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In her re-examination of Jane Austen's Anglicanism, Laura Mooneyham White suggests that engaging with Austen's world in all its strangeness and remoteness reveals the novelist's intensely different presumptions about the cosmos and human nature. While Austen's readers often project postmodern and secular perspectives onto an Austen who reflects their own times and values, White argues that viewing Austen's Anglicanism through the lens of primary sources of the period, including the complex history of the Georgian church to which Austen was intimately connected all her life, provides a context for understanding the central conflict between Austen's malicious wit and her family's testimony to her Christian piety and kindness. White draws connections between Austen's experiences with the clergy, liturgy, doctrine, and religious readings and their fictional parallels in the novels; shows how orthodox Anglican concepts such as natural law and the Great Chain of Being resonate in Austen's work; and explores Austen's awareness of the moral problems of authorship relative to God as Creator. She concludes by surveying the ontological and moral gulf between the worldview of Emma and Oscar Wilde's The Importance of Being Earnest, arguing that the evangelical earnestness of Austen's day had become a figure of mockery by the late nineteenth century.
A comprehensive guide to Austen's works in the contexts of her contemporary world and present-day criticism.
Jane Austen was the daughter of a clergyman, the sister of two others and the cousin of four more. Her principal acquaintances were clergymen and their families, whose social, intellectual and religious attitudes she shared. Yet while clergymen feature in all her novels, often in major roles, there has been little recognition of their significance. To many readers their status and profession is a mystery, as they appear simply to be a sub-species of gentlemen and never seem to perform any duties. Mr Collins in Pride and prejudice is often regarded as little more than a figure of fun. Astonishingly, Jane Austen and the Clergy is the first book to demonstrate the importance of Jane Austen's clerical background and to explain the clergy in her novels, whether Mr Tilney in Northanger Abbey, Mr Elton in Emma, or a less prominent character such as Dr Grant in Mansfield Park. In this exceptionally well-written and enjoyable book, Irene Collins draws on a wide knowledge of the literature and history of the period to describe who the clergy were, both in the novels and in life: how they were educated and appointed the houses they lived in and the gardens they designed and cultivated; the women they married; their professional and social context; their income, their duties, their moral outlook and their beliefs. Jane Austen and the Clergy uses the facts of Jane Austen's life and the evidence contained in her letters and novels to give a vivid and convincing portrait of the contemporary clergy.
A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.
This book develops a theory of imagining biblically that explores the contributions scripture can make to a new way of thinking about creativity, reading, interpretation, and criticism. The methodology employed in order to demonstrate this thesis consists of a theoretical exploration of current theological understandings of the imagination and their implications within the fields of literary studies. The biblical texts locates the function generally defined as imagination in the heart (the eyes of your heart, Ephesians 1:18). This book assesses what the biblical text as a literary and religious document contributes to the concept of imagination. Due to the eclectic nature of the individual books that comprise the scriptural canon, the text is considered primarily in terms of its overarching metanarrative, language, genres, and theological propositions. Tracing the various trajectories the biblical text opens up and the ways in which they intersect with and modify post-Romantic assumptions about the imagination reconfigures traditional definitions of this concept. A Calvinistic, evangelical hermeneutic is deployed to establish a theoretical concept of what it means to imagine biblically. This is further substantiated by a comparative study of authors ranging from the seventeenth to the twentieth centuries (John Bunyan, Samuel Rutherford, Jane Austen, Charlotte Bronte, and C. S. Lewis). Each author's chapter incorporates a close reading of a key text which concretely examines various trajectories of imagining biblically, including creativity, faith, morals, narrative, Romanticism, and eschatology. The conclusion returns to the biblical text and draws these elements together, with a definition of the concept of imagining biblically and its implications for literary studies.
In this profoundly original and far-reaching study, Robert M. Polhemus shows how novels have helped to make erotic love a matter of faith in modern life. Erotic faith, Polhemus argues, is an emotional conviction—ultimately religious in nature—that meaning, value, hope, and even the possibility of transcendence can be found in love. Drawing on a wide range of disciplines, Polhemus shows the reciprocity of love as subject, the novel as form, and faith as motive in important works by Jane Austen, Walter Scott, the Brontës, Dickens, George Eliot, Trollope, Thomas Hardy, Joyce, D. H. Lawrence, Virginia Woolf, and Samuel Beckett. Throughout, Polhemus relates the novelists' representation of love to that of such artists as Botticelli, Vermeer, Claude Lorrain, Redon, and Klimt. Juxtaposing their paintings with nineteenth- and twentieth-century texts both reveals the ways in which novels develop and individualize common erotic and religious themes and illustrates how the novel has influenced our perception of all art.
Levinas and Nineteenth-Century Literature presents nine essays that reread major British, American, and European nineteenth-century literary texts in light of the post-deconstruction ethical philosophy of Emmanuel Levinas. The first section pursues in essays on Wordsworth, Coleridge, De Quincey, and Baudelaire connections between Levinas's radical rethinking of subjectivity and Romantic generic, aesthetic, and conceptual innovation. The second section explores how Levinas's analysis of totalizing thought may illuminate how Poe, Emerson, Hawthorne, Douglass, Susan Warner, and Melville grapple with American experience and culture. The third section considers the relevance of Levinas's work for reassessments of the realist novel through essays on Austen, Dickens, and George Eliot. Essay authors are A.C. Goodson, David P. Haney, E.S. Burt, Alain Paul Toumayan, N.S. Boone, Lorna Wood, Donald R. Wehrs, Melvyn New, and Rachel Hollander. Donald R. Wehrs is Associate Professor of English at Auburn University. David P. Haney is Vice Provost for Undergraduate Education and Professor of English at Appalachian State University.
Dedicated fans of Jane Austen's novels will delight in accompanying historian Jeremy Black through the drawing rooms, chapels, and battlefields of the time in which Austen lived and wrote. In this exceedingly readable and sweeping scan of late 18th- and early 19th-century Britain, Black provides a historical context for a deeper appreciation of classic novels such as Pride and Prejudice, Emma, and Sense and Sensibility. While Austen's novels bring to life complex characters living in intimate surroundings, England in the Age of Austen provides a fuller account of what the village, the church, and the family home would really have been like. In addition to seeing how Austen's own reading helped her craft complex characters like Emma, Black also explores how recurring figures in the novels, such as George III or Fanny Burney, provide a focus for a historical discussion of the fiction in which they appear. Jane Austen's world was the source of her works and the basis of her readership, and understanding that world gives fans new insights into the multifaceted narratives she created.
"The Greatest is Love." God wants us to love our neighbors. If this is the premise of being Christian, then why do thousands of denominations claim to be the "right and true" one, implying that all others are false? The author searches for truth and explores real world issues concerning Christians throughout history and today, and the future of Christianity in this ever-changing world. Join the author as he challenges you to think outside of your comfort zone and questions what you might have been told not to question about the Word of God. This book contains many facts and true stories, some you might recognize and some from the author's own life, as he logically discusses controversial subjects such as a Perfect Bible, sex, lying, killing, ethics, Christian leadership, Bible-thumping judgment, and women's rights. It is well documented and written in easy-to-understand language to arm you with the knowledge you need to discuss Scripture in an educated and meaningful way, and to develop a real-world perspective of Christianity; a must-read for all who profess to be Christian!