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Jason Jarrard Stowe, a thirty-year-old Type-A personality, was happy with his life. He had a great relationship with his family, was successfully climbing the corporate ladder of an international company, worked with his best friend Charley, was engaged to a beautiful lady, and anticipated a fantastic future. That is, until at work one day, Charley brought to his attention a website that would shake his secure world. To convince Charley to stay off the Internet and protect his job, Jason made decisions that would affect their friendship, his family, a challenging career, future marriage and his sanity. When Yardley Esther White, a dedicated lawyer, uses all her capabilities to fulfill a commitment that involved Jason, his integrity, good manners, and emotions are tested. His reactions are totally out of character. Jasons determination to find answers to two strange questions leads him on an intense journey that threatens his ability to trust anyone nowor ever. During his most intense moments, he is shown unconditional love and amazing patience. He also learns about faith that even death cannot defy, and experiences forgiveness. But can he forgive? Is it possible to undo all the hurt and hate caused by someone he loves?
Clarke, the Earl of Garrison, has returned from war with a dark secret. He holds himself responsible for the death of the younger brother of the woman he loves. Will Adeline be able to unearth the truth as romance and intrigue deepens? Is she strong enough to help Clarke come to grips with the emotional damage and nightmares which plague him?
Since its purchase in 1604 by Thomas Sackville, first Earl of Dorset, the house at Knole, Kent, has been inhabited by thirteen generations of a single aristocratic family, the Sackvilles. Here, drawing on a wealth of unpublished letters, archives, and images, the current incumbent of the seat, Robert Sackville-West, paints a vivid and intimate portrait of the vast, labyrinthine house and the close relationships his colorful ancestors formed within it. Inheritance is the story of a house and its inhabitants, a family described by Vita Sackville-West as "a race too prodigal, too amorous, too weak, too indolent, and too melancholy; a rotten lot, and nearly all starkstaring mad." Where some reveled in the hedonism of aristocratic life, others rebelled against a house that, in time, would disinherit them, shutting its doors to them forever. It's a drama in which the house itself is a principal character, its fortunes often mirroring those of the family. Every detail holds a story: the portraits, and all the items the subjects of those portraits left behind, point to pivotal moments in history; all the rooms, and the objects that fill them, are freighted with an emotional significance that has been handed down from generation to generation. Now owned by the National Trust, Knole is today one of the largest houses in England, visited by thousands annually and housing one of the country's finest collections of secondhand Royal furniture. It's a pleasure to follow Robert Sackville-West as he unravels the private life of a public place on a fascinating, masterful, four-hundred-year tour through the memories and memorabilia, political, financial, and domestic, of his extraordinary family.
This study examines the nihilistic basis of Bernhard's writing, and traces developments in the author's nihilistic stance throughout his career. In the first period of his prose fiction (1963-1975), nihilism is reluctantly accepted by Bernhard's fictional characters as a necessary response to a world perceived as meaningless. Various possible sources of transcendence are explored, and rejected. The autobiographical texts (1975-1982) then represent a sustained attempt by the author himself to transcend his own essentially nihilistic state. The apparent success of this attempt is quickly revealed to be illusory in the prose fiction of the second period (1978-1986), and it becomes apparent that nihilism is a no less necessary response to Austrian social reality than to the (more purely) personal problems which first motivated Bernhard's writing.
Explores how an infamous murder case led to the birth of modern toxicology.
In the heart of an ancient, mystical forest, Elara embarks on a journey that will transform her life forever. As the newly appointed guardian of the forest, she must navigate its mysterious paths. These face trials test her strength and resolve and uncover the deep secrets hidden within the land. Guided by the whispers of the trees and the steady glow of her lantern, Elara learns to harness the forest's powerful magic and embrace her role as its protector. But as darkness looms and challenges grow ever more daunting, Elara must confront her deepest fears and prove that she is worthy of the mantle she has taken on. This is a tale of courage, self-discovery, and the unbreakable bond between a guardian and the land she is sworn to protect.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE BOSTON GLOBE This richly entertaining biography chronicles the eventful life of Queen Victoria’s firstborn son, the quintessential black sheep of Buckingham Palace, who matured into as wise and effective a monarch as Britain has ever seen. Granted unprecedented access to the royal archives, noted scholar Jane Ridley draws on numerous primary sources to paint a vivid portrait of the man and the age to which he gave his name. Born Prince Albert Edward, and known to familiars as “Bertie,” the future King Edward VII had a well-earned reputation for debauchery. A notorious gambler, glutton, and womanizer, he preferred the company of wastrels and courtesans to the dreary life of the Victorian court. His own mother considered him a lazy halfwit, temperamentally unfit to succeed her. When he ascended to the throne in 1901, at age fifty-nine, expectations were low. Yet by the time he died nine years later, he had proven himself a deft diplomat, hardworking head of state, and the architect of Britain’s modern constitutional monarchy. Jane Ridley’s colorful biography rescues the man once derided as “Edward the Caresser” from the clutches of his historical detractors. Excerpts from letters and diaries shed new light on Bertie’s long power struggle with Queen Victoria, illuminating one of the most emotionally fraught mother-son relationships in history. Considerable attention is paid to King Edward’s campaign of personal diplomacy abroad and his valiant efforts to reform the political system at home. Separating truth from legend, Ridley also explores Bertie’s relationships with the women in his life. Their ranks comprised his wife, the stunning Danish princess Alexandra, along with some of the great beauties of the era: the actress Lillie Langtry, longtime “royal mistress” Alice Keppel (the great-grandmother of Camilla Parker Bowles), and Lady Randolph Churchill, mother of Winston. Edward VII waited nearly six decades for his chance to rule, then did so with considerable panache and aplomb. A magnificent life of an unexpectedly impressive king, The Heir Apparent documents the remarkable transformation of a man—and a monarchy—at the dawn of a new century. Praise for The Heir Apparent “If [The Heir Apparent] isn’t the definitive life story of this fascinating figure of British history, then nothing ever will be.”—The Christian Science Monitor “The Heir Apparent is smart, it’s fascinating, it’s sometimes funny, it’s well-documented and it reads like a novel, with Bertie so vivid he nearly leaps from the page, cigars and all.”—Minneapolis Star Tribune “I closed The Heir Apparent with admiration and a kind of wry exhilaration.”—The Wall Street Journal “Ridley is a serious scholar and historian, who keeps Bertie’s flaws and virtues in a fine balance.”—The Boston Globe “Brilliantly entertaining . . . a landmark royal biography.”—The Sunday Telegraph “Superb.”—The New York Times Book Review
Ten contributions from academics in a variety of disciplines consider the social phenomenon of "passing." The focus is on the construction of identity and its relationship to visibility. Topics include, for example, Jews passing as Christians and the politics of race; "slumming" and class analysis; and 20th century male impersonators and women's suffrage. The volume is not indexed. c. Book News Inc.