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This book provides a fresh examination of the Byzantine emperor Leo VI (886-912) and his reign. A consideration of personal and political relationships and internal and external affairs forms the basis of a reassessment of his achievements and kingship.
The focus of this book is the Byzantine emperor Leo VI (886-912) and his reign. He has been characterised as a careless and ineffectual emperor, but this work presents a more considered account of Leo and the politics of his age. Initial chapters on sources and the broader historical context are provided before particular aspects of Leo's life and reign are presented in eight chapters, arranged so as to give a rough chronological framework. Subjects discussed include relations with family and officials, imperial ideology, and ecclesiastical and military affairs. By drawing on a broad spectrum of primary evidence the book illustrates that Leo forged a distinctive imperial style as a literate city-based non-campaigning emperor, and argues that he was actively concerned about the problems that faced his empire.
The Byzantine emperor Leo VI (886–912), was not a general or even a soldier, like his predecessors, but a scholar, and it was the religious education he gained under the tutelage of the patriarch Photios that was to distinguish him as an unusual ruler. This book analyses Leo's literary output, focusing on his deployment of ideological principles and religious obligations to distinguish the characteristics of the Christian oikoumene from the Islamic caliphate, primarily in his military manual known as the Taktika. It also examines in depth his 113 legislative Novels, with particular attention to their theological prolegomena, showing how the emperor's religious sensibilities find expression in his reshaping of the legal code to bring it into closer accord with Byzantine canon law. Meredith L. D. Riedel argues that the impact of his religious faith transformed Byzantine cultural identity and influenced his successors, establishing the Macedonian dynasty as a 'golden age' in Byzantium.
This monograph on the Homilies of the Byzantine emperor Leo VI (886-912) provides the first extensive analysis of a neglected corpus of secular and ecclesiastical speeches, and sheds new light on both the fascinating figure of the author and the development of Byzantine homiletics.
An accessible and innovative introductory study of Byzantine law in its wider societal context under the Macedonian dynasty.
Analyses the ideological writings of a scholarly and unusual Byzantine emperor dedicated to distinctively Orthodox Christian principles.
This revised and expanded edition of the widely-praised A History of Byzantium covers the time of Constantine the Great in AD 306 to the fall of Constantinople in 1453. Expands treatment of the middle and later Byzantine periods, incorporating new archaeological evidence Includes additional maps and photographs, and a newly annotated, updated bibliography Incorporates a new section on web resources for Byzantium studies Demonstrates that Byzantium was important in its own right but also served as a bridge between East and West and ancient and modern society Situates Byzantium in its broader historical context with a new comparative timeline and textboxes
Throughout the history of Byzantium 65 emperors were dethroned and only 39 reigns ended peacefully. How might a usurper get away with murdering his predecessor? And how could a bloody act of regicide lead to one of the most glorious of all eras in Byzantium? These were questions that puzzled Michael Psellos as he looked back at Basil I’s assassination of Michael III and the origin of the Macedonian dynasty. Might the imperial art of Basil, his sons and grandson help to explain how the dynasty overcame its violent beginnings and secured the loyalty of its subjects? It has long been recognised that the early Macedonian emperors were active propagandists but royal art has usually been viewed thematically over the span of centuries. Official iconography has been understood to project imperial power in ways which were impersonal and unchanging. This book instead adopts a chronological approach and considers how Basil justified his seizure of power, and how his successors went on to articulate their own ideas about authority. It concludes that imperial art did at times reflect the personality of the emperor and the political demands of the moment, such as the need for an heir, the nature of court politics or the choice of successor. This innovative account of the forging of the Macedonian dynasty will appeal to those interested in how early medieval kings and emperors used art to create their own image, to differentiate themselves from rivals and to extend the boundaries of their personal power.
An engaging history of royal and imperial families and dynastic power, enriched by a body of surprising and memorable source material.
This volume, a product of international collaboration, presents readers with the state of the field in Khazar Studies. The Khazar Empire (ca. 650 - ca. 965-969), one of the largest states of medieval Eurasia, extended from the Middle Volga lands in the north to the Northern Caucasus and Crimea in the south and from the Ukrainians steppelands to the western borders of Kazakhstan and Uzbekistan in the east. Turkic in origin, it played a key role in the history of the peoples of Rus’, medieval Hungary and the Caucasus. Khazaria became one of the great trans-Eurasian trading terminals connecting the northern forest zones with Byzantium and the Arabian Caliphate. In the ninth century, the Khazars converted to Judaism. This book sheds new light on many unanswered, but fundamental questions regarding the Khazar Empire, so important in medieval Eurasia.