examines the conditions under which it has renewed interest. It also explores what art 'does' as a social and cultural phenomenon, and how it can impact alternative ways of organising and managing knowledge. Making use of ethnography, museological practice, the intellectual history of the arts and sciences, material culture studies and intangible heritage, the authors present a case for the re-orientation of current conversations surrounding the anthropology of art and social theory. This text will be of key interest to students and scholars in the social and historical sciences, arts and humanities, and cognitive sciences.
The Joker’s army is growing hour by hour, with weapons beyond anything the Clown Prince of Crime has ever used before. Batman must hold his mind together so he can strike the final blow and take back his city-but how can he heal the rifts he’s created in his life to get the help he needs? And while all this is happening, the villains of Gotham City are waiting out the carnage Joker has unleashed-and Catwoman assembles an army of her own!