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The Description for this book, Defoe and Spiritual Autobiography, will be forthcoming.
Explores a major eighteenth-century narrative and the power of the Crusoe figure beyond the pages of the original book.
Unveiling the fantasies that drove the Enlightenment and created modern literature Nathan Gorelick’s The Unwritten Enlightenment: Literature between Ideology and the Unconscious traces the relations between literary criticism and psychoanalysis to their shared origins in the Enlightenment era’s novels and novelistic discourse, where the period’s efforts to invent new notions of subjectivity and individualism are most apparent. Gorelick shows how modern concepts of literature and the unconscious were generated in response to these efforts and by an ethical concern for what the language of the Enlightenment excludes, represses, or struggles to erase. Troubling the idea of the Enlightenment on its own terms, subverting its supposed authority from within, Gorelick thus reveals the workings of unconscious fantasy at the foundations of our contemporary political realities. The Unwritten Enlightenment makes clear that to criticize the Enlightenment’s deficiencies, ambiguities, and legacies of violence without regard for the unconscious fantasies that drive them risks reproducing the very patterns of thought, action, and imagination that the Enlightenment novel already unsettles.
This comparative study of Defoe’s and Swift’s treatments of liberty embraces what seemed the most significant parts of their vast, multifaceted oeuvres, both non-fictional and fictional. Defoe’s and Swift’s positions with regard to the English constitution and liberties are assessed here through a close examination of their views on contemporary religious and political issues. Moreover, their involvement in the debates on the liberties and constitutions of Scotland and Ireland, respectively, could not be left out of this comparative approach to their treatments of liberty in the broader sense. Also of primary concern is the liberty of expression and of the press underlined (though ambiguously) by both authors as an essential precondition for any debate, political or otherwise. The antithetic relationship between “snare” and “liberty” is examined in the context of the analogy between the political constitution (the body politic) and the human constitution (the natural body) commonly drawn in early 18th century political writings, including Defoe’s and Swift’s. This analogy provides appropriate means of identifying important links within, as well as between, the two authors’ works, since both focused on “snares” in the political and human constitutions. The part of the study devoted to the “snare” in human nature mainly considers the fictional works. Much attention has been given in this regard to the contrasting ways in which both authors have dealt with those “snares” and the interaction between the human and the political constitutions.
This new study examines the role of the passions in the rise of the English novel. Geoffrey Sill examines medical, religious, and literary efforts to anatomize the passions, paying particular attention to the works of Dr Alexander Monro of Edinburgh, Reverend John Lewis of Margate, and Daniel Defoe, novelist and natural historian of the passions. He shows that the figure of the 'physician of the mind' figures prominently not only in Defoe's novels, but also in those of Fielding, Richardson, Smollett, Burney, and Edgeworth.